Late Bresson and the Visual Arts : : Cinema, Painting and Avant-Garde Experiment / / Raymond Watkins.
Critics have largely neglected the color films of French film director Robert Bresson (1901-99). To correct that oversight, this study presents a revised and revitalized Bresson, comparing his style to innovations in abstract painting after World War II, exploring his affinities with such avant-gard...
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| Superior document: | Title is part of eBook package: De Gruyter AUP eBook Package 2016-2018 |
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| Place / Publishing House: | Amsterdam : : Amsterdam University Press, , [2018] ©2018 |
| Year of Publication: | 2018 |
| Language: | English |
| Series: | Film Culture in Transition
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| Physical Description: | 1 online resource (272 p.) :; 8 color, 61 halftones |
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(DE-B1597)514543 (OCoLC)1062360868 |
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Watkins, Raymond, author. aut http://id.loc.gov/vocabulary/relators/aut Late Bresson and the Visual Arts : Cinema, Painting and Avant-Garde Experiment / Raymond Watkins. Amsterdam : Amsterdam University Press, [2018] ©2018 1 online resource (272 p.) : 8 color, 61 halftones text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Film Culture in Transition Frontmatter -- Table of Contents -- Acknowledgements -- Introduction -- Part 1 Classical and Postwar Painting -- 1. Bresson's Debt to Painting -- 2. The Turn to Postwar Abstraction -- Part 2 Avant-Garde Experiment -- 3. Bresson's Flirtation with Surrealism -- 4. The Design and Pattern of the Whole -- 5. Between Constructivism and Minimalism -- Illustration Credits -- Bibliography -- About the author -- Index -- Film Culture in Transition restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star Critics have largely neglected the color films of French film director Robert Bresson (1901-99). To correct that oversight, this study presents a revised and revitalized Bresson, comparing his style to innovations in abstract painting after World War II, exploring his affinities with such avant-garde traditions as surrealism, constructivism, and minimalism, and illustrating how his embodied style leads to a complex form of intermediality. Through that analysis, Raymond Watkins shows clearly that Bresson still has a good deal to teach us about cinema's distinctive ability to draw on painting, photography, sculpture, and the plastic arts in general. Issued also in print. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021) Film, Media, and Communication. ART / Film & Video. bisacsh Robert Bresson, intermediality, painting, the avant-garde, surrealism. Title is part of eBook package: De Gruyter AUP eBook Package 2016-2018 9783110667318 Title is part of eBook package: De Gruyter Amsterdam University Press Complete eBook-Package 2018 9783110606720 Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts 2018 9783110603088 ZDB-23-DPK Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts, Architecture and Design 2018 English 9783110603972 Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2018 English 9783110604252 Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2018 9783110603255 ZDB-23-DGG print 9789462983649 https://doi.org/10.1515/9789048533992?locatt=mode:legacy https://www.degruyter.com/isbn/9789048533992 Cover https://www.degruyter.com/cover/covers/9789048533992.jpg |
| language |
English |
| format |
eBook |
| author |
Watkins, Raymond, Watkins, Raymond, |
| spellingShingle |
Watkins, Raymond, Watkins, Raymond, Late Bresson and the Visual Arts : Cinema, Painting and Avant-Garde Experiment / Film Culture in Transition Frontmatter -- Table of Contents -- Acknowledgements -- Introduction -- Part 1 Classical and Postwar Painting -- 1. Bresson's Debt to Painting -- 2. The Turn to Postwar Abstraction -- Part 2 Avant-Garde Experiment -- 3. Bresson's Flirtation with Surrealism -- 4. The Design and Pattern of the Whole -- 5. Between Constructivism and Minimalism -- Illustration Credits -- Bibliography -- About the author -- Index -- Film Culture in Transition |
