Dramatic Experience : : The Poetics of Drama and the Early Modern Public Sphere(s) / / Katja Gvozdeva, Tatiana Korneeva, and Kirill Ospovat.
In Dramatic Experience: The Poetics of Drama and the Early Modern Public Sphere(s) Katja Gvozdeva, Tatiana Korneeva, and Kirill Ospovat (editions.) focus on a fundamental question that transcends the disciplinary boundaries of theatre studies: how and to what extent did the convergence of dramatic t...
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Superior document: | Drama and Theatre in Early Modern Europe Series ; Volume 6 |
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Place / Publishing House: | Leiden, Netherlands : : Koninklijke Brill NV,, [2017] ©2017 |
Year of Publication: | 2017 |
Edition: | First edition. |
Language: | English |
Series: | Drama and theatre in early modern Europe ;
Volume 6. |
Physical Description: | 1 online resource. |
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Gvozdeva, Katja, 1965- author. Dramatic Experience : The Poetics of Drama and the Early Modern Public Sphere(s) / Katja Gvozdeva, Tatiana Korneeva, and Kirill Ospovat. First edition. Leiden, Netherlands : Koninklijke Brill NV, [2017] ©2017 1 online resource. text txt rdacontent computer c rdamedia online resource rdacarrier Drama and Theatre in Early Modern Europe Series ; Volume 6 In Dramatic Experience: The Poetics of Drama and the Early Modern Public Sphere(s) Katja Gvozdeva, Tatiana Korneeva, and Kirill Ospovat (editions.) focus on a fundamental question that transcends the disciplinary boundaries of theatre studies: how and to what extent did the convergence of dramatic theory, theatrical practice, and various modes of audience experience — among both theatregoers and readers of drama — contribute, during the sixteenth to eighteenth centuries, to the emergence of symbolic, social, and cultural space(s) we call ‘public sphere(s)’? Developing a post-Habermasian understanding of the public sphere, the articles in this collection demonstrate that related, if diverging, conceptions of the ‘public’ existed in a variety of forms, locations, and cultures across early modern Europe — and in Asia. Preliminary Material -- Introduction: Dramatic Experience: The Poetics of Drama and the Early Modern Public Sphere(s) -- 1 Opening Spaces for the Reading Audience: Fernando de Rojas’s Celestina (1499/1502) and Niccolò Machiavelli’s Mandragola (1518) / Sven Thorsten Kilian -- 2 Why Do Men Go Blind in the Theatre? Gender Riddles and Fools’ Play in the Italian Renaissance Comedy Gl’Ingannati (1532) / Katja Gvozdeva -- 3 The Accademia degli Alterati and the Invention of a New Form of Dramatic Experience: Myth, Allegory, and Theory in Jacopo Peri’s and Ottavio Rinuccini’s Euridice (1600) / Déborah Blocker -- 4 Il favore degli dei (1690): Meta-Opera and Metamorphoses at the Farnese Court / Wendy Heller -- 5 Entertainment for Melancholics: The Public and the Public Stage in Carlo Gozzi’s L’Amore delle tre melarance / Tatiana Korneeva -- 6 Pierre Nicole, Jean-Baptiste Dubos, and the Psychological Experience of Theatrical Performance in Early Modern France / Logan J. Connors -- 7 The Catharsis of Prosecution: Royal Violence, Poetic Justice, and Public Emotion in the Russian Hamlet (1748) / Kirill Ospovat -- 8 The Politics of Tragedy in the Dutch Republic: Joachim Oudaen’s Martyr Drama in Context / Nigel Smith -- 9 Devils On and Off Stage: Shifting Effects of Fear and Laughter in Late Medieval and Early Modern German Urban Theatre / Hans Rudolf Velten -- 10 Imagining the Audience in Eighteenth-Century Folk Theatre in Tyrol / Toni Bernhart -- 11 Nô within Walls and Beyond: Theatre as Cultural Capital in Edo Japan (1603–1868) / Stanca Scholz-Cionca -- Index. Description based on print version record and CIP data provided by publisher; resource not viewed. English FP7 Ideas: European Research Council Description based on print version record. Theater and society. Theater audiences. Theater History 16th century. Gvozdeva, Katja. Korneeva, Tatiana. Ospovat, Kirill. 90-04-32975-7 Korneeva, Tatiana, author. Ospovat, Kirill, author. Drama and theatre in early modern Europe ; Volume 6. |
