Kinematographische Differenz : : Film und Wahrnehmung /

Kinematographische Differenz : : Film und Wahrnehmung / / Markus Brandstätter.

The Film as an organisation principle: about noises, sounds, thoughts, time, space, and their perception.

Saved in:
Bibliographic Details
Superior document:Title is part of eBook package: De Gruyter DG Plus eBook-Package 2016
VerfasserIn:
Brandstätter, Markus,
MitwirkendeR:
Valéry, Paul,
Place / Publishing House:Bielefeld : : transcript Verlag, , [2016]
©2016
Year of Publication:2016
Language:German
Series:Film
Online Access:
Physical Description:1 online resource (128 p.)
Tags: Add Tag
No Tags, Be the first to tag this record!
id 9783839437131
ctrlnum (DE-B1597)477020
(OCoLC)965684485
collection bib_alma
record_format marc
spelling Brandstätter, Markus, author. aut http://id.loc.gov/vocabulary/relators/aut
Kinematographische Differenz : Film und Wahrnehmung / Markus Brandstätter.
Bielefeld : transcript Verlag, [2016]
©2016
1 online resource (128 p.)
text txt rdacontent
computer c rdamedia
online resource cr rdacarrier
text file PDF rda
Film
Frontmatter -- Inhalt -- Anstelle einer Vorbemerkung -- [vor-läufig] -- [Öffnung] -- Lost Highway, David Lynch, 1997 -- [Angst], [organloser Körper], [Wunschmaschine] -- [Vorläufigkeit], [Verschränkung] [Bewegung], [Schema], [Bild], [Modell] -- [Kinematograph] -- In den Tagebuchaufzeichnungen Dsiga Wertows -- Kasimir Malewitsch beklagt sich -- Philosophischer Begriff und der Weiße Wal -- Literatur -- Filmverzeichnis -- Backmatter
restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star
The Film as an organisation principle: about noises, sounds, thoughts, time, space, and their perception.
Wie funktionieren Begriffe, bewegte Bilder und Wahrnehmung?Mit dem Konzept der »Kinematographischen Differenz« richtet sich der Fokus auf die Wahrnehmung von Bewegungsbildern und filmischer Zeit. Vor diesem Hintergrund betrachtet Markus Brandstätter den Kinematographen als Schema und Modell des transzendentalen Vollzugs. Er zeigt, dass man das Phänomen Film auch außerhalb gängiger Interpretationsmuster betrachten kann und geht - im Rahmen der »Kinematographischen Differenz« - den transzendentalen Problemen der Kinematographie und Wahrnehmung nach.
Issued also in print.
Mode of access: Internet via World Wide Web.
In German.
Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Nov 2021)
Bewegungsbild.
Bild.
Differenz.
Erkenntnis.
Filmische Zeit.
Gesellschaft.
Interpretation.
Kinematograph.
Kritik.
Kultur.
Medien.
Medientheorie.
Medienwissenschaft.
Medienästhetik.
Philosophie.
Transzendenz.
Wahrnehmung.
Zeitbild.
SOCIAL SCIENCE / Media Studies. bisacsh
Cinematographer.
Critique.
Culture.
Difference.
Filmic Time.
Image.
Knowledge.
Media Aesthetics.
Media Studies.
Media Theory.
Media.
Moving Picture.
Perception.
Philosophy.
Society.
Time Picture.
Transcendence.
Valéry, Paul, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Title is part of eBook package: De Gruyter DG Plus eBook-Package 2016 9783110701005
Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2016 9783110485103 ZDB-23-DGG
Title is part of eBook package: De Gruyter EBOOK PACKAGE Social Sciences 2016 9783110485332 ZDB-23-DSW
Title is part of eBook package: De Gruyter PP Plus eBook-Package 2016 9783110701012
Title is part of eBook package: De Gruyter transcript Complete eBook Package 2014-2016 9783110489842 ZDB-23-TGP
print 9783837637137
https://doi.org/10.1515/9783839437131?locatt=mode:legacy
https://www.degruyter.com/isbn/9783839437131
Cover https://www.degruyter.com/document/cover/isbn/9783839437131/original
language German
format eBook
author Brandstätter, Markus,
Brandstätter, Markus,
spellingShingle Brandstätter, Markus,
Brandstätter, Markus,
Kinematographische Differenz : Film und Wahrnehmung /
Film
Frontmatter --
Inhalt --
Anstelle einer Vorbemerkung --
[vor-läufig] --
[Öffnung] --
Lost Highway, David Lynch, 1997 --
[Angst], [organloser Körper], [Wunschmaschine] --
[Vorläufigkeit], [Verschränkung] [Bewegung], [Schema], [Bild], [Modell] --
[Kinematograph] --
In den Tagebuchaufzeichnungen Dsiga Wertows --
Kasimir Malewitsch beklagt sich --
Philosophischer Begriff und der Weiße Wal --
Literatur --
Filmverzeichnis --
Backmatter
author_facet Brandstätter, Markus,
Brandstätter, Markus,
Valéry, Paul,
Valéry, Paul,
author_variant m b mb
m b mb
author_role VerfasserIn
VerfasserIn
author2 Valéry, Paul,
Valéry, Paul,
author2_variant p v pv
p v pv
author2_role MitwirkendeR
MitwirkendeR
author_sort Brandstätter, Markus,
title Kinematographische Differenz : Film und Wahrnehmung /
title_sub Film und Wahrnehmung /
title_full Kinematographische Differenz : Film und Wahrnehmung / Markus Brandstätter.
title_fullStr Kinematographische Differenz : Film und Wahrnehmung / Markus Brandstätter.
title_full_unstemmed Kinematographische Differenz : Film und Wahrnehmung / Markus Brandstätter.
title_auth Kinematographische Differenz : Film und Wahrnehmung /
title_alt Frontmatter --
Inhalt --
Anstelle einer Vorbemerkung --
[vor-läufig] --
[Öffnung] --
Lost Highway, David Lynch, 1997 --
[Angst], [organloser Körper], [Wunschmaschine] --
[Vorläufigkeit], [Verschränkung] [Bewegung], [Schema], [Bild], [Modell] --
[Kinematograph] --
In den Tagebuchaufzeichnungen Dsiga Wertows --
Kasimir Malewitsch beklagt sich --
Philosophischer Begriff und der Weiße Wal --
Literatur --
Filmverzeichnis --
Backmatter
title_new Kinematographische Differenz :
title_sort kinematographische differenz : film und wahrnehmung /
series Film
series2 Film
publisher transcript Verlag,
publishDate 2016
physical 1 online resource (128 p.)
Issued also in print.
contents Frontmatter --
Inhalt --
Anstelle einer Vorbemerkung --
[vor-läufig] --
[Öffnung] --
Lost Highway, David Lynch, 1997 --
[Angst], [organloser Körper], [Wunschmaschine] --
[Vorläufigkeit], [Verschränkung] [Bewegung], [Schema], [Bild], [Modell] --
[Kinematograph] --
In den Tagebuchaufzeichnungen Dsiga Wertows --
Kasimir Malewitsch beklagt sich --
Philosophischer Begriff und der Weiße Wal --
Literatur --
Filmverzeichnis --
Backmatter
isbn 9783839437131
9783110701005
9783110485103
9783110485332
9783110701012
9783110489842
9783837637137
url https://doi.org/10.1515/9783839437131?locatt=mode:legacy
https://www.degruyter.com/isbn/9783839437131
https://www.degruyter.com/document/cover/isbn/9783839437131/original
illustrated Not Illustrated
doi_str_mv 10.1515/9783839437131?locatt=mode:legacy
oclc_num 965684485
work_keys_str_mv AT brandstattermarkus kinematographischedifferenzfilmundwahrnehmung
AT valerypaul kinematographischedifferenzfilmundwahrnehmung
status_str n
ids_txt_mv (DE-B1597)477020
(OCoLC)965684485
carrierType_str_mv cr
hierarchy_parent_title Title is part of eBook package: De Gruyter DG Plus eBook-Package 2016
Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2016
Title is part of eBook package: De Gruyter EBOOK PACKAGE