Thomas Bernhard : : language, history, subjectivity / / edited by Katya Krylova, Ernest Schonfield.
Thomas Bernhard, one of the most significant post-war European writers, continues to fascinate. The twenty essays in this bilingual volume offer new readings of the Austrian writer's works via three interconnected strands: language, history and subjectivity. In Austria, Bernhard was often viewe...
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Superior document: | Amsterdamer Beiträge zur neueren Germanistik ; volume 95 |
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TeilnehmendeR: | |
Place / Publishing House: | Leiden ;, Boston : : Brill,, 2023. |
Year of Publication: | 2023 |
Language: | English |
Series: | Amsterdamer Beiträge zur neueren Germanistik ;
volume 95. |
Physical Description: | 1 online resource (xiv, 382 pages). |
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245 | 0 | 0 | |a Thomas Bernhard : |b language, history, subjectivity / |c edited by Katya Krylova, Ernest Schonfield. |
246 | |a Thomas Bernhard | ||
264 | 1 | |a Leiden ; |a Boston : |b Brill, |c 2023. | |
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490 | 1 | |a Amsterdamer Beiträge zur neueren Germanistik ; |v volume 95 | |
588 | |a Description based on publisher supplied metadata and other sources. | ||
520 | |a Thomas Bernhard, one of the most significant post-war European writers, continues to fascinate. The twenty essays in this bilingual volume offer new readings of the Austrian writer's works via three interconnected strands: language, history and subjectivity. In Austria, Bernhard was often viewed as an enfant terrible. Yet after his death in 1989, he has increasingly undergone what novelist Alexander Schimmelbusch calls a 'Mozartisation'. Against this background, the volume refocuses attention on Bernhard's works themselves, underlining why these continue to be subversive and compelling. The essays in this volume address Bernhard's creative linguistic interventions; his theatrical verve; his literary persona; and his response to the traumatic historical legacy which continues to shape Austrian subjectivities long after 1945. | ||
504 | |a Includes bibliographical references (pages 355-376) and index. | ||
505 | 0 | |a Acknowledgements -- Abbreviations -- Notes on Contributors -- Introduction -- Katya Krylova and Ernest Schonfield -- 1. Zuga¨nge zu Thomas Bernhard: Grundsa¨tzliches und Perso¨nliches zu seinem Werk -- Manfred Mittermayer -- Part 1: Bernhard's Poetics -- 2. Syntaxa¨sthetik oder: die Kunst des Ku¨nstlichen, das Ku¨nstliche in der Kunst. Zu einem Pha¨nomen bei Thomas Bernhard / Ru¨diger Go¨rner -- 3. Thomas Bernhards Sprachfluchten: Wege aus der Unzula¨nglichkeit der Sprache / Susanne Lorenz -- 4. Walking with Thomas Bernhard: a Reading of Gehen as a Redemptive Text / Daniel Steuer -- Part 2: Bernhard's Early Fiction -- 5. Bernhard's Frost and the Philosophy of Pessimism / Ritchie Robertson -- 6. Ungenach und "alles, was mit Ungenach zusammenha¨ngt" - Preka¨re Erbschaften bei Thomas Bernhard / Simon Schoch -- Part 3: Bernhard's Plays -- 7. Die Unausweichlichkeit der anderen: Thomas Bernhards und Jean-Paul Sartres Dreiecksdramen / Juliane Werner -- 8. Thomas Bernhard und die "deutsche Seele": Identita¨t und Erinnerung in Vor dem Ruhestand / Nikolaios Koskinas -- 9. O¨sterreichbeschimpfung, Publikumsbeschimpfung und Selbstbeschimpfung im Theater Thomas Bernhards / Adrien Bessire -- 10. Hass als handlungsleitende Negativemotion in Thomas Bernhards Der Theatermacher und Heldenplatz / Patrick Siegmann -- Part 4: Bernhard's Later Fiction -- 11. Alte Meister: a Woman Reader Fights Back / Elizabeth Boa -- 12. "ich ha¨tte u¨ber diese meine Wortscho¨pfung im Augenblick auflachen ko¨nnen" - Thomas Bernhards subversive Mimikry diskursiver Begriffssprache in der Prosakomo¨die Alte Meister / Beate Sommerfeld -- 13. Thomas Bernhards Bezugnahmen auf Nikolaj Gogol / Victoria Boldina -- 14. Erza¨hlen aus Verstimmung. Historische und a¨sthetische Subjektivita¨t in Thomas Bernhards Auslo¨schung. Ein Zerfall / Stefan Hajduk -- 15. Murau, Gambetti and the Discourse of the Analyst in Auslo¨schung / Jack Davis -- 16. "Mehr nicht!": Zu Thomas Bernhards Erza¨hlung Goethe schtirbt / Hans-Walter Schmidt-Hannisa -- Part 5: Bernhard's Persona -- 17. The Human behind the Hyperbole: Bernhard's Self-Staging in Meine Preise, Ein Kind and Wittgensteins Neffe / Byron Spring -- 18. Selbstverachtung bei Thomas Bernhard und Elfriede Jelinek / Sheila Dickson -- 19. Thomas Bernhard-im Interview - eine Analyse von Drei Tage (1970) und Monologe auf Mallorca (1981) / Anita Tuta -- 20. "Zur Kenntlichkeit entstellt": Thomas Bernhards postume, o¨sterreichische Karriere / Martin Huber -- Bibliography -- Index. | |
650 | 0 | |a Art appreciation. | |
650 | 0 | |a Authors, Austrian. | |
600 | 1 | 0 | |a Bernhard, Thomas. |
700 | 1 | |a Krylova, Katya, |e editor. | |
700 | 1 | |a Schonfield, Ernest, |e editor. | |
776 | |z 90-04-54579-4 | ||
830 | 0 | |a Amsterdamer Beiträge zur neueren Germanistik ; |v volume 95. | |
906 | |a BOOK | ||
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