Cultural excavation and formal expression in the graphic novel / / edited by Jonathan C. Evans, Thomas Giddens.
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Place / Publishing House: | Oxford, England : : Inter-Disciplinary Press,, [2013] ©2013 |
Year of Publication: | 2013 |
Language: | English |
Physical Description: | 1 online resource. |
Notes: | Bibliographic Level Mode of Issuance: Monograph |
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(CKB)2670000000549073 (SSID)ssj0001359334 (PQKBManifestationID)11748062 (PQKBTitleCode)TC0001359334 (PQKBWorkID)11305984 (PQKB)10298390 (OCoLC)886644532 (nllekb)BRILL9781848881990 (MiAaPQ)EBC6481833 (EXLCZ)992670000000549073 |
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Cultural excavation and formal expression in the graphic novel / edited by Jonathan C. Evans, Thomas Giddens. Oxford, England : Inter-Disciplinary Press, [2013] ©2013 1 online resource. text txt computer c online resource cr Bibliographic Level Mode of Issuance: Monograph English Includes bibliographical references and index. Preliminary material / Jonathan C. Evans and Thomas Giddens -- Loner, Lover, Hero: Superhero Reads Hemingway / Anna Koronowicz -- The Man of Tomorrow is Looking Out for You: Symbolic and Rhetorical Reading of Graphic Novels / Jonathan C. Evans -- Enabling Mythologies: Specificity and Myth-Making in TRESE / Ana Micaela Chua -- Comics and Autobiographical Identity / Valerie Bodell -- Self Wrought: The Unreliable Narrator / the Unreliable Self in Pat Grant’s BLUE and Mandy Ord’s Rooftops / Elizabeth MacFarlane -- Otherness in Marjane Satrapi’s Persepolis: The Autobiography and the Graphic Novel as a Subversion of the Western Gaze / Thayse Madella -- The Protagonists’ Many ‘Wedges’: Aspects of Seriality in Alison Bechdel’s Dykes to Watch Out For / Lukas Etter -- Up in the Sky, Feet on the Ground: Cultural Identity in Filipino Superhero Komiks / Emil Francis M. Flores -- Filipino Humour and the Filipinisation of Foreign Tropes in Macoy’s Taal Volcano Monster vs. Evil Space Paru-Paro / Carljoe Javier -- Humour and the Contested City in Indian Graphic Novels / Mridula Chari -- Inevitably Postmodern: The Case of Maus by Art Spiegelman / Simona Porro -- The Atomic Holocaust from the Perspective of Shōjo: From Sanpei Shirato’s A Vanishing Girl to Fumiyo Kōno’s In a Corner of This World / Kotaro Nakagaki -- Queer Revisionism in Lene Ask’s Graphic Novel Hitler, Jesus and Grandpa (‘Hitler, Jesus og Farfar’) / Elisabeth Oxfeldt -- Rejecting the Generalisation of Maus as a ‘Second Generation’ Text / Erin K. Boone -- ‘Perseveration on Detail’: Shame and Confession in Memoir Comics / Sarah Richardson -- V for Valerie: Lesbianism in V for Vendetta / Derek Frasure -- ‘And All Right, We Need a Woman’: Victimised Heroines and Heroic Victims in Alan Moore’s Quasi-Victorian Graphic Novels / Maciej Sulmicki -- The Individual Subject in Smooth and Striated Space in Alan Moore’s The Ballad of Halo Jones and Saga of the Swamp Thing / Michael J. Prince -- Time, Narrative and the Gutter: How Philosophical Thinking Can Make Something Out of Nothing / Julia Moszkowicz -- Towards a Metaphysics of Comics / Thomas Giddens -- Sincerity and Speech Balloons: The Shape and Weight of Words in Autobiographical Comics / Leonie Brialey -- Time of the Photograph, Time of the Comic: Documentary and Art in The Photographer / Eleanor Kent -- Prequel, Sequel or