Singular Plural Ways of Staging Together : : Perspectives on Contemporary Dance, Art Performance and Visual Art / / Iris Julian.

• Superior document: Title is part of eBook package: De Gruyter transcript Complete eBook Package 2024
• VerfasserIn: Julian, Iris,
• MitwirkendeR: Siegmund, Gerald,
• Place / Publishing House: Bielefeld : : transcript Verlag, , [2024]; ©2024
• Year of Publication: 2024
• Language: English
• Series: TanzScripte ; 72
• Physical Description: 1 online resource (386 p.)
• Other title: Frontmatter --; Contents --; Preface: Choreography as Social Practice --; 01.00 The Selected Works and Their Artistic Field --; 01.01 The Staging Process – An Object of Research? --; 01.02 The Black Box of the Theatre and the White Cube of the Museum --; 01.03 The Common Working Scheme: The Rosas Dance Company --; 01.04 On Dance History: Freedom? in Choreographic Design --; 01.05 Selecting the Staging Processes --; 01.06 Staging Processes in Dance and Performance: A Historical Outline --; 01.07 Collaborative Formats as Seducers --; 02.00 Towards a Production-Aesthetic Approach --; 02.01 Production-Aesthetic Perspectives in Dance and Theatre Studies --; 02.02 Performances, Staging Processes and Social (Inter)actions --; 02.03 Individuum: The Other Side of the Singular Plural --; 03.00 Research Questions: Three Perspectives --; 03.01 The First Perspective: Theatre Studies and Art History --; 03.02 The Second Perspective: Choreography as 1, 2, 3...Singular Plurals --; 03.03 The Third Perspective: Against the Backdrop of Real Life --; 03.04 Co-Sense – A Basis of Alternative Authorship? --; 04.00 Methodology for a Sociological Perspective --; 04.01 Defining the Core (of the) Team --; 04.02 Divisional Writing and Collective Creativity --; 04.03 Participation: Evolving Along a Greyscale --; 04.04 The Tripartition Method --; 04.05 Degrees in Participation and the Question of “Power” --; 04.06 A Sense of One’s Place --; 04.07 Bourdieu’s Theory of Capital in Relation to My Study --; 04.08 The Social Space Model --; 04.09 Different Types of Capital...and Their Interpretation --; 04.10 Escaping Determinism --; 05.00 “Reportable Portraits” --; 05.01 Research Scope: La communauté desoeuvrée --; 05.02 Counteracting the Traditional Narrative: The CVs of the Participants --; 05.03 Conception Phase: A Starting Point Is Not a Starting Point --; 05.04 Rehearsal Phase --; 05.05 Reformulation and the Notion of “sens de circulation” --; 05.06 Social Space: Frictions and Antagonisms --; 05.07 Evaluating the Working Scheme and Social Space Diagrams --; 05.08 Social Networks: A Further Perspective --; 05.09 Micro-Habitus --; 05.10 Media Phase: Internal Discourse --; 05.11 Media Phase: Reportable Portraits from an Outside Perspective --; 05.12 Between Co-Sense (Mit-Sinn) and the Singular --; 05.13 Authorship and Symbolic Capital --; 06.00 “Collect-if by Collect-if” --; 06.01 Reversing the Narrative --; 06.02 Depicting the Social Space of Collect-if by Collect-if --; 06.03 Conception Phase, Without Concept --; 06.04 Between All Chairs: Audition --; 06.05 Rehearsal Phase: The Starting Point and Its Difficulties --; 06.06 No Goal? --; 06.07 Social Space Diagram and Workers’ Self-Organisation --; 06.08 Media Phase: The Necessities of Retrievability --; 06.09 A “Remainder” That Cannot Be Fully Grasped... --; 07.00 “Retrospective” --; 07.01 Undoing Authorship(s) --; 07.02 Un/Presentable(s) – Non-Human Participants --; 07.03 Conception Phase: A Singular Being a Plural --; 07.04 Rehearsal Phase: The Sequences Selected --; 07.05 Media Phase: Questions of Authorship(s) --; 08.00 Synopsis --; 08.01 Three Guiding Research Perspectives --; 08.02 A Priori Questions --; 08.03 First Perspective – – – A Historical Outline --; 08.04 Second Perspective: An Ontological Reading --; 08.05 Third Perspective: Sociological Enquiry --; 08.06 Co-Sense: A Basis for a New Concept of Alternative Authorship? --; 08.07 Conclusion and Outlook --; 09.00 Bibliography --; 10.00 Table of Illustrations
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9783839472477; 9783111332376
• DOI: 10.1515/9783839472477?locatt=mode:legacy
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Iris Julian.

Focusing on staging processes in contemporary dance and art performance creates new opportunities to study creative participation and co-authorship. To gain these new insights, Iris Julian analyses experimental projects initiated by two groups and a single choreographer: Collect-if by Collect-if, Deufert + Plischke and Xavier Le Roy. By exploring nuances of staging work, the concept of singular plural became the analytical guideline and resulted into three research perspectives: theatre studies, sociology and ontological reading (Jean-Luc Nancy, Michaela Ott, Gerald Raunig). This approach makes it possible to look beyond the importance that is often credited to single authorship in the arts.With a foreword by Prof. Dr. Gerald Siegmund.