Late Bresson and the Visual Arts : : Cinema, Painting and Avant-Garde Experiment / / Raymond Watkins.

Critics have largely neglected the color films of French film director Robert Bresson (1901-99). To correct that oversight, this study presents a revised and revitalized Bresson, comparing his style to innovations in abstract painting after World War II, exploring his affinities with such avant-gard...

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Superior document:Title is part of eBook package: De Gruyter AUP eBook Package 2016-2018
VerfasserIn:
Place / Publishing House:Amsterdam : : Amsterdam University Press, , [2018]
©2018
Year of Publication:2018
Language:English
Series:Film Culture in Transition
Online Access:
Physical Description:1 online resource (272 p.) :; 8 color, 61 halftones
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245 1 0 |a Late Bresson and the Visual Arts :  |b Cinema, Painting and Avant-Garde Experiment /  |c Raymond Watkins. 
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300 |a 1 online resource (272 p.) :  |b 8 color, 61 halftones 
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505 0 0 |t Frontmatter --   |t Table of Contents --   |t Acknowledgements --   |t Introduction --   |t Part 1 Classical and Postwar Painting --   |t 1. Bresson's Debt to Painting --   |t 2. The Turn to Postwar Abstraction --   |t Part 2 Avant-Garde Experiment --   |t 3. Bresson's Flirtation with Surrealism --   |t 4. The Design and Pattern of the Whole --   |t 5. Between Constructivism and Minimalism --   |t Illustration Credits --   |t Bibliography --   |t About the author --   |t Index --   |t Film Culture in Transition 
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520 |a Critics have largely neglected the color films of French film director Robert Bresson (1901-99). To correct that oversight, this study presents a revised and revitalized Bresson, comparing his style to innovations in abstract painting after World War II, exploring his affinities with such avant-garde traditions as surrealism, constructivism, and minimalism, and illustrating how his embodied style leads to a complex form of intermediality. Through that analysis, Raymond Watkins shows clearly that Bresson still has a good deal to teach us about cinema's distinctive ability to draw on painting, photography, sculpture, and the plastic arts in general. 
530 |a Issued also in print. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021) 
650 4 |a Film, Media, and Communication. 
650 7 |a ART / Film & Video.  |2 bisacsh 
653 |a Robert Bresson, intermediality, painting, the avant-garde, surrealism. 
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