Theater(s) and public sphere in a global and digital society. / Volume 2. : Case studies / / edited by Ilaria Riccioni.

• Superior document: Studies in Critical Social Sciences
• TeilnehmendeR: Riccioni, Ilaria, 1968-
• Place / Publishing House: Boston : : BRILL,, 2022.; ©2023.
• Year of Publication: 2022
• Language: English
• Series: Studies in Critical Social Sciences.
• Physical Description: 1 online resource (248 pages)

Table of Contents

• Half Title
• Series Information
• Title Page
• Copyright Page
• Contents
• Preface
• Acknowledgements
• Figures and Tables
• Notes on Contributors
• Chapter 1 The Impact of Theatre in a Multilingual Province: The Case of the Teatro Stabile of Bolzano between New and Old Generations
• 1.1 The Specific Nature of the Territory: From Multilingualism to Multiculturalism
• 1.2 The Research
• 1.3 Analysis
• 1.4 Methodology
• 1.5 Emerged Categories
• 1.5.1 Performance and Social Engagement
• 1.5.2 Other Elements Which Emerged from the Interviews
• 1.6 Analysis of the Questionnaires
• 1.6.1 Some Data
• 1.6.2 Types of Interviewee
• 1.7 Concluding Remarks
• Bibliography
• Chapter 2 The Anomaly of the Teatro Stabile of Bolzano: A Public Theater on the Border, between Different Languages and Cultures
• 2.1 The Origins
• 2.2 Mitteleuropean Dramaturgy
• 2.3 Dramaturgy of the Territory
• 2.4 The Bolzano Theatre Award
• 2.5 Theatre and Society
• 2.6 Conclusions
• Bibliography
• Chapter 3 State Theater of Bolzano: 70 Years: History and Shows in a Book
• 3.1 Goals and Characteristics of the Book
• 3.1.1 A Historiographical Gap to Fill
• 3.1.2 Sources and Research Tools
• 3.1.3 Structure of the Book
• 3.2 The Season of Instability
• 3.2.1 Historical Peculiarities of the Teatro Stabile di Bolzano
• 3.2.2 The Direction of Fantasio Piccoli (1950-66)
• 3.2.3 The Direction of Maurizio Scaparro (1968-75)
• 3.2.4 The Direction of Alessandro Fersen
• 3.3 The Season of Stability
• 3.3.1 From Crisis to Revival
• 3.3.2 The Direction of Marco Bernardi (1980-2015)
• 3.3.3 The Final Location and the New Cultural Orientations
• 3.3.4 The Direction of Walter Zambaldi (2015-)
• 3.3.5 The Online Archive of the Teatro Stabile di Bolzano
• Bibliography.
• Chapter 4 The Interviews for the Research on the Teatro Stabile di Bolzano: Some Methodological Considerations
• 4.1 Selection of the Interviewees
• 4.2 The Empirical Material
• 4.3 The Interviews
• 4.4 A Brief Comparison with the Written Interviews
• 4.5 Theatre and Digital Language
• 4.6 In Conclusion, What Proposals Exist on the Subject of Integration?
• Bibliography
• Chapter 5 Social Theatre, a Polyphonic Dramaturgy of the Community
• 5.1 A Glocal World
• 5.2 Social Theatre
• 5.3 The Polyphonic Dramaturgy of the Communities
• Bibliography
• Chapter 6 From the Creative Process to the Relationship with the City: The Theatre of the 'Margin' by the Carullo-Minasi Company (Messina, 2011-2021)
• 6.1 Introduction
• Bibliography
• Chapter 7 Theatre Festivals and Urban Public Border Crossing: Practices in Comparison
• 7.1 Introduction
• 7.2 Contextualization
• 7.3 Case Studies
• 7.4 Festivals and Territories: A New Bond
• Bibliography
• Chapter 8 A Relational Theatre: Fabrizio Crisafulli's "Theatre of Places"
• 8.1 Fabrizio Crisafulli's Biography, between Social Commitment and Engagement in Theatrical Research
• 8.2 The "Theatre of Places": Definition of a Practice
• 8.3 At the Dawn of Research on the Place: "Spirito dei Luoghi" (1996-1998)
• 8.4 A Performance of Struggle and Poetry: "Alieni nati" (2018)
• 8.5 Conclusions
• Bibliography
• Chapter 9 Introducing Performing Human Rights
• Bibliography
• Chapter 10 On Stage without a Script: A Theatrical Workshop for Professional Training
• 10.1 Theoretical Background
• 10.2 The Theatrical Workshop
• 10.3 Weaving a New Plot: Poems, Texts and Stories
• 10.4 Conclusions
• Bibliography
• Chapter 11 The Theater of the Oppressed as a Martial Art: Theatre, Community, Pedagogy and Politics
• 11.1 Introduction
• 11.2 Theatre as a Field of Struggle.
• 11.3 Essential Theatre, Ascesis, Metaphor: Key Concepts
• 11.4 Aesthetics Is Politics
• Bibliography
• Chapter 12 Pier Paolo Pasolini and the Theatre of the Word
• 12.1 Introduction
• 12.2 The Change within Italian Society between 1960 and 1970
• 12.3 Pasolini and the Theatre of the Word
• 12.4 The Theatre of the Word as a Cultural Rite
• 12.5 The Most Frequent Criticism of Pasolini's Tragedies
• 12.6 Conclusions
• Bibliography
• Sitography
• Chapter 13 Dramaturgies of Distancing: Dance and Public Space in the Covid Era
• 13.1 Introduction
• 13.2 The Political Dramatist
• 13.3 The Race to Digital
• 13.4 New Criticism, What Visions?
• 13.5 Inside Theatre: An Eden in Bolzano
• 13.6 Outside the Theatre: Perspectiva
• 13.7 Conclusions
• Bibliography
• Sitography
• Chapter 14 La Trilogia del naufragio by Lina Prosa: Dramaturgy and Poetic of Inclusion
• 14.1 "Outside and Around the Stage": A Trilogy between Stage and Reality
• 14.2 Dramaturgy, Words, Body
• Bibliography
• Chapter 15 The Lavanderia a Vapore, from Madhouse to Dancehouse: A Contemporary Experience of Relationship between Theatrical Space and Territorial Communities
• 15.1 An Introduction
• 15.2 From Asylum to House of Dance
• 15.3 Media Dance: Forms of Innovation for the School Community
• 15.4 Between Parkinson's, Dance and Philosophy: Dance Well in Collegno
• 15.5 Residencies and Sharing in the House of Artists
• Bibliography
• Chapter 16 Performing Arts and Practices for the Inclusion of Migrants in Milan
• Bibliography
• Chapter 17 Teleaudiencias Teatrales: Crisis of a Representation
• 17.1 The Beginning
• 17.2 Theatre and Cinema: Hic et nunc
• 17.3 Chile: Digital Problems. The Dramatic Arts in Crisis
• 17.4 Festival Ensambles: A Creative Experiment
• 17.5 The Future
• Bibliography
• Index.