Tempi der Bewegung : : Modi des Gefühls / / Sarah Greifenstein.
What is the connection between the tempo of audiovisual images and the audience's emotional experience? Examining the screwball comedy of the 30s and 40s, this study looks at comedy and hilarity as temporal structures. Exchanges of blows, puns, and verbal acrobatics are embedded in a complex co...
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| Superior document: | Cinepoetics |
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| VerfasserIn: | |
| Place / Publishing House: | Berlin : : De Gruyter,, 2020. |
| Year of Publication: | 2020 |
| Language: | German |
| Series: | Cinepoetics.
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| Physical Description: | 1 online resource (xii, 333 pages). |
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| Other title: | Wettbewerbsfähigkeit von Start-ups Tempi der Bewegung â Modi des Gefühls Restitution des Ullstein-Verlags Excavations at Paithan, Maharashtra Land, Dorf, Kehilla Lived Religion in the Ancient Mediterranean World Material Aspects of Reading in Ancient and Medieval Cultures Schreiben auf statuarischen Monumenten Tempi der Bewegung – Modi des Gefühls Power of Urban Water Summa Halensis Was macht die Digitalisierung mit den Hochschulen? Wettbewerbsfähigkeit von Start-ups Zur Geschichte deutscher Wissenschaftssprachen Proceedings of the International Seminar on Safety and Security of Autonomous Vessels |
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| Summary: | What is the connection between the tempo of audiovisual images and the audience's emotional experience? Examining the screwball comedy of the 30s and 40s, this study looks at comedy and hilarity as temporal structures. Exchanges of blows, puns, and verbal acrobatics are embedded in a complex composition of voices, facial expressions, gestures, and visual constructions. The audience experiences and enjoys combat and rage as an elegant pas de deux. |
| Hierarchical level: | Monograph |
| Statement of Responsibility: | Sarah Greifenstein. |