Dramatic Experience : : The Poetics of Drama and the Early Modern Public Sphere(s) /

Dramatic Experience : : The Poetics of Drama and the Early Modern Public Sphere(s) / / Katja Gvozdeva, Tatiana Korneeva, and Kirill Ospovat.

In Dramatic Experience: The Poetics of Drama and the Early Modern Public Sphere(s) Katja Gvozdeva, Tatiana Korneeva, and Kirill Ospovat (editions.) focus on a fundamental question that transcends the disciplinary boundaries of theatre studies: how and to what extent did the convergence of dramatic t...

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Bibliographic Details
Superior document:Drama and Theatre in Early Modern Europe Series ; Volume 6
VerfasserIn:
Gvozdeva, Katja, 1965-
Korneeva, Tatiana,
Ospovat, Kirill,
TeilnehmendeR:
Korneeva, Tatiana,
Ospovat, Kirill,
Place / Publishing House:Leiden, Netherlands : : Koninklijke Brill NV,, [2017]
©2017
Year of Publication:2017
Edition:First edition.
Language:English
Series:Drama and theatre in early modern Europe ; Volume 6.
Physical Description:1 online resource.
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Table of Contents:
  • Preliminary Material
  • Introduction: Dramatic Experience: The Poetics of Drama and the Early Modern Public Sphere(s)
  • 1 Opening Spaces for the Reading Audience: Fernando de Rojas’s Celestina (1499/1502) and Niccolò Machiavelli’s Mandragola (1518) / Sven Thorsten Kilian
  • 2 Why Do Men Go Blind in the Theatre? Gender Riddles and Fools’ Play in the Italian Renaissance Comedy Gl’Ingannati (1532) / Katja Gvozdeva
  • 3 The Accademia degli Alterati and the Invention of a New Form of Dramatic Experience: Myth, Allegory, and Theory in Jacopo Peri’s and Ottavio Rinuccini’s Euridice (1600) / Déborah Blocker
  • 4 Il favore degli dei (1690): Meta-Opera and Metamorphoses at the Farnese Court / Wendy Heller
  • 5 Entertainment for Melancholics: The Public and the Public Stage in Carlo Gozzi’s L’Amore delle tre melarance / Tatiana Korneeva
  • 6 Pierre Nicole, Jean-Baptiste Dubos, and the Psychological Experience of Theatrical Performance in Early Modern France / Logan J. Connors
  • 7 The Catharsis of Prosecution: Royal Violence, Poetic Justice, and Public Emotion in the Russian Hamlet (1748) / Kirill Ospovat
  • 8 The Politics of Tragedy in the Dutch Republic: Joachim Oudaen’s Martyr Drama in Context / Nigel Smith
  • 9 Devils On and Off Stage: Shifting Effects of Fear and Laughter in Late Medieval and Early Modern German Urban Theatre / Hans Rudolf Velten
  • 10 Imagining the Audience in Eighteenth-Century Folk Theatre in Tyrol / Toni Bernhart
  • 11 Nô within Walls and Beyond: Theatre as Cultural Capital in Edo Japan (1603–1868) / Stanca Scholz-Cionca
  • Index.

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