Theater(s) and public sphere in a global and digital society. / Volume 2. : Case studies / / edited by Ilaria Riccioni.

• Superior document: Studies in Critical Social Sciences
• TeilnehmendeR: Riccioni, Ilaria, 1968-
• Place / Publishing House: Boston : : BRILL,, 2022.; ©2023.
• Year of Publication: 2022
• Language: English
• Series: Studies in Critical Social Sciences.
• Physical Description: 1 online resource (248 pages)

Table of Contents

Half Title -- Series Information -- Title Page -- Copyright Page -- Contents -- Preface -- Acknowledgements -- Figures and Tables -- Notes on Contributors -- Chapter 1 The Impact of Theatre in a Multilingual Province: The Case of the Teatro Stabile of Bolzano between New and Old Generations -- 1.1 The Specific Nature of the Territory: From Multilingualism to Multiculturalism -- 1.2 The Research -- 1.3 Analysis -- 1.4 Methodology -- 1.5 Emerged Categories -- 1.5.1 Performance and Social Engagement -- 1.5.2 Other Elements Which Emerged from the Interviews -- 1.6 Analysis of the Questionnaires -- 1.6.1 Some Data -- 1.6.2 Types of Interviewee -- 1.7 Concluding Remarks -- Bibliography -- Chapter 2 The Anomaly of the Teatro Stabile of Bolzano: A Public Theater on the Border, between Different Languages and Cultures -- 2.1 The Origins -- 2.2 Mitteleuropean Dramaturgy -- 2.3 Dramaturgy of the Territory -- 2.4 The Bolzano Theatre Award -- 2.5 Theatre and Society -- 2.6 Conclusions -- Bibliography -- Chapter 3 State Theater of Bolzano: 70 Years: History and Shows in a Book -- 3.1 Goals and Characteristics of the Book -- 3.1.1 A Historiographical Gap to Fill -- 3.1.2 Sources and Research Tools -- 3.1.3 Structure of the Book -- 3.2 The Season of Instability -- 3.2.1 Historical Peculiarities of the Teatro Stabile di Bolzano -- 3.2.2 The Direction of Fantasio Piccoli (1950-66) -- 3.2.3 The Direction of Maurizio Scaparro (1968-75) -- 3.2.4 The Direction of Alessandro Fersen -- 3.3 The Season of Stability -- 3.3.1 From Crisis to Revival -- 3.3.2 The Direction of Marco Bernardi (1980-2015) -- 3.3.3 The Final Location and the New Cultural Orientations -- 3.3.4 The Direction of Walter Zambaldi (2015-) -- 3.3.5 The Online Archive of the Teatro Stabile di Bolzano -- Bibliography.

Chapter 4 The Interviews for the Research on the Teatro Stabile di Bolzano: Some Methodological Considerations -- 4.1 Selection of the Interviewees -- 4.2 The Empirical Material -- 4.3 The Interviews -- 4.4 A Brief Comparison with the Written Interviews -- 4.5 Theatre and Digital Language -- 4.6 In Conclusion, What Proposals Exist on the Subject of Integration? -- Bibliography -- Chapter 5 Social Theatre, a Polyphonic Dramaturgy of the Community -- 5.1 A Glocal World -- 5.2 Social Theatre -- 5.3 The Polyphonic Dramaturgy of the Communities -- Bibliography -- Chapter 6 From the Creative Process to the Relationship with the City: The Theatre of the 'Margin' by the Carullo-Minasi Company (Messina, 2011-2021) -- 6.1 Introduction -- Bibliography -- Chapter 7 Theatre Festivals and Urban Public Border Crossing: Practices in Comparison -- 7.1 Introduction -- 7.2 Contextualization -- 7.3 Case Studies -- 7.4 Festivals and Territories: A New Bond -- Bibliography -- Chapter 8 A Relational Theatre: Fabrizio Crisafulli's "Theatre of Places" -- 8.1 Fabrizio Crisafulli's Biography, between Social Commitment and Engagement in Theatrical Research -- 8.2 The "Theatre of Places": Definition of a Practice -- 8.3 At the Dawn of Research on the Place: "Spirito dei Luoghi" (1996-1998) -- 8.4 A Performance of Struggle and Poetry: "Alieni nati" (2018) -- 8.5 Conclusions -- Bibliography -- Chapter 9 Introducing Performing Human Rights -- Bibliography -- Chapter 10 On Stage without a Script: A Theatrical Workshop for Professional Training -- 10.1 Theoretical Background -- 10.2 The Theatrical Workshop -- 10.3 Weaving a New Plot: Poems, Texts and Stories -- 10.4 Conclusions -- Bibliography -- Chapter 11 The Theater of the Oppressed as a Martial Art: Theatre, Community, Pedagogy and Politics -- 11.1 Introduction -- 11.2 Theatre as a Field of Struggle.

11.3 Essential Theatre, Ascesis, Metaphor: Key Concepts -- 11.4 Aesthetics Is Politics -- Bibliography -- Chapter 12 Pier Paolo Pasolini and the Theatre of the Word -- 12.1 Introduction -- 12.2 The Change within Italian Society between 1960 and 1970 -- 12.3 Pasolini and the Theatre of the Word -- 12.4 The Theatre of the Word as a Cultural Rite -- 12.5 The Most Frequent Criticism of Pasolini's Tragedies -- 12.6 Conclusions -- Bibliography -- Sitography -- Chapter 13 Dramaturgies of Distancing: Dance and Public Space in the Covid Era -- 13.1 Introduction -- 13.2 The Political Dramatist -- 13.3 The Race to Digital -- 13.4 New Criticism, What Visions? -- 13.5 Inside Theatre: An Eden in Bolzano -- 13.6 Outside the Theatre: Perspectiva -- 13.7 Conclusions -- Bibliography -- Sitography -- Chapter 14 La Trilogia del naufragio by Lina Prosa: Dramaturgy and Poetic of Inclusion -- 14.1 "Outside and Around the Stage": A Trilogy between Stage and Reality -- 14.2 Dramaturgy, Words, Body -- Bibliography -- Chapter 15 The Lavanderia a Vapore, from Madhouse to Dancehouse: A Contemporary Experience of Relationship between Theatrical Space and Territorial Communities -- 15.1 An Introduction -- 15.2 From Asylum to House of Dance -- 15.3 Media Dance: Forms of Innovation for the School Community -- 15.4 Between Parkinson's, Dance and Philosophy: Dance Well in Collegno -- 15.5 Residencies and Sharing in the House of Artists -- Bibliography -- Chapter 16 Performing Arts and Practices for the Inclusion of Migrants in Milan -- Bibliography -- Chapter 17 Teleaudiencias Teatrales: Crisis of a Representation -- 17.1 The Beginning -- 17.2 Theatre and Cinema: Hic et nunc -- 17.3 Chile: Digital Problems. The Dramatic Arts in Crisis -- 17.4 Festival Ensambles: A Creative Experiment -- 17.5 The Future -- Bibliography -- Index.