Late Bresson and the Visual Arts : : Cinema, Painting and Avant-Garde Experiment / / Raymond Watkins.
Critics have largely neglected the color films of French film director Robert Bresson (1901-99). To correct that oversight, this study presents a revised and revitalized Bresson, comparing his style to innovations in abstract painting after World War II, exploring his affinities with such avant-gard...
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Superior document: | Title is part of eBook package: De Gruyter AUP eBook Package 2016-2018 |
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VerfasserIn: | |
Place / Publishing House: | Amsterdam : : Amsterdam University Press, , [2018] ©2018 |
Year of Publication: | 2018 |
Language: | English |
Series: | Film Culture in Transition
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Online Access: | |
Physical Description: | 1 online resource (272 p.) :; 8 color, 61 halftones |
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Table of Contents:
- Frontmatter
- Table of Contents
- Acknowledgements
- Introduction
- Part 1 Classical and Postwar Painting
- 1. Bresson's Debt to Painting
- 2. The Turn to Postwar Abstraction
- Part 2 Avant-Garde Experiment
- 3. Bresson's Flirtation with Surrealism
- 4. The Design and Pattern of the Whole
- 5. Between Constructivism and Minimalism
- Illustration Credits
- Bibliography
- About the author
- Index
- Film Culture in Transition