Chinese ways of seeing and open-air painting / / Yi Gu.
"Focuses on the rise of open-air painting in modern China beginning in the late 1910s, when the New Culture Movement prompted painters to embrace direct observation, linear perspective, and a conception of vision based on Cartesian optics, through the early 1960s. The new landscape practice bro...
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| Superior document: | Harvard East Asian monographs ; 430 |
|---|---|
| VerfasserIn: | |
| Place / Publishing House: | Cambridge, Massachusetts : : Harvard University Asia Center,, 2020. ©2020 |
| Year of Publication: | 2020 |
| Edition: | First edition. |
| Language: | English |
| Series: | Harvard East Asian monographs ;
430. |
| Physical Description: | 1 online resource. |
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Table of Contents:
- Copyright Page / Author: Yi Gu
- Dedication / Author: Yi Gu
- List of Illustrations / Author: Yi Gu
- Acknowledgments / Author: Yi Gu
- Introduction / Author: Yi Gu
- chapter one Open-Air Painting and the Modern Chinese Painter / Author: Yi Gu
- chapter two Optical Vision and New Modes of Depiction / Author: Yi Gu
- chapter three Inventing Tradition through Open-Air Painting / Author: Yi Gu
- chapter four Open-Air Painting during the War / Author: Yi Gu
- chapter five Views of the Party-State / Author: Yi Gu
- Epilogue / Author: Yi Gu
- Notes / Author: Yi Gu
- Glossary / Author: Yi Gu
- Bibliography / Author: Yi Gu
- Index / Author: Yi Gu
- Harvard East Asian Monographs / Author: Yi Gu.