Literature and racial ambiguity / / edited by Teresa Hubel and Neil Brooks.
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Superior document: | Rodopi Perspectives on Modern Literature ; 27 |
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TeilnehmendeR: | |
Place / Publishing House: | Amsterdam ;, New York, New York : : Rodopi,, 2002. |
Year of Publication: | 2002 |
Language: | English |
Series: | Rodopi perspectives on modern literature ;
27. |
Physical Description: | 1 online resource (viii, 320 pages) |
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Other title: | Preliminary Material / \'WHAT IS IN MY BLOOD?\': CONTEMPORARY BLACK SCOTTISHNESS AND THE WORK OF JACKIE KAY / “EVERYONE WAS VAGUELY RELATED”: HYBRIDITY AND THE POLITICS OF RACE IN SRI LANKAN LITERARY DISCOURSES IN ENGLISH / PASSING TRANSGRESSIONS AND AUTHENTIC IDENTITY IN JESSIE FAUSET’S PLUM BUN AND NELLA LARSEN’S PASSING / WHITENESS AS UNSTABLE CONSTRUCTION : KATE PULLINGER’S THE LAST TIME I SAW JANE / BECOMING CHINESE: RACIAL AMBIGUITY IN AMY TAN’S THE JOY LUCK CLUB / STRATEGIC CRÉOLITÉ: CALIBAN AND MIRANDA AFTER EMPIRE / WHITE IDENTITY AND THE NEW ETHIC IN FAULKNER’S LIGHT IN AUGUST / WHITE FATHERS, BROWN DAUGHTERS: THE FRISBIE FAMILY ROMANCE AND THE AMERICAN PACIFIC / WRITING CULTURE AND PERFORMING RACE IN MOURNING DOVE’S COGEWEA, THE HALF-BLOOD (1927) / VISIBLE DIFFERENCES: VIEWING RACIAL IDENTITY IN TONI MORRISON’S PARADISE AND “RECITATIF” / LOOKING DIFFERENT/RE-THINKING DIFFERENCE: GLOBAL CONSTRAINTS AND/OR CONTRADICTORY CHARACTERISTICS IN YASMINE GOONERATNE’S A CHANGE OF SKIES AND ADIB KHAN’S SEASONAL ADJUSTMENTS / JESSIE FAUSET’S FICTION: RECONSIDERING RACE AND REVISING AESTHETICISM / “I MAY CREATE A MONSTER”: CHERRÍE MORAGA’S TRANSCULTURAL CONUNDRUM / REVISITING THE THIRD SPACE: READING DANZY SENNA’S CAUCASIA / NOTES ON THE AUTHORS / |
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Bibliography: | Includes bibliographical references (p. 314-316). |
ISBN: | 900433422X |
Hierarchical level: | Monograph |
Statement of Responsibility: | edited by Teresa Hubel and Neil Brooks. |