Cultural excavation and formal expression in the graphic novel / / edited by Jonathan C. Evans, Thomas Giddens.
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| Place / Publishing House: | Oxford, England : : Inter-Disciplinary Press,, [2013] ©2013 |
| Year of Publication: | 2013 |
| Language: | English |
| Physical Description: | 1 online resource. |
| Notes: | Bibliographic Level Mode of Issuance: Monograph |
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Table of Contents:
- Preliminary material / Jonathan C. Evans and Thomas Giddens
- Loner, Lover, Hero: Superhero Reads Hemingway / Anna Koronowicz
- The Man of Tomorrow is Looking Out for You: Symbolic and Rhetorical Reading of Graphic Novels / Jonathan C. Evans
- Enabling Mythologies: Specificity and Myth-Making in TRESE / Ana Micaela Chua
- Comics and Autobiographical Identity / Valerie Bodell
- Self Wrought: The Unreliable Narrator / the Unreliable Self in Pat Grant’s BLUE and Mandy Ord’s Rooftops / Elizabeth MacFarlane
- Otherness in Marjane Satrapi’s Persepolis: The Autobiography and the Graphic Novel as a Subversion of the Western Gaze / Thayse Madella
- The Protagonists’ Many ‘Wedges’: Aspects of Seriality in Alison Bechdel’s Dykes to Watch Out For / Lukas Etter
- Up in the Sky, Feet on the Ground: Cultural Identity in Filipino Superhero Komiks / Emil Francis M. Flores
- Filipino Humour and the Filipinisation of Foreign Tropes in Macoy’s Taal Volcano Monster vs. Evil Space Paru-Paro / Carljoe Javier
- Humour and the Contested City in Indian Graphic Novels / Mridula Chari
- Inevitably Postmodern: The Case of Maus by Art Spiegelman / Simona Porro
- The Atomic Holocaust from the Perspective of Shōjo: From Sanpei Shirato’s A Vanishing Girl to Fumiyo Kōno’s In a Corner of This World / Kotaro Nakagaki
- Queer Revisionism in Lene Ask’s Graphic Novel Hitler, Jesus and Grandpa (‘Hitler, Jesus og Farfar’) / Elisabeth Oxfeldt
- Rejecting the Generalisation of Maus as a ‘Second Generation’ Text / Erin K. Boone
- ‘Perseveration on Detail’: Shame and Confession in Memoir Comics / Sarah Richardson
- V for Valerie: Lesbianism in V for Vendetta / Derek Frasure
- ‘And All Right, We Need a Woman’: Victimised Heroines and Heroic Victims in Alan Moore’s Quasi-Victorian Graphic Novels / Maciej Sulmicki
- The Individual Subject in Smooth and Striated Space in Alan Moore’s The Ballad of Halo Jones and Saga of the Swamp Thing / Michael J. Prince
- Time, Narrative and the Gutter: How Philosophical Thinking Can Make Something Out of Nothing / Julia Moszkowicz
- Towards a Metaphysics of Comics / Thomas Giddens
- Sincerity and Speech Balloons: The Shape and Weight of Words in Autobiographical Comics / Leonie Brialey
- Time of the Photograph, Time of the Comic: Documentary and Art in The Photographer / Eleanor Kent
- Prequel, Sequel or Equal: The Transmedia Vampire and the Graphic Novel / Simon Bacon
- Space and Time in Graphic Novel Adaptations of Shakespeare’s Plays: A Semiotic Approach / Anna Wołosz
- Imaginary Lives: Edgar Allan Poe as a Comic Book Character / Ana González-Rivas Fernández and Francisco Saez de Adana
- Adoption of Graphic Novel Features in Non-Fiction Genres / Barry Natusch
- Viewer as Reader: Modes of Encounter with Juxtaposed Image Narratives / Bruce Mutard
- From Comic to Hypercomic / Daniel Merlin Goodbrey
- Digital Pages: Reading, Comics and Screens / Jayms Clifford Nichols.