Experimental arts in postwar Japan : : moments of encounter, engagement, and imagined return /

Experimental arts in postwar Japan : : moments of encounter, engagement, and imagined return / / Miryam Sas.

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Bibliographic Details
Superior document:Harvard East Asian Monographs ; 329
:
Sas, Miryam.
Place / Publishing House:Boston : : Harvard University Asia Center,, 2011.
Leiden; , Boston : : BRILL,, 2011.
Year of Publication:2011
Language:English
Series:Harvard East Asian Monographs ; 329.
Physical Description:1 online resource (xvii, 275 p. :); ill. ;
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(OCoLC)1132222918
(MdBmJHUP)muse71223
(OCoLC)1012938334
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(MiAaPQ)EBC6407450
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spelling Sas, Miryam.
Experimental arts in postwar Japan : moments of encounter, engagement, and imagined return / Miryam Sas.
Moments of Encounter, Engagement, and Imagined Return
Boston : Harvard University Asia Center, 2011.
Leiden; Boston : BRILL, 2011.
1 online resource (xvii, 275 p. :) ill. ;
text txt rdacontent
computer c rdamedia
online resource cr rdacarrier
Harvard East Asian Monographs ; 329
Includes bibliographical references (p. [257]-266) and index.
Preliminary Material -- Death Acts (Survival Acts) -- No Holds Barred: Betsuyaku Minoru and the Paradoxes of Total Commitment -- Terayama Shūji: Gender, Power, and the Imperative Voice -- Blindness and the Visuality of Desire -- Intersubjective Spaces, Communal Dreams -- Theories of Encounter: Breaking the Everyday -- X Marks the Spot: Experimental Film Crossings -- On Homecoming: Hijikata's Writings and Butō -- The Provoke Era: New Languages of Japanese Photography -- Counterfeit Coins/Phantasms -- Notes -- Works Cited -- Index -- Harvard East Asian Monographs.
Description based on print version record.
Arts, Japanese 20th century.
Avant-garde (Aesthetics) Japan.
0-674-05340-0
ebrary
Harvard East Asian Monographs ; 329.
language English
format eBook
author Sas, Miryam.
spellingShingle Sas, Miryam.
Experimental arts in postwar Japan : moments of encounter, engagement, and imagined return /
Harvard East Asian Monographs ;
Preliminary Material -- Death Acts (Survival Acts) -- No Holds Barred: Betsuyaku Minoru and the Paradoxes of Total Commitment -- Terayama Shūji: Gender, Power, and the Imperative Voice -- Blindness and the Visuality of Desire -- Intersubjective Spaces, Communal Dreams -- Theories of Encounter: Breaking the Everyday -- X Marks the Spot: Experimental Film Crossings -- On Homecoming: Hijikata's Writings and Butō -- The Provoke Era: New Languages of Japanese Photography -- Counterfeit Coins/Phantasms -- Notes -- Works Cited -- Index -- Harvard East Asian Monographs.
author_facet Sas, Miryam.
author_variant m s ms
author_sort Sas, Miryam.
title Experimental arts in postwar Japan : moments of encounter, engagement, and imagined return /
title_sub moments of encounter, engagement, and imagined return /
title_full Experimental arts in postwar Japan : moments of encounter, engagement, and imagined return / Miryam Sas.
title_fullStr Experimental arts in postwar Japan : moments of encounter, engagement, and imagined return / Miryam Sas.
title_full_unstemmed Experimental arts in postwar Japan : moments of encounter, engagement, and imagined return / Miryam Sas.
title_auth Experimental arts in postwar Japan : moments of encounter, engagement, and imagined return /
title_alt Moments of Encounter, Engagement, and Imagined Return
title_new Experimental arts in postwar Japan :
title_sort experimental arts in postwar japan : moments of encounter, engagement, and imagined return /
series Harvard East Asian Monographs ;
series2 Harvard East Asian Monographs ;
publisher Harvard University Asia Center,
publishDate 2011
physical 1 online resource (xvii, 275 p. :) ill. ;
contents Preliminary Material -- Death Acts (Survival Acts) -- No Holds Barred: Betsuyaku Minoru and the Paradoxes of Total Commitment -- Terayama Shūji: Gender, Power, and the Imperative Voice -- Blindness and the Visuality of Desire -- Intersubjective Spaces, Communal Dreams -- Theories of Encounter: Breaking the Everyday -- X Marks the Spot: Experimental Film Crossings -- On Homecoming: Hijikata's Writings and Butō -- The Provoke Era: New Languages of Japanese Photography -- Counterfeit Coins/Phantasms -- Notes -- Works Cited -- Index -- Harvard East Asian Monographs.
isbn 1-68417-502-X
0-674-05340-0
callnumber-first N - Fine Arts
callnumber-subject NX - Arts in General
callnumber-label NX584
callnumber-sort NX 3584 A1 S26 42011
geographic_facet Japan.
era_facet 20th century.
illustrated Illustrated
dewey-hundreds 700 - Arts & recreation
dewey-tens 700 - Arts
dewey-ones 700 - The arts; fine & decorative arts
dewey-full 700.952/09046
dewey-sort 3700.952 49046
dewey-raw 700.952/09046
dewey-search 700.952/09046
oclc_num 1132222918
1012938334
work_keys_str_mv AT sasmiryam experimentalartsinpostwarjapanmomentsofencounterengagementandimaginedreturn
AT sasmiryam momentsofencounterengagementandimaginedreturn
status_str n
ids_txt_mv (CKB)3830000000059260
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hierarchy_parent_title Harvard East Asian Monographs ; 329
hierarchy_sequence 329.
is_hierarchy_title Experimental arts in postwar Japan : moments of encounter, engagement, and imagined return /
container_title Harvard East Asian Monographs ; 329
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