Tempi der Bewegung : : Modi des Gefühls / / Sarah Greifenstein.
What is the connection between the tempo of audiovisual images and the audience's emotional experience? Examining the screwball comedy of the 30s and 40s, this study looks at comedy and hilarity as temporal structures. Exchanges of blows, puns, and verbal acrobatics are embedded in a complex co...
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| Superior document: | Cinepoetics |
|---|---|
| VerfasserIn: | |
| Place / Publishing House: | Berlin : : De Gruyter,, 2020. |
| Year of Publication: | 2020 |
| Language: | German |
| Series: | Cinepoetics.
|
| Physical Description: | 1 online resource (xii, 333 pages). |
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| 100 | 1 | |a Greifenstein, Sarah, |e author. | |
| 245 | 1 | 0 | |a Tempi der Bewegung : |b Modi des Gefühls / |c Sarah Greifenstein. |
| 246 | |a Wettbewerbsfähigkeit von Start-ups | ||
| 246 | |a Tempi der Bewegung â Modi des Gefühls | ||
| 246 | |a Restitution des Ullstein-Verlags | ||
| 246 | |a Excavations at Paithan, Maharashtra | ||
| 246 | |a Land, Dorf, Kehilla | ||
| 246 | |a Lived Religion in the Ancient Mediterranean World | ||
| 246 | |a Material Aspects of Reading in Ancient and Medieval Cultures | ||
| 246 | |a Schreiben auf statuarischen Monumenten | ||
| 246 | |a Tempi der Bewegung – Modi des Gefühls | ||
| 246 | |a Power of Urban Water | ||
| 246 | |a Summa Halensis | ||
| 246 | |a Was macht die Digitalisierung mit den Hochschulen? | ||
| 246 | |a Wettbewerbsfähigkeit von Start-ups | ||
| 246 | |a Zur Geschichte deutscher Wissenschaftssprachen | ||
| 246 | |a Proceedings of the International Seminar on Safety and Security of Autonomous Vessels | ||
| 264 | 1 | |a Berlin : |b De Gruyter, |c 2020. | |
| 300 | |a 1 online resource (xii, 333 pages). | ||
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| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Cinepoetics | |
| 588 | |a Description based on publisher supplied metadata and other sources. | ||
| 520 | |a What is the connection between the tempo of audiovisual images and the audience's emotional experience? Examining the screwball comedy of the 30s and 40s, this study looks at comedy and hilarity as temporal structures. Exchanges of blows, puns, and verbal acrobatics are embedded in a complex composition of voices, facial expressions, gestures, and visual constructions. The audience experiences and enjoys combat and rage as an elegant pas de deux. | ||
| 546 | |a In German. | ||
| 505 | 0 | |a Intro -- Danksagung -- Inhaltsverzeichnis -- 1. Einleitung -- 2. Taktungen lachender Körper und heitere Zuschauergefühle -- 3. Prestissimo -- Exzentrische Klanggestalten, rasante Stimmbilder und sich entfaltende Wortkulissen -- 4. Allegro ma non troppo -- Paradoxes Zeitempfinden, der Streit und die sich vermählenden Gesten -- 5. Scherzando -- Das kommunizierende Gesicht oder die Ehe als Ökonomie der Affekte -- 6. Der komödische Modus und die Dynamik des Genres -- 7. Schlussbetrachtung Literaturverzeichnis -- Filmverzeichnis -- Abbildungsverzeichnis -- Sachregister -- Farbabbildungen. | |
| 650 | 0 | |a Screwball comedy films. | |
| 776 | |z 3-11-069667-3 | ||
| 830 | 0 | |a Cinepoetics. | |
| 906 | |a BOOK | ||
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| AVE | |i DOAB Directory of Open Access Books |P DOAB Directory of Open Access Books |x https://eu02.alma.exlibrisgroup.com/view/uresolver/43ACC_OEAW/openurl?u.ignore_date_coverage=true&portfolio_pid=5339674960004498&Force_direct=true |Z 5339674960004498 |b Available |8 5339674960004498 | ||
| AVE | |i DOAB Directory of Open Access Books |P DOAB Directory of Open Access Books |x https://eu02.alma.exlibrisgroup.com/view/uresolver/43ACC_OEAW/openurl?u.ignore_date_coverage=true&portfolio_pid=5339674820004498&Force_direct=true |Z 5339674820004498 |b Available |8 5339674820004498 | ||