language |
English |
format |
eBook |
author |
Gvozdeva, Katja, 1965- Korneeva, Tatiana, Ospovat, Kirill, |
spellingShingle |
Gvozdeva, Katja, 1965- Korneeva, Tatiana, Ospovat, Kirill, Dramatic Experience : The Poetics of Drama and the Early Modern Public Sphere(s) / Drama and Theatre in Early Modern Europe Series ; Preliminary Material -- Introduction: Dramatic Experience: The Poetics of Drama and the Early Modern Public Sphere(s) -- 1 Opening Spaces for the Reading Audience: Fernando de Rojas’s Celestina (1499/1502) and Niccolò Machiavelli’s Mandragola (1518) / 2 Why Do Men Go Blind in the Theatre? Gender Riddles and Fools’ Play in the Italian Renaissance Comedy Gl’Ingannati (1532) / 3 The Accademia degli Alterati and the Invention of a New Form of Dramatic Experience: Myth, Allegory, and Theory in Jacopo Peri’s and Ottavio Rinuccini’s Euridice (1600) / 4 Il favore degli dei (1690): Meta-Opera and Metamorphoses at the Farnese Court / 5 Entertainment for Melancholics: The Public and the Public Stage in Carlo Gozzi’s L’Amore delle tre melarance / 6 Pierre Nicole, Jean-Baptiste Dubos, and the Psychological Experience of Theatrical Performance in Early Modern France / 7 The Catharsis of Prosecution: Royal Violence, Poetic Justice, and Public Emotion in the Russian Hamlet (1748) / 8 The Politics of Tragedy in the Dutch Republic: Joachim Oudaen’s Martyr Drama in Context / 9 Devils On and Off Stage: Shifting Effects of Fear and Laughter in Late Medieval and Early Modern German Urban Theatre / 10 Imagining the Audience in Eighteenth-Century Folk Theatre in Tyrol / 11 Nô within Walls and Beyond: Theatre as Cultural Capital in Edo Japan (1603–1868) / Index. |
author_facet |
Gvozdeva, Katja, 1965- Korneeva, Tatiana, Ospovat, Kirill, Korneeva, Tatiana, Ospovat, Kirill, |
author_variant |
k g kg t k tk k o ko |
author_role |
VerfasserIn VerfasserIn VerfasserIn |
author2 |
Korneeva, Tatiana, Ospovat, Kirill, |
author2_role |
TeilnehmendeR TeilnehmendeR |
author_sort |
Gvozdeva, Katja, 1965- |
author_additional |
Sven Thorsten Kilian -- Katja Gvozdeva -- Déborah Blocker -- Wendy Heller -- Tatiana Korneeva -- Logan J. Connors -- Kirill Ospovat -- Nigel Smith -- Hans Rudolf Velten -- Toni Bernhart -- Stanca Scholz-Cionca -- |
title |
Dramatic Experience : The Poetics of Drama and the Early Modern Public Sphere(s) / |
title_sub |
The Poetics of Drama and the Early Modern Public Sphere(s) / |
title_full |
Dramatic Experience : The Poetics of Drama and the Early Modern Public Sphere(s) / Katja Gvozdeva, Tatiana Korneeva, and Kirill Ospovat. |
title_fullStr |
Dramatic Experience : The Poetics of Drama and the Early Modern Public Sphere(s) / Katja Gvozdeva, Tatiana Korneeva, and Kirill Ospovat. |
title_full_unstemmed |
Dramatic Experience : The Poetics of Drama and the Early Modern Public Sphere(s) / Katja Gvozdeva, Tatiana Korneeva, and Kirill Ospovat. |
title_auth |
Dramatic Experience : The Poetics of Drama and the Early Modern Public Sphere(s) / |
title_alt |
