Landscape between ideology and the aesthetic : : Marxist essays on British art and art theory, 1750-1850 / / by Andrew Hemingway.

At a time of growing interest in relations between Marxism and Romanticism, Andrew Hemingway’s essays on British art and art theory reopen the question of Romantic painting’s ideological functions and, in some cases, its critical purchase. Half the volume exposes the voices of competing class intere...

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Bibliographic Details
Superior document:Historical Materialism Book Series, Volume 135
VerfasserIn:
Place / Publishing House:Leiden, Netherlands ;, Boston, [Massachusetts] : : Brill,, 2017.
©2017
Year of Publication:2017
Language:English
Series:Historical materialism book series ; Volume 135.
Physical Description:1 online resource (515 pages) :; illustrations.
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Summary:At a time of growing interest in relations between Marxism and Romanticism, Andrew Hemingway’s essays on British art and art theory reopen the question of Romantic painting’s ideological functions and, in some cases, its critical purchase. Half the volume exposes the voices of competing class interests in aesthetics and art theory in the tumultuous years of British history between the American Revolution and the 1832 Parliamentary Reform Act. Half offers new perspectives on works by some of the most important landscape painters of the time: John Constable, J.M.W. Turner, John Crome, and John Sell Cotman. Four essays are hitherto unpublished, and the remainder have been updated and in several cases substantially rewritten for this volume.
Bibliography:Includes bibliographical references and index.
ISBN:9004269010
ISSN:1570-1522 ;
Hierarchical level:Monograph
Statement of Responsibility: by Andrew Hemingway.