Cultural excavation and formal expression in the graphic novel / / edited by Jonathan C. Evans, Thomas Giddens.

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Bibliographic Details
TeilnehmendeR:
Place / Publishing House:Oxford, England : : Inter-Disciplinary Press,, [2013]
©2013
Year of Publication:2013
Language:English
Physical Description:1 online resource.
Notes:Bibliographic Level Mode of Issuance: Monograph
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245 0 0 |a Cultural excavation and formal expression in the graphic novel /  |c edited by Jonathan C. Evans, Thomas Giddens. 
264 1 |a Oxford, England :  |b Inter-Disciplinary Press,  |c [2013] 
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504 |a Includes bibliographical references and index. 
505 0 0 |t Preliminary material /  |r Jonathan C. Evans and Thomas Giddens --   |t Loner, Lover, Hero: Superhero Reads Hemingway /  |r Anna Koronowicz --   |t The Man of Tomorrow is Looking Out for You: Symbolic and Rhetorical Reading of Graphic Novels /  |r Jonathan C. Evans --   |t Enabling Mythologies: Specificity and Myth-Making in TRESE /  |r Ana Micaela Chua --   |t Comics and Autobiographical Identity /  |r Valerie Bodell --   |t Self Wrought: The Unreliable Narrator / the Unreliable Self in Pat Grant’s BLUE and Mandy Ord’s Rooftops /  |r Elizabeth MacFarlane --   |t Otherness in Marjane Satrapi’s Persepolis: The Autobiography and the Graphic Novel as a Subversion of the Western Gaze /  |r Thayse Madella --   |t The Protagonists’ Many ‘Wedges’: Aspects of Seriality in Alison Bechdel’s Dykes to Watch Out For /  |r Lukas Etter --   |t Up in the Sky, Feet on the Ground: Cultural Identity in Filipino Superhero Komiks /  |r Emil Francis M. Flores --   |t Filipino Humour and the Filipinisation of Foreign Tropes in Macoy’s Taal Volcano Monster vs. Evil Space Paru-Paro /  |r Carljoe Javier --   |t Humour and the Contested City in Indian Graphic Novels /  |r Mridula Chari --   |t Inevitably Postmodern: The Case of Maus by Art Spiegelman /  |r Simona Porro --   |t The Atomic Holocaust from the Perspective of Shōjo: From Sanpei Shirato’s A Vanishing Girl to Fumiyo Kōno’s In a Corner of This World /  |r Kotaro Nakagaki --   |t Queer Revisionism in Lene Ask’s Graphic Novel Hitler, Jesus and Grandpa (‘Hitler, Jesus og Farfar’) /  |r Elisabeth Oxfeldt --   |t Rejecting the Generalisation of Maus as a ‘Second Generation’ Text /  |r Erin K. Boone --   |t ‘Perseveration on Detail’: Shame and Confession in Memoir Comics /  |r Sarah Richardson --   |t V for Valerie: Lesbianism in V for Vendetta /  |r Derek Frasure --   |t ‘And All Right, We Need a Woman’: Victimised Heroines and Heroic Victims in Alan Moore’s Quasi-Victorian Graphic Novels /  |r Maciej Sulmicki --   |t The Individual Subject in Smooth and Striated Space in Alan Moore’s The Ballad of Halo Jones and Saga of the Swamp Thing /  |r Michael J. Prince --   |t Time, Narrative and the Gutter: How Philosophical Thinking Can Make Something Out of Nothing /  |r Julia Moszkowicz --   |t Towards a Metaphysics of Comics /  |r Thomas Giddens --   |t Sincerity and Speech Balloons: The Shape and Weight of Words in Autobiographical Comics /  |r Leonie Brialey --   |t Time of the Photograph, Time of the Comic: Documentary and Art in The Photographer /  |r Eleanor Kent --   |t Prequel, Sequel or Equal: The Transmedia Vampire and the Graphic Novel /  |r Simon Bacon --   |t Space and Time in Graphic Novel Adaptations of Shakespeare’s Plays: A Semiotic Approach /  |r Anna Wołosz --   |t Imaginary Lives: Edgar Allan Poe as a Comic Book Character /  |r Ana González-Rivas Fernández and Francisco Saez de Adana --   |t Adoption of Graphic Novel Features in Non-Fiction Genres /  |r Barry Natusch --   |t Viewer as Reader: Modes of Encounter with Juxtaposed Image Narratives /  |r Bruce Mutard --   |t From Comic to Hypercomic /  |r Daniel Merlin Goodbrey --   |t Digital Pages: Reading, Comics and Screens /  |r Jayms Clifford Nichols. 
588 |a Description based on print version record. 
650 0 |a Graphic novels. 
776 |z 90-04-37397-7 
700 1 |a C. Evans, Jonathan,  |e editor. 
700 1 |a Giddens, Thomas,  |e editor. 
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