Preliminary Material -- Introduction: Dramatic Experience: The Poetics of Drama and the Early Modern Public Sphere(s) -- 1 Opening Spaces for the Reading Audience: Fernando de Rojas’s Celestina (1499/1502) and Niccolò Machiavelli’s Mandragola (1518) / 2 Why Do Men Go Blind in the Theatre? Gender Riddles and Fools’ Play in the Italian Renaissance Comedy Gl’Ingannati (1532) / 3 The Accademia degli Alterati and the Invention of a New Form of Dramatic Experience: Myth, Allegory, and Theory in Jacopo Peri’s and Ottavio Rinuccini’s Euridice (1600) / 4 Il favore degli dei (1690): Meta-Opera and Metamorphoses at the Farnese Court / 5 Entertainment for Melancholics: The Public and the Public Stage in Carlo Gozzi’s L’Amore delle tre melarance / 6 Pierre Nicole, Jean-Baptiste Dubos, and the Psychological Experience of Theatrical Performance in Early Modern France / 7 The Catharsis of Prosecution: Royal Violence, Poetic Justice, and Public Emotion in the Russian Hamlet (1748) / 8 The Politics of Tragedy in the Dutch Republic: Joachim Oudaen’s Martyr Drama in Context / 9 Devils On and Off Stage: Shifting Effects of Fear and Laughter in Late Medieval and Early Modern German Urban Theatre / 10 Imagining the Audience in Eighteenth-Century Folk Theatre in Tyrol / 11 Nô within Walls and Beyond: Theatre as Cultural Capital in Edo Japan (1603–1868) / Index. |
title_new |
Dramatic Experience : |
title_sort |
dramatic experience : the poetics of drama and the early modern public sphere(s) / |
series |
Drama and Theatre in Early Modern Europe Series ; |
series2 |
Drama and Theatre in Early Modern Europe Series ; |
publisher |
Koninklijke Brill NV, |
publishDate |
2017 |
physical |
1 online resource. |
edition |
First edition. |
contents |
Preliminary Material -- Introduction: Dramatic Experience: The Poetics of Drama and the Early Modern Public Sphere(s) -- 1 Opening Spaces for the Reading Audience: Fernando de Rojas’s Celestina (1499/1502) and Niccolò Machiavelli’s Mandragola (1518) / 2 Why Do Men Go Blind in the Theatre? Gender Riddles and Fools’ Play in the Italian Renaissance Comedy Gl’Ingannati (1532) / 3 The Accademia degli Alterati and the Invention of a New Form of Dramatic Experience: Myth, Allegory, and Theory in Jacopo Peri’s and Ottavio Rinuccini’s Euridice (1600) / 4 Il favore degli dei (1690): Meta-Opera and Metamorphoses at the Farnese Court / 5 Entertainment for Melancholics: The Public and the Public Stage in Carlo Gozzi’s L’Amore delle tre melarance / 6 Pierre Nicole, Jean-Baptiste Dubos, and the Psychological Experience of Theatrical Performance in Early Modern France / 7 The Catharsis of Prosecution: Royal Violence, Poetic Justice, and Public Emotion in the Russian Hamlet (1748) / 8 The Politics of Tragedy in the Dutch Republic: Joachim Oudaen’s Martyr Drama in Context / 9 Devils On and Off Stage: Shifting Effects of Fear and Laughter in Late Medieval and Early Modern German Urban Theatre / 10 Imagining the Audience in Eighteenth-Century Folk Theatre in Tyrol / 11 Nô within Walls and Beyond: Theatre as Cultural Capital in Edo Japan (1603–1868) / Index. |
isbn |
90-04-32976-5 90-04-32975-7 |
callnumber-first |
P - Language and Literature |
callnumber-subject |
PN - General Literature |
callnumber-label |
PN2049 |
callnumber-sort |
PN 42049 G869 42017 |
era_facet |
16th century. |
illustrated |
Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
790 - Sports, games & entertainment |
dewey-ones |
792 - Stage presentations |
dewey-full |
792.01/3 |
dewey-sort |
3792.01 13 |
dewey-raw |
792.01/3 |
dewey-search |
792.01/3 |
oclc_num |
953708636 |
work_keys_str_mv |
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status_str |
n |
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hierarchy_parent_title |
Drama and Theatre in Early Modern Europe Series ; Volume 6 |
hierarchy_sequence |
Volume 6. |
is_hierarchy_title |
Dramatic Experience : The Poetics of Drama and the Early Modern Public Sphere(s) / |
container_title |
Drama and Theatre in Early Modern Europe Series ; Volume 6 |
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