Equal: The Transmedia Vampire and the Graphic Novel / Simon Bacon -- Space and Time in Graphic Novel Adaptations of Shakespeare’s Plays: A Semiotic Approach / Anna Wołosz -- Imaginary Lives: Edgar Allan Poe as a Comic Book Character / Ana González-Rivas Fernández and Francisco Saez de Adana -- Adoption of Graphic Novel Features in Non-Fiction Genres / Barry Natusch -- Viewer as Reader: Modes of Encounter with Juxtaposed Image Narratives / Bruce Mutard -- From Comic to Hypercomic / Daniel Merlin Goodbrey -- Digital Pages: Reading, Comics and Screens / Jayms Clifford Nichols. Description based on print version record. Graphic novels. 90-04-37397-7 C. Evans, Jonathan, editor. Giddens, Thomas, editor. |
language |
English |
format |
eBook |
author2 |
C. Evans, Jonathan, Giddens, Thomas, |
author_facet |
C. Evans, Jonathan, Giddens, Thomas, |
author2_variant |
e j c ej ejc t g tg |
author2_role |
TeilnehmendeR TeilnehmendeR |
author_additional |
Jonathan C. Evans and Thomas Giddens -- Anna Koronowicz -- Jonathan C. Evans -- Ana Micaela Chua -- Valerie Bodell -- Elizabeth MacFarlane -- Thayse Madella -- Lukas Etter -- Emil Francis M. Flores -- Carljoe Javier -- Mridula Chari -- Simona Porro -- Kotaro Nakagaki -- Elisabeth Oxfeldt -- Erin K. Boone -- Sarah Richardson -- Derek Frasure -- Maciej Sulmicki -- Michael J. Prince -- Julia Moszkowicz -- Thomas Giddens -- Leonie Brialey -- Eleanor Kent -- Simon Bacon -- Anna Wołosz -- Ana González-Rivas Fernández and Francisco Saez de Adana -- Barry Natusch -- Bruce Mutard -- Daniel Merlin Goodbrey -- Jayms Clifford Nichols. |
title |
Cultural excavation and formal expression in the graphic novel / |
spellingShingle |
Cultural excavation and formal expression in the graphic novel / Preliminary material / Loner, Lover, Hero: Superhero Reads Hemingway / The Man of Tomorrow is Looking Out for You: Symbolic and Rhetorical Reading of Graphic Novels / Enabling Mythologies: Specificity and Myth-Making in TRESE / Comics and Autobiographical Identity / Self Wrought: The Unreliable Narrator / the Unreliable Self in Pat Grant’s BLUE and Mandy Ord’s Rooftops / Otherness in Marjane Satrapi’s Persepolis: The Autobiography and the Graphic Novel as a Subversion of the Western Gaze / The Protagonists’ Many ‘Wedges’: Aspects of Seriality in Alison Bechdel’s Dykes to Watch Out For / Up in the Sky, Feet on the Ground: Cultural Identity in Filipino Superhero Komiks / Filipino Humour and the Filipinisation of Foreign Tropes in Macoy’s Taal Volcano Monster vs. Evil Space Paru-Paro / Humour and the Contested City in Indian Graphic Novels / Inevitably Postmodern: The Case of Maus by Art Spiegelman / The Atomic Holocaust from the Perspective of Shōjo: From Sanpei Shirato’s A Vanishing Girl to Fumiyo Kōno’s In a Corner of This World / Queer Revisionism in Lene Ask’s Graphic Novel Hitler, Jesus and Grandpa (‘Hitler, Jesus og Farfar’) / Rejecting the Generalisation of Maus as a ‘Second Generation’ Text / ‘Perseveration on Detail’: Shame and Confession in Memoir Comics / V for Valerie: Lesbianism in V for Vendetta / ‘And All Right, We Need a Woman’: Victimised Heroines and Heroic Victims in Alan Moore’s Quasi-Victorian Graphic Novels / The Individual Subject in Smooth and Striated Space in Alan Moore’s The Ballad of Halo Jones and Saga of the Swamp Thing / Time, Narrative and the Gutter: How Philosophical Thinking Can Make Something Out of Nothing / Towards a Metaphysics