Chinese ways of seeing and open-air painting / / Yi Gu.

"Focuses on the rise of open-air painting in modern China beginning in the late 1910s, when the New Culture Movement prompted painters to embrace direct observation, linear perspective, and a conception of vision based on Cartesian optics, through the early 1960s. The new landscape practice bro...

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Superior document:Harvard East Asian monographs ; 430
VerfasserIn:
Place / Publishing House:Cambridge, Massachusetts : : Harvard University Asia Center,, 2020.
©2020
Year of Publication:2020
Edition:First edition.
Language:English
Series:Harvard East Asian monographs ; 430.
Physical Description:1 online resource.
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245 1 0 |a Chinese ways of seeing and open-air painting /  |c Yi Gu. 
250 |a First edition. 
264 1 |a Cambridge, Massachusetts :  |b Harvard University Asia Center,  |c 2020. 
264 4 |c ©2020 
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490 1 |a Harvard East Asian monographs ;  |v 430 
504 |a Includes bibliographical references and index. 
588 |a Description based on print version record. 
505 0 0 |t Copyright Page /  |r Author: Yi Gu --  |t Dedication /  |r Author: Yi Gu --  |t List of Illustrations /  |r Author: Yi Gu --  |t Acknowledgments /  |r Author: Yi Gu --  |t Introduction /  |r Author: Yi Gu --  |t chapter one Open-Air Painting and the Modern Chinese Painter /  |r Author: Yi Gu --  |t chapter two Optical Vision and New Modes of Depiction /  |r Author: Yi Gu --  |t chapter three Inventing Tradition through Open-Air Painting /  |r Author: Yi Gu --  |t chapter four Open-Air Painting during the War /  |r Author: Yi Gu --  |t chapter five Views of the Party-State /  |r Author: Yi Gu --  |t Epilogue /  |r Author: Yi Gu --  |t Notes /  |r Author: Yi Gu --  |t Glossary /  |r Author: Yi Gu --  |t Bibliography /  |r Author: Yi Gu --  |t Index /  |r Author: Yi Gu --  |t Harvard East Asian Monographs /  |r Author: Yi Gu. 
520 |a "Focuses on the rise of open-air painting in modern China beginning in the late 1910s, when the New Culture Movement prompted painters to embrace direct observation, linear perspective, and a conception of vision based on Cartesian optics, through the early 1960s. The new landscape practice brought with it unprecedented emphasis on perception and redefined artistic expertise"--  |c Provided by publisher. 
650 0 |a Landscape painting, Chinese  |y 20th century. 
650 0 |a Landscape painting, Chinese  |x Technique. 
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651 7 |a China  |2 gnd 
648 7 |a 1900-1999  |2 fast 
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