Singular Plural Ways of Staging Together : : Perspectives on Contemporary Dance, Art Performance and Visual Art / / Iris Julian.
Focusing on staging processes in contemporary dance and art performance creates new opportunities to study creative participation and co-authorship. To gain these new insights, Iris Julian analyses experimental projects initiated by two groups and a single choreographer: Collect-if by Collect-if, De...
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| Superior document: | Title is part of eBook package: De Gruyter transcript Complete eBook Package 2024 |
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| Place / Publishing House: | Bielefeld : : transcript Verlag, , [2024] ©2024 |
| Year of Publication: | 2024 |
| Language: | English |
| Series: | TanzScripte ;
72 |
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| Physical Description: | 1 online resource (386 p.) |
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Table of Contents:
- Frontmatter
- Contents
- Preface: Choreography as Social Practice
- 01.00 The Selected Works and Their Artistic Field
- 01.01 The Staging Process – An Object of Research?
- 01.02 The Black Box of the Theatre and the White Cube of the Museum
- 01.03 The Common Working Scheme: The Rosas Dance Company
- 01.04 On Dance History: Freedom? in Choreographic Design
- 01.05 Selecting the Staging Processes
- 01.06 Staging Processes in Dance and Performance: A Historical Outline
- 01.07 Collaborative Formats as Seducers
- 02.00 Towards a Production-Aesthetic Approach
- 02.01 Production-Aesthetic Perspectives in Dance and Theatre Studies
- 02.02 Performances, Staging Processes and Social (Inter)actions
- 02.03 Individuum: The Other Side of the Singular Plural
- 03.00 Research Questions: Three Perspectives
- 03.01 The First Perspective: Theatre Studies and Art History
- 03.02 The Second Perspective: Choreography as 1, 2, 3...Singular Plurals
- 03.03 The Third Perspective: Against the Backdrop of Real Life
- 03.04 Co-Sense – A Basis of Alternative Authorship?
- 04.00 Methodology for a Sociological Perspective
- 04.01 Defining the Core (of the) Team
- 04.02 Divisional Writing and Collective Creativity
- 04.03 Participation: Evolving Along a Greyscale
- 04.04 The Tripartition Method
- 04.05 Degrees in Participation and the Question of “Power”
- 04.06 A Sense of One’s Place
- 04.07 Bourdieu’s Theory of Capital in Relation to My Study
- 04.08 The Social Space Model
- 04.09 Different Types of Capital...and Their Interpretation
- 04.10 Escaping Determinism
- 05.00 “Reportable Portraits”
- 05.01 Research Scope: La communauté desoeuvrée
- 05.02 Counteracting the Traditional Narrative: The CVs of the Participants
- 05.03 Conception Phase: A Starting Point Is Not a Starting Point
- 05.04 Rehearsal Phase
- 05.05 Reformulation and the Notion of “sens de circulation”
- 05.06 Social Space: Frictions and Antagonisms
- 05.07 Evaluating the Working Scheme and Social Space Diagrams
- 05.08 Social Networks: A Further Perspective
- 05.09 Micro-Habitus
- 05.10 Media Phase: Internal Discourse
- 05.11 Media Phase: Reportable Portraits from an Outside Perspective
- 05.12 Between Co-Sense (Mit-Sinn) and the Singular
- 05.13 Authorship and Symbolic Capital
- 06.00 “Collect-if by Collect-if”
- 06.01 Reversing the Narrative
- 06.02 Depicting the Social Space of Collect-if by Collect-if
- 06.03 Conception Phase, Without Concept
- 06.04 Between All Chairs: Audition
- 06.05 Rehearsal Phase: The Starting Point and Its Difficulties
- 06.06 No Goal?
- 06.07 Social Space Diagram and Workers’ Self-Organisation
- 06.08 Media Phase: The Necessities of Retrievability
- 06.09 A “Remainder” That Cannot Be Fully Grasped...
- 07.00 “Retrospective”
- 07.01 Undoing Authorship(s)
- 07.02 Un/Presentable(s) – Non-Human Participants
- 07.03 Conception Phase: A Singular Being a Plural
- 07.04 Rehearsal Phase: The Sequences Selected
- 07.05 Media Phase: Questions of Authorship(s)
- 08.00 Synopsis
- 08.01 Three Guiding Research Perspectives
- 08.02 A Priori Questions
- 08.03 First Perspective – – – A Historical Outline
- 08.04 Second Perspective: An Ontological Reading
- 08.05 Third Perspective: Sociological Enquiry
- 08.06 Co-Sense: A Basis for a New Concept of Alternative Authorship?
- 08.07 Conclusion and Outlook
- 09.00 Bibliography
- 10.00 Table of Illustrations