... has studied musicology at the University of Arts in Belgrade, where she also received her Ph.D. She attained her habilitation in musicology from the University of Music and Performing Arts Vienna (2021). She has taught at the University of Arts in Belgrade, University in Graz, and at the University of Music and Performing Arts Vienna, where she is currently an Adjunct Professor. She is the editor of the open access journal TheMA – Theatre, Music, Arts, advisory board member of MGG, editorial board member of Studia Musicologica, and chair of the IMS Study Group Music and Cultural Studies.
At the ACDH-CH, Tatjana Marković is part of the Department of Musicology. She is currently head of the FWF project Discourses on Music at the Margins of the Habsburg Monarchy (c. 1750–1914), which aims to reconstruct emerging musicology as a discipline and (pre) national music historiographies in order to discover pluricultural musical life along the southern border of the Austrian/Austro-Hungarian Empire.
Her main research interest is Southeast European musical culture and musicology.
Publications
- Markovic, Tatjana (online: 2022) Editorial: Herstory of Southeast Europe. TheMA, Open-Access Research Journal for Theatre, Music, Arts, Bd. 2022 (1-2), S. 1-2 <'https://www.thema-journal.eu/index.php/thema/issue/view/9'>.
- Markovic, Tatjana (Hrsg.) (2022) Studia Musicologica., hrsg. v. Bozó, Péter; Budapest: Akadémiai Kiadó.
- Markovic, Tatjana (2021) “Oriental” memories: Stevan Stojanović Mokranjac’s ballad Lem Edim. In: Blažeković, Benjamin Knysak and Zdravko (Hrsg.), Musical History as Seen through Contemporary Eyes. Essays in Honor of H. Robert Cohen; Wien: Hollitzer Wissenschaftsverlag, S. 445-466.
- Markovic, Tatjana (2021) Networks of Cultural Zones between Imperial Theatre Houses. Migrations of Two Serbian Musicians. In: Mojžišová, Michaela (Hrsg.), Cultural and Artistic Transfers in Theatre and Music Past, Present and Perspectives; Bratislava: Art Research Centre of the Slovak Academy of Sciences Institute of Theatre and Film Research, VEDA Publishing House of the Slovak Academy of Sciences, S. 81-99.
- Markovic, Tatjana (2021) Networks of cultural zones between imperial theatre houses: Migrations of two Serbian Musicians. In: Mojzisova, Michaela (Hrsg.), Cultural and artistic transfer in theatre and music: Past, present, and perspectives; Bratislava: VEDA Publishing ouse of the Slovak Academy of Sciences, S. 81-99.
- Markovic, Tatjana (2021) Exile and Emigration in Music Culture (Editorial). TheMA: Theatre, Music, Arts, Bd. 7 (1-2), S. 1-3.
Lectures
Markovic, Tatjana (29.10.2024) Microregional musical culture along the southern Austrian military border. Vortrag bei: Baltic Musicological Conference Music history beyond state borders (Lithuanian Academy of Music and Theatre), Vilnius/LITHUANIA <https://lmta.lt/en/baltic-musicological-conference-call-for-papers/>.
Markovic, Tatjana (29.10.2024) Microregional and transregional music identity networks, Session of the IMS Study Grup Music and Cultural Studies. Vortrag bei: Baltic Musicological Conference (Lithuanian Academy of Music and Theatre), Vilnius/LITHUANIA <https://lmta.lt/en/baltic-musicological-conference-call-for-papers/>.
Markovic, Tatjana (24.09.2024) Area Studies and music microhistories: Case studies on Serbia and Croatia. Vortrag bei: Salzburg's music history: Discussing the role of regional history of music (Mozarteum (Musikwissenschaft)), Salzburg/AUSTRIA <https://www.moz.ac.at/en/study/departments/musicology/focus-of-work-salzburg-music-history>.
Markovic, Tatjana (16.11.2023) Wiederbelebung des verbotenen slawischen Märchens: ‚Schwanda, der Dudelsackpfeifer‘ von Jaromir Weinberger.“ Zur Premiere im Theater an der Wien / Museumsquartier am 18. November 2023. Vortrag bei: Einführungsvortrag (Zur Premiere im Theater an der Wien / Museumsquartier) (ÖGM - Österreichische Gesellschaft für Musik), Wien/AUSTRIA <http://www.oegm.org/events/list/?tribe_paged=2&tribe_event_display=past>.
Markovic, Tatjana (10.10.2023) Reception of Beethoven and his work in Serbia in the interwar period. Vortrag bei: „Reception of Beethoven and his work in Serbia in the interwar period“, Beethoven and His Music in Nazi-Occupied European Countries (Deutsches Historisches Institut Warschau), Warsaw/POLAND.
Markovic, Tatjana (01.09.2023) A Serbian composer as ‘national treasure’ of Canada: Ana Sokolović’s ‘Svadba’ (2010/2011). Vortrag bei: The 8th International Conference of the IMS-RASMB Musical Cultures and Diasporas in the Balkans (International Musicological Society - RASMB Regional Association for the Study of Music of the Balkans), Thessaloniki/GREECE <https://rasmb-ims2023.gr/media/attachments/2023/09/15/ims-rasmb-2023-program.pdf>.