Experimental arts in postwar Japan : : moments of encounter, engagement, and imagined return / / Miryam Sas.
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| Superior document: | Harvard East Asian Monographs ; 329 |
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| Place / Publishing House: | Boston : : Harvard University Asia Center,, 2011. Leiden; , Boston : : BRILL,, 2011. |
| Year of Publication: | 2011 |
| Language: | English |
| Series: | Harvard East Asian Monographs ;
329. |
| Physical Description: | 1 online resource (xvii, 275 p. :); ill. ; |
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Table of Contents:
- Preliminary Material
- Death Acts (Survival Acts)
- No Holds Barred: Betsuyaku Minoru and the Paradoxes of Total Commitment
- Terayama Shūji: Gender, Power, and the Imperative Voice
- Blindness and the Visuality of Desire
- Intersubjective Spaces, Communal Dreams
- Theories of Encounter: Breaking the Everyday
- X Marks the Spot: Experimental Film Crossings
- On Homecoming: Hijikata's Writings and Butō
- The Provoke Era: New Languages of Japanese Photography
- Counterfeit Coins/Phantasms
- Notes
- Works Cited
- Index
- Harvard East Asian Monographs.