Landscape between ideology and the aesthetic : : Marxist essays on British art and art theory, 1750-1850 / / by Andrew Hemingway.
At a time of growing interest in relations between Marxism and Romanticism, Andrew Hemingway’s essays on British art and art theory reopen the question of Romantic painting’s ideological functions and, in some cases, its critical purchase. Half the volume exposes the voices of competing class intere...
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Superior document: | Historical Materialism Book Series, Volume 135 |
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Place / Publishing House: | Leiden, Netherlands ;, Boston, [Massachusetts] : : Brill,, 2017. ©2017 |
Year of Publication: | 2017 |
Language: | English |
Series: | Historical materialism book series ;
Volume 135. |
Physical Description: | 1 online resource (515 pages) :; illustrations. |
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Hemingway, Andrew, author. Landscape between ideology and the aesthetic : Marxist essays on British art and art theory, 1750-1850 / by Andrew Hemingway. Leiden, Netherlands ; Boston, [Massachusetts] : Brill, 2017. ©2017 1 online resource (515 pages) : illustrations. text rdacontent computer rdamedia online resource rdacarrier Historical Materialism Book Series, 1570-1522 ; Volume 135 At a time of growing interest in relations between Marxism and Romanticism, Andrew Hemingway’s essays on British art and art theory reopen the question of Romantic painting’s ideological functions and, in some cases, its critical purchase. Half the volume exposes the voices of competing class interests in aesthetics and art theory in the tumultuous years of British history between the American Revolution and the 1832 Parliamentary Reform Act. Half offers new perspectives on works by some of the most important landscape painters of the time: John Constable, J.M.W. Turner, John Crome, and John Sell Cotman. Four essays are hitherto unpublished, and the remainder have been updated and in several cases substantially rewritten for this volume. Front Matter -- Theoretical Apologia -- The Science of Taste in the Eighteenth Century: Philosophical Criticism and the Scottish Historical School -- Academic Theory versus Association Aesthetics: The Ideological Forms of a Conflict of Interests in the Early Nineteenth Century -- Bourgeois Critiques of the Monopoly of Taste -- Genius, Gender, and Progress: Benthamism and the Arts in the 1820s -- Cultural Philanthropy and the Invention of the Norwich School -- Meaning in Cotman’s Norfolk Subjects -- Sheep as a Pictorial Motif: Pastoral and Counter-Pastoral -- Artisanal Worldview in the Paintings of John Crome -- John Crome’s ‘Local Scenery’: Iconography and the Ideology of the Picturesque -- Constable and His Audience: An Argument for Iconography -- The Field of Waterloo Exposed: Turner, Byron, and the Politics of Reaction -- Coda: Regarding Art History -- Bibliography -- Index. Includes bibliographical references and index. Description based on print version record. Communism and art Great Britain History. Communist aesthetics. Art Philosophy. Art Great Britain History. Art criticism Great Britain History. 90-04-26900-2 Historical materialism book series ; Volume 135. |
language |
English |
format |
eBook |
author |
Hemingway, Andrew, |
spellingShingle |
Hemingway, Andrew, Landscape between ideology and the aesthetic : Marxist essays on British art and art theory, 1750-1850 / Historical Materialism Book Series, Front Matter -- Theoretical Apologia -- The Science of Taste in the Eighteenth Century: Philosophical Criticism and the Scottish Historical School -- Academic Theory versus Association Aesthetics: The Ideological Forms of a Conflict of Interests in the Early Nineteenth Century -- Bourgeois Critiques of the Monopoly of Taste -- Genius, Gender, and Progress: Benthamism and the Arts in the 1820s -- Cultural Philanthropy and the Invention of the Norwich School -- Meaning in Cotman’s Norfolk Subjects -- Sheep as a Pictorial Motif: Pastoral and Counter-Pastoral -- Artisanal Worldview in the Paintings of John Crome -- John Crome’s ‘Local Scenery’: Iconography and the Ideology of the Picturesque -- Constable and His Audience: An Argument for Iconography -- The Field of Waterloo Exposed: Turner, Byron, and the Politics of Reaction -- Coda: Regarding Art History -- Bibliography -- Index. |