of Comics / Sincerity and Speech Balloons: The Shape and Weight of Words in Autobiographical Comics / Time of the Photograph, Time of the Comic: Documentary and Art in The Photographer / Prequel, Sequel or Equal: The Transmedia Vampire and the Graphic Novel / Space and Time in Graphic Novel Adaptations of Shakespeare’s Plays: A Semiotic Approach / Imaginary Lives: Edgar Allan Poe as a Comic Book Character / Adoption of Graphic Novel Features in Non-Fiction Genres / Viewer as Reader: Modes of Encounter with Juxtaposed Image Narratives / From Comic to Hypercomic / Digital Pages: Reading, Comics and Screens / |
title_full |
Cultural excavation and formal expression in the graphic novel / edited by Jonathan C. Evans, Thomas Giddens. |
title_fullStr |
Cultural excavation and formal expression in the graphic novel / edited by Jonathan C. Evans, Thomas Giddens. |
title_full_unstemmed |
Cultural excavation and formal expression in the graphic novel / edited by Jonathan C. Evans, Thomas Giddens. |
title_auth |
Cultural excavation and formal expression in the graphic novel / |
title_alt |
Preliminary material / Loner, Lover, Hero: Superhero Reads Hemingway / The Man of Tomorrow is Looking Out for You: Symbolic and Rhetorical Reading of Graphic Novels / Enabling Mythologies: Specificity and Myth-Making in TRESE / Comics and Autobiographical Identity / Self Wrought: The Unreliable Narrator / the Unreliable Self in Pat Grant’s BLUE and Mandy Ord’s Rooftops / Otherness in Marjane Satrapi’s Persepolis: The Autobiography and the Graphic Novel as a Subversion of the Western Gaze / The Protagonists’ Many ‘Wedges’: Aspects of Seriality in Alison Bechdel’s Dykes to Watch Out For / Up in the Sky, Feet on the Ground: Cultural Identity in Filipino Superhero Komiks / Filipino Humour and the Filipinisation of Foreign Tropes in Macoy’s Taal Volcano Monster vs. Evil Space Paru-Paro / Humour and the Contested City in Indian Graphic Novels / Inevitably Postmodern: The Case of Maus by Art Spiegelman / The Atomic Holocaust from the Perspective of Shōjo: From Sanpei Shirato’s A Vanishing Girl to Fumiyo Kōno’s In a Corner of This World / Queer Revisionism in Lene Ask’s Graphic Novel Hitler, Jesus and Grandpa (‘Hitler, Jesus og Farfar’) / Rejecting the Generalisation of Maus as a ‘Second Generation’ Text / ‘Perseveration on Detail’: Shame and Confession in Memoir Comics / V for Valerie: Lesbianism in V for Vendetta / ‘And All Right, We Need a Woman’: Victimised Heroines and Heroic Victims in Alan Moore’s Quasi-Victorian Graphic Novels / The Individual Subject in Smooth and Striated Space in Alan Moore’s The Ballad of Halo Jones and Saga of the Swamp Thing / Time, Narrative and the Gutter: How Philosophical Thinking Can Make Something Out of Nothing / Towards a Metaphysics of Comics / Sincerity and Speech Balloons: The Shape and Weight of Words in Autobiographical Comics / Time of the Photograph, Time of the Comic: Documentary and Art in The Photographer / Prequel, Sequel or Equal: The Transmedia Vampire and the Graphic Novel / Space and Time in Graphic Novel Adaptations of Shakespeare’s Plays: A Semiotic Approach / Imaginary Lives: Edgar Allan Poe as a Comic Book Character / Adoption of Graphic Novel Features in Non-Fiction Genres / Viewer as Reader: Modes of Encounter with Juxtaposed Image Narratives / From Comic to Hypercomic / Digital Pages: Reading, Comics and Screens / |
title_new |
