Dramatic Experience : : The Poetics of Drama and the Early Modern Public Sphere(s) / / Katja Gvozdeva, Tatiana Korneeva, and Kirill Ospovat.
In Dramatic Experience: The Poetics of Drama and the Early Modern Public Sphere(s) Katja Gvozdeva, Tatiana Korneeva, and Kirill Ospovat (editions.) focus on a fundamental question that transcends the disciplinary boundaries of theatre studies: how and to what extent did the convergence of dramatic t...
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Superior document: | Drama and Theatre in Early Modern Europe Series ; Volume 6 |
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TeilnehmendeR: | |
Place / Publishing House: | Leiden, Netherlands : : Koninklijke Brill NV,, [2017] ©2017 |
Year of Publication: | 2017 |
Edition: | First edition. |
Language: | English |
Series: | Drama and theatre in early modern Europe ;
Volume 6. |
Physical Description: | 1 online resource. |
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245 | 1 | 0 | |a Dramatic Experience : |b The Poetics of Drama and the Early Modern Public Sphere(s) / |c Katja Gvozdeva, Tatiana Korneeva, and Kirill Ospovat. |
250 | |a First edition. | ||
264 | 1 | |a Leiden, Netherlands : |b Koninklijke Brill NV, |c [2017] | |
264 | 4 | |c ©2017 | |
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490 | 1 | |a Drama and Theatre in Early Modern Europe Series ; |v Volume 6 | |
520 | |a In Dramatic Experience: The Poetics of Drama and the Early Modern Public Sphere(s) Katja Gvozdeva, Tatiana Korneeva, and Kirill Ospovat (editions.) focus on a fundamental question that transcends the disciplinary boundaries of theatre studies: how and to what extent did the convergence of dramatic theory, theatrical practice, and various modes of audience experience — among both theatregoers and readers of drama — contribute, during the sixteenth to eighteenth centuries, to the emergence of symbolic, social, and cultural space(s) we call ‘public sphere(s)’? Developing a post-Habermasian understanding of the public sphere, the articles in this collection demonstrate that related, if diverging, conceptions of the ‘public’ existed in a variety of forms, locations, and cultures across early modern Europe — and in Asia. | ||
505 | 0 | 0 | |t Preliminary Material -- |t Introduction: Dramatic Experience: The Poetics of Drama and the Early Modern Public Sphere(s) -- |t 1 Opening Spaces for the Reading Audience: Fernando de Rojas’s Celestina (1499/1502) and Niccolò Machiavelli’s Mandragola (1518) / |r Sven Thorsten Kilian -- |t 2 Why Do Men Go Blind in the Theatre? Gender Riddles and Fools’ Play in the Italian Renaissance Comedy Gl’Ingannati (1532) / |r Katja Gvozdeva -- |t 3 The Accademia degli Alterati and the Invention of a New Form of Dramatic Experience: Myth, Allegory, and Theory in Jacopo Peri’s and Ottavio Rinuccini’s Euridice (1600) / |r Déborah Blocker -- |t 4 Il favore degli dei (1690): Meta-Opera and Metamorphoses at the Farnese Court / |r Wendy Heller -- |t 5 Entertainment for Melancholics: The Public and the Public Stage in Carlo Gozzi’s L’Amore delle tre melarance / |r Tatiana Korneeva -- |t 6 Pierre Nicole, Jean-Baptiste Dubos, and the Psychological Experience of Theatrical Performance in Early Modern France / |r Logan J. Connors -- |t 7 The Catharsis of Prosecution: Royal Violence, Poetic Justice, and Public Emotion in the Russian Hamlet (1748) / |r Kirill Ospovat -- |t 8 The Politics of Tragedy in the Dutch Republic: Joachim Oudaen’s Martyr Drama in Context / |r Nigel Smith -- |t 9 Devils On and Off Stage: Shifting Effects of Fear and Laughter in Late Medieval and Early Modern German Urban Theatre / |r Hans Rudolf Velten -- |t 10 Imagining the Audience in Eighteenth-Century Folk Theatre in Tyrol / |r Toni Bernhart -- |t 11 Nô within Walls and Beyond: Theatre as Cultural Capital in Edo Japan (1603–1868) / |r Stanca Scholz-Cionca -- |t Index. |
588 | |a Description based on print version record and CIP data provided by publisher; resource not viewed. | ||
546 | |a English | ||
536 | |a FP7 Ideas: European Research Council | ||
588 | |a Description based on print version record. | ||
650 | 0 | |a Theater and society. | |
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650 | 0 | |a Theater |x History |y 16th century. | |
720 | |a Gvozdeva, Katja. | ||
720 | |a Korneeva, Tatiana. | ||
720 | |a Ospovat, Kirill. | ||
776 | |z 90-04-32975-7 | ||
700 | 1 | |a Korneeva, Tatiana, |e author. | |
700 | 1 | |a Ospovat, Kirill, |e author. | |
830 | 0 | |a Drama and theatre in early modern Europe ; |v Volume 6. | |
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