| author_facet |
Watkins, Raymond, Watkins, Raymond, |
| author_variant |
r w rw r w rw |
| author_role |
VerfasserIn VerfasserIn |
| author_sort |
Watkins, Raymond, |
| title |
Late Bresson and the Visual Arts : Cinema, Painting and Avant-Garde Experiment / |
| title_sub |
Cinema, Painting and Avant-Garde Experiment / |
| title_full |
Late Bresson and the Visual Arts : Cinema, Painting and Avant-Garde Experiment / Raymond Watkins. |
| title_fullStr |
Late Bresson and the Visual Arts : Cinema, Painting and Avant-Garde Experiment / Raymond Watkins. |
| title_full_unstemmed |
Late Bresson and the Visual Arts : Cinema, Painting and Avant-Garde Experiment / Raymond Watkins. |
| title_auth |
Late Bresson and the Visual Arts : Cinema, Painting and Avant-Garde Experiment / |
| title_alt |
Frontmatter -- Table of Contents -- Acknowledgements -- Introduction -- Part 1 Classical and Postwar Painting -- 1. Bresson's Debt to Painting -- 2. The Turn to Postwar Abstraction -- Part 2 Avant-Garde Experiment -- 3. Bresson's Flirtation with Surrealism -- 4. The Design and Pattern of the Whole -- 5. Between Constructivism and Minimalism -- Illustration Credits -- Bibliography -- About the author -- Index -- Film Culture in Transition |
| title_new |
Late Bresson and the Visual Arts : |
| title_sort |
late bresson and the visual arts : cinema, painting and avant-garde experiment / |
| series |
Film Culture in Transition |
| series2 |
Film Culture in Transition |
| publisher |
Amsterdam University Press, |
| publishDate |
2018 |
| physical |
1 online resource (272 p.) : 8 color, 61 halftones Issued also in print. |
| contents |
Frontmatter -- Table of Contents -- Acknowledgements -- Introduction -- Part 1 Classical and Postwar Painting -- 1. Bresson's Debt to Painting -- 2. The Turn to Postwar Abstraction -- Part 2 Avant-Garde Experiment -- 3. Bresson's Flirtation with Surrealism -- 4. The Design and Pattern of the Whole -- 5. Between Constructivism and Minimalism -- Illustration Credits -- Bibliography -- About the author -- Index -- Film Culture in Transition |
| isbn |
9789048533992 9783110667318 9783110606720 9783110603088 9783110603972 9783110604252 9783110603255 9789462983649 |
| url |
https://doi.org/10.1515/9789048533992?locatt=mode:legacy https://www.degruyter.com/isbn/9789048533992 https://www.degruyter.com/cover/covers/9789048533992.jpg |
| illustrated |
Not Illustrated |
| dewey-hundreds |
700 - Arts & recreation |
| dewey-tens |
790 - Sports, games & entertainment |
| dewey-ones |
791 - Public performances |
| dewey-full |
791.4302/33092 |
| dewey-sort |
3791.4302 533092 |
| dewey-raw |
791.4302/33092 |
| dewey-search |
791.4302/33092 |
| doi_str_mv |
10.1515/9789048533992?locatt=mode:legacy |
| oclc_num |
1062360868 |
| work_keys_str_mv |
AT watkinsraymond latebressonandthevisualartscinemapaintingandavantgardeexperiment |
| status_str |
n |
| ids_txt_mv |
(DE-B1597)514543 (OCoLC)1062360868 |
| carrierType_str_mv |
cr |
| hierarchy_parent_title |
Title is part of eBook package: De Gruyter AUP eBook Package 2016-2018 Title is part of eBook package: De Gruyter Amsterdam University Press Complete eBook-Package 2018 Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts 2018 Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts, Architecture and Design 2018 English Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2018 English Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2018 |
| is_hierarchy_title |
Late Bresson and the Visual Arts : Cinema, Painting and Avant-Garde Experiment / |
| container_title |
Title is part of eBook package: De Gruyter AUP eBook Package 2016-2018 |
| _version_ |
1806145921359020032 |
| fullrecord |
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