Cultural excavation and formal expression in the graphic novel / |
title_sort |
cultural excavation and formal expression in the graphic novel / |
publisher |
Inter-Disciplinary Press, |
publishDate |
2013 |
physical |
1 online resource. |
contents |
Preliminary material / Loner, Lover, Hero: Superhero Reads Hemingway / The Man of Tomorrow is Looking Out for You: Symbolic and Rhetorical Reading of Graphic Novels / Enabling Mythologies: Specificity and Myth-Making in TRESE / Comics and Autobiographical Identity / Self Wrought: The Unreliable Narrator / the Unreliable Self in Pat Grant’s BLUE and Mandy Ord’s Rooftops / Otherness in Marjane Satrapi’s Persepolis: The Autobiography and the Graphic Novel as a Subversion of the Western Gaze / The Protagonists’ Many ‘Wedges’: Aspects of Seriality in Alison Bechdel’s Dykes to Watch Out For / Up in the Sky, Feet on the Ground: Cultural Identity in Filipino Superhero Komiks / Filipino Humour and the Filipinisation of Foreign Tropes in Macoy’s Taal Volcano Monster vs. Evil Space Paru-Paro / Humour and the Contested City in Indian Graphic Novels / Inevitably Postmodern: The Case of Maus by Art Spiegelman / The Atomic Holocaust from the Perspective of Shōjo: From Sanpei Shirato’s A Vanishing Girl to Fumiyo Kōno’s In a Corner of This World / Queer Revisionism in Lene Ask’s Graphic Novel Hitler, Jesus and Grandpa (‘Hitler, Jesus og Farfar’) / Rejecting the Generalisation of Maus as a ‘Second Generation’ Text / ‘Perseveration on Detail’: Shame and Confession in Memoir Comics / V for Valerie: Lesbianism in V for Vendetta / ‘And All Right, We Need a Woman’: Victimised Heroines and Heroic Victims in Alan Moore’s Quasi-Victorian Graphic Novels / The Individual Subject in Smooth and Striated Space in Alan Moore’s The Ballad of Halo Jones and Saga of the Swamp Thing / Time, Narrative and the Gutter: How Philosophical Thinking Can Make Something Out of Nothing / Towards a Metaphysics of Comics / Sincerity and Speech Balloons: The Shape and Weight of Words in Autobiographical Comics / Time of the Photograph, Time of the Comic: Documentary and Art in The Photographer / Prequel, Sequel or Equal: The Transmedia Vampire and the Graphic Novel / Space and Time in Graphic Novel Adaptations of Shakespeare’s Plays: A Semiotic Approach / Imaginary Lives: Edgar Allan Poe as a Comic Book Character / Adoption of Graphic Novel Features in Non-Fiction Genres / Viewer as Reader: Modes of Encounter with Juxtaposed Image Narratives / From Comic to Hypercomic / Digital Pages: Reading, Comics and Screens / |
isbn |
1-84888-199-1 90-04-37397-7 |
callnumber-first |
P - Language and Literature |
callnumber-subject |
PN - General Literature |
callnumber-label |
PN6710 |
callnumber-sort |
PN 46710 C486 42013 |
illustrated |
Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
740 - Drawing & decorative arts |
dewey-ones |
741 - Drawing & drawings |
dewey-full |
741.569 |
dewey-sort |
3741.569 |
dewey-raw |
741.569 |
dewey-search |
741.569 |
oclc_num |
886644532 |
work_keys_str_mv |
AT cevansjonathan culturalexcavationandformalexpressioninthegraphicnovel AT giddensthomas culturalexcavationandformalexpressioninthegraphicnovel |
status_str |
n |
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carrierType_str_mv |
cr |
is_hierarchy_title |
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author2_original_writing_str_mv |
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