Chinese ways of seeing and open-air painting / / Yi Gu.
"Focuses on the rise of open-air painting in modern China beginning in the late 1910s, when the New Culture Movement prompted painters to embrace direct observation, linear perspective, and a conception of vision based on Cartesian optics, through the early 1960s. The new landscape practice bro...
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| Superior document: | Harvard East Asian monographs ; 430 |
|---|---|
| VerfasserIn: | |
| Place / Publishing House: | Cambridge, Massachusetts : : Harvard University Asia Center,, 2020. ©2020 |
| Year of Publication: | 2020 |
| Edition: | First edition. |
| Language: | English |
| Series: | Harvard East Asian monographs ;
430. |
| Physical Description: | 1 online resource. |
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