A History of Ambiguity / / Anthony Ossa-Richardson.

• Superior document: Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2019 English
• VerfasserIn: Ossa-Richardson, Anthony,
• Place / Publishing House: Princeton, NJ : : Princeton University Press, , [2019]; ©2019
• Year of Publication: 2019
• Language: English
• Physical Description: 1 online resource (488 p.)
• Other title: Frontmatter --; Contents --; Illustrations --; Preface and Acknowledgements --; Abbreviations --; A Note on Citations and Translations --; INTRODUCTION A COMPANY OF TWO ARMIES --; PART ONE. Themes --; CHAPTER ONE. THE OLD RHETORIC --; CHAPTER TWO. FORENSIC IDOLS --; CHAPTER THREE. COLLUSION AND DELUSION --; CHAPTER FOUR. RIVER AND OCEAN --; CHAPTER FIVE. SATURA LANX --; PART TWO. Variations --; CHAPTER SIX. THE FAULTLESS DIE --; CHAPTER SEVEN. AMBIGUITIES OF TYPE --; CHAPTER EIGHT. ADLOYADA --; CHAPTER NINE. AN EQUIVOCAL SMILE --; CHAPTER TEN. THE COMBINATION ROOM --; AFTERWORD --; Bibliography --; Index
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9780691188775; 9783110610765; 9783110664232; 9783110610369; 9783110606348
• DOI: 10.1515/9780691188775?locatt=mode:legacy
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Anthony Ossa-Richardson.

Ever since it was first published in 1930, William Empson's Seven Types of Ambiguity has been perceived as a milestone in literary criticism-far from being an impediment to communication, ambiguity now seemed an index of poetic richness and expressive power. Little, however, has been written on the broader trajectory of Western thought about ambiguity before Empson; as a result, the nature of his innovation has been poorly understood.A History of Ambiguity remedies this omission. Starting with classical grammar and rhetoric, and moving on to moral theology, law, biblical exegesis, German philosophy, and literary criticism, Anthony Ossa-Richardson explores the many ways in which readers and theorists posited, denied, conceptualised, and argued over the existence of multiple meanings in texts between antiquity and the twentieth century. This process took on a variety of interconnected forms, from the Renaissance delight in the 'elegance' of ambiguities in Horace, through the extraordinary Catholic claim that Scripture could contain multiple literal-and not just allegorical-senses, to the theory of dramatic irony developed in the nineteenth century, a theory intertwined with discoveries of the double meanings in Greek tragedy. Such narratives are not merely of antiquarian interest: rather, they provide an insight into the foundations of modern criticism, revealing deep resonances between acts of interpretation in disparate eras and contexts. A History of Ambiguity lays bare the long tradition of efforts to liberate language, and even a poet's intention, from the strictures of a single meaning.