author_facet |
Hemingway, Andrew, |
author_variant |
a h ah |
author_role |
VerfasserIn |
author_sort |
Hemingway, Andrew, |
title |
Landscape between ideology and the aesthetic : Marxist essays on British art and art theory, 1750-1850 / |
title_sub |
Marxist essays on British art and art theory, 1750-1850 / |
title_full |
Landscape between ideology and the aesthetic : Marxist essays on British art and art theory, 1750-1850 / by Andrew Hemingway. |
title_fullStr |
Landscape between ideology and the aesthetic : Marxist essays on British art and art theory, 1750-1850 / by Andrew Hemingway. |
title_full_unstemmed |
Landscape between ideology and the aesthetic : Marxist essays on British art and art theory, 1750-1850 / by Andrew Hemingway. |
title_auth |
Landscape between ideology and the aesthetic : Marxist essays on British art and art theory, 1750-1850 / |
title_new |
Landscape between ideology and the aesthetic : |
title_sort |
landscape between ideology and the aesthetic : marxist essays on british art and art theory, 1750-1850 / |
series |
Historical Materialism Book Series, |
series2 |
Historical Materialism Book Series, |
publisher |
Brill, |
publishDate |
2017 |
physical |
1 online resource (515 pages) : illustrations. |
contents |
Front Matter -- Theoretical Apologia -- The Science of Taste in the Eighteenth Century: Philosophical Criticism and the Scottish Historical School -- Academic Theory versus Association Aesthetics: The Ideological Forms of a Conflict of Interests in the Early Nineteenth Century -- Bourgeois Critiques of the Monopoly of Taste -- Genius, Gender, and Progress: Benthamism and the Arts in the 1820s -- Cultural Philanthropy and the Invention of the Norwich School -- Meaning in Cotman’s Norfolk Subjects -- Sheep as a Pictorial Motif: Pastoral and Counter-Pastoral -- Artisanal Worldview in the Paintings of John Crome -- John Crome’s ‘Local Scenery’: Iconography and the Ideology of the Picturesque -- Constable and His Audience: An Argument for Iconography -- The Field of Waterloo Exposed: Turner, Byron, and the Politics of Reaction -- Coda: Regarding Art History -- Bibliography -- Index. |
isbn |
90-04-26901-0 90-04-26900-2 |
issn |
1570-1522 ; |
callnumber-first |
H - Social Science |
callnumber-subject |
HX - Socialism, Communism, Anarchism |
callnumber-label |
HX521 |
callnumber-sort |
HX 3521 H46 42017 |
geographic_facet |
Great Britain |
illustrated |
Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
700 - Arts |
dewey-ones |
701 - Philosophy of fine & decorative arts |
dewey-full |
701/.170941 |
dewey-sort |
3701 6170941 |
dewey-raw |
701/.170941 |
dewey-search |
701/.170941 |
oclc_num |
965446665 |
work_keys_str_mv |
AT hemingwayandrew landscapebetweenideologyandtheaestheticmarxistessaysonbritishartandarttheory17501850 |
status_str |
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ids_txt_mv |
(CKB)3710000000960134 (MiAaPQ)EBC4756316 (OCoLC)965446665 (OCoLC)964656869 (nllekb)BRILL9789004269019 (EXLCZ)993710000000960134 |
hierarchy_parent_title |
Historical Materialism Book Series, Volume 135 |
hierarchy_sequence |
Volume 135. |
is_hierarchy_title |
Landscape between ideology and the aesthetic : Marxist essays on British art and art theory, 1750-1850 / |
container_title |
Historical Materialism Book Series, Volume 135 |
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