Experimental arts in postwar Japan : : moments of encounter, engagement, and imagined return / / Miryam Sas.
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| Superior document: | Harvard East Asian Monographs ; 329 |
|---|---|
| : | |
| Place / Publishing House: | Boston : : Harvard University Asia Center,, 2011. Leiden; , Boston : : BRILL,, 2011. |
| Year of Publication: | 2011 |
| Language: | English |
| Series: | Harvard East Asian Monographs ;
329. |
| Physical Description: | 1 online resource (xvii, 275 p. :); ill. ; |
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| 100 | 1 | |a Sas, Miryam. | |
| 245 | 1 | 0 | |a Experimental arts in postwar Japan : |b moments of encounter, engagement, and imagined return / |c Miryam Sas. |
| 246 | 3 | |a Moments of Encounter, Engagement, and Imagined Return | |
| 264 | 1 | |a Boston : |b Harvard University Asia Center, |c 2011. | |
| 264 | 2 | |a Leiden; |a Boston : |b BRILL, |c 2011. | |
| 300 | |a 1 online resource (xvii, 275 p. :) |b ill. ; | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 490 | 1 | |a Harvard East Asian Monographs ; |v 329 | |
| 504 | |a Includes bibliographical references (p. [257]-266) and index. | ||
| 505 | 0 | |a Preliminary Material -- Death Acts (Survival Acts) -- No Holds Barred: Betsuyaku Minoru and the Paradoxes of Total Commitment -- Terayama Shūji: Gender, Power, and the Imperative Voice -- Blindness and the Visuality of Desire -- Intersubjective Spaces, Communal Dreams -- Theories of Encounter: Breaking the Everyday -- X Marks the Spot: Experimental Film Crossings -- On Homecoming: Hijikata's Writings and Butō -- The Provoke Era: New Languages of Japanese Photography -- Counterfeit Coins/Phantasms -- Notes -- Works Cited -- Index -- Harvard East Asian Monographs. | |
| 588 | |a Description based on print version record. | ||
| 650 | 0 | |a Arts, Japanese |y 20th century. | |
| 650 | 0 | |a Avant-garde (Aesthetics) |z Japan. | |
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| 830 | 0 | |a Harvard East Asian Monographs ; |v 329. | |
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