Landscape between ideology and the aesthetic : : Marxist essays on British art and art theory, 1750-1850 / / by Andrew Hemingway.
At a time of growing interest in relations between Marxism and Romanticism, Andrew Hemingway’s essays on British art and art theory reopen the question of Romantic painting’s ideological functions and, in some cases, its critical purchase. Half the volume exposes the voices of competing class intere...
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| Superior document: | Historical Materialism Book Series, Volume 135 |
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| VerfasserIn: | |
| Place / Publishing House: | Leiden, Netherlands ;, Boston, [Massachusetts] : : Brill,, 2017. ©2017 |
| Year of Publication: | 2017 |
| Language: | English |
| Series: | Historical materialism book series ;
Volume 135. |
| Physical Description: | 1 online resource (515 pages) :; illustrations. |
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Table of Contents:
- Front Matter
- Theoretical Apologia
- The Science of Taste in the Eighteenth Century: Philosophical Criticism and the Scottish Historical School
- Academic Theory versus Association Aesthetics: The Ideological Forms of a Conflict of Interests in the Early Nineteenth Century
- Bourgeois Critiques of the Monopoly of Taste
- Genius, Gender, and Progress: Benthamism and the Arts in the 1820s
- Cultural Philanthropy and the Invention of the Norwich School
- Meaning in Cotman’s Norfolk Subjects
- Sheep as a Pictorial Motif: Pastoral and Counter-Pastoral
- Artisanal Worldview in the Paintings of John Crome
- John Crome’s ‘Local Scenery’: Iconography and the Ideology of the Picturesque
- Constable and His Audience: An Argument for Iconography
- The Field of Waterloo Exposed: Turner, Byron, and the Politics of Reaction
- Coda: Regarding Art History
- Bibliography
- Index.