Literature and racial ambiguity / / edited by Teresa Hubel and Neil Brooks.
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| Superior document: | Rodopi Perspectives on Modern Literature ; 27 |
|---|---|
| TeilnehmendeR: | |
| Place / Publishing House: | Amsterdam ;, New York, New York : : Rodopi,, 2002. |
| Year of Publication: | 2002 |
| Language: | English |
| Series: | Rodopi perspectives on modern literature ;
27. |
| Physical Description: | 1 online resource (viii, 320 pages) |
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| 245 | 0 | 0 | |a Literature and racial ambiguity / |c edited by Teresa Hubel and Neil Brooks. |
| 264 | 1 | |a Amsterdam ; |a New York, New York : |b Rodopi, |c 2002. | |
| 300 | |a 1 online resource (viii, 320 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |2 rdacarrier | ||
| 490 | 1 | |a Rodopi Perspectives on Modern Literature ; |v 27 | |
| 504 | |a Includes bibliographical references (p. 314-316). | ||
| 505 | 0 | 0 | |t Preliminary Material / |r Teresa Hubel and Neil Brooks -- |t \'WHAT IS IN MY BLOOD?\': CONTEMPORARY BLACK SCOTTISHNESS AND THE WORK OF JACKIE KAY / |r Teresa Hubel and Neil Brooks -- |t “EVERYONE WAS VAGUELY RELATED”: HYBRIDITY AND THE POLITICS OF RACE IN SRI LANKAN LITERARY DISCOURSES IN ENGLISH / |r Teresa Hubel and Neil Brooks -- |t PASSING TRANSGRESSIONS AND AUTHENTIC IDENTITY IN JESSIE FAUSET’S PLUM BUN AND NELLA LARSEN’S PASSING / |r Teresa Hubel and Neil Brooks -- |t WHITENESS AS UNSTABLE CONSTRUCTION : KATE PULLINGER’S THE LAST TIME I SAW JANE / |r Teresa Hubel and Neil Brooks -- |t BECOMING CHINESE: RACIAL AMBIGUITY IN AMY TAN’S THE JOY LUCK CLUB / |r Teresa Hubel and Neil Brooks -- |t STRATEGIC CRÉOLITÉ: CALIBAN AND MIRANDA AFTER EMPIRE / |r Teresa Hubel and Neil Brooks -- |t WHITE IDENTITY AND THE NEW ETHIC IN FAULKNER’S LIGHT IN AUGUST / |r Teresa Hubel and Neil Brooks -- |t WHITE FATHERS, BROWN DAUGHTERS: THE FRISBIE FAMILY ROMANCE AND THE AMERICAN PACIFIC / |r Teresa Hubel and Neil Brooks -- |t WRITING CULTURE AND PERFORMING RACE IN MOURNING DOVE’S COGEWEA, THE HALF-BLOOD (1927) / |r Teresa Hubel and Neil Brooks -- |t VISIBLE DIFFERENCES: VIEWING RACIAL IDENTITY IN TONI MORRISON’S PARADISE AND “RECITATIF” / |r Teresa Hubel and Neil Brooks -- |t LOOKING DIFFERENT/RE-THINKING DIFFERENCE: GLOBAL CONSTRAINTS AND/OR CONTRADICTORY CHARACTERISTICS IN YASMINE GOONERATNE’S A CHANGE OF SKIES AND ADIB KHAN’S SEASONAL ADJUSTMENTS / |r Teresa Hubel and Neil Brooks -- |t JESSIE FAUSET’S FICTION: RECONSIDERING RACE AND REVISING AESTHETICISM / |r Teresa Hubel and Neil Brooks -- |t “I MAY CREATE A MONSTER”: CHERRÍE MORAGA’S TRANSCULTURAL CONUNDRUM / |r Teresa Hubel and Neil Brooks -- |t REVISITING THE THIRD SPACE: READING DANZY SENNA’S CAUCASIA / |r Teresa Hubel and Neil Brooks -- |t NOTES ON THE AUTHORS / |r Teresa Hubel and Neil Brooks. |
| 588 | |a Description based on print version record. | ||
| 650 | 0 | |a Race in literature. | |
| 650 | 0 | |a Ambiguity in literature. | |
| 650 | 0 | |a Literature, Modern |x History and criticism. | |
| 776 | |z 90-420-1428-8 | ||
| 700 | 1 | |a Hubel, Teresa, |e editor. | |
| 700 | 1 | |a Brooks, Neil, |e editor. | |
| 797 | 2 | |a ebrary | |
| 830 | 0 | |a Rodopi perspectives on modern literature ; |v 27. | |
| 906 | |a BOOK | ||
| ADM | |b 2023-06-10 20:31:09 Europe/Vienna |f system |c marc21 |a 2016-08-13 16:41:26 Europe/Vienna |g false | ||
| AVE | |i Brill |P EBA Brill All |x https://eu02.alma.exlibrisgroup.com/view/uresolver/43ACC_OEAW/openurl?u.ignore_date_coverage=true&portfolio_pid=5343592720004498&Force_direct=true |Z 5343592720004498 |b Available |8 5343592720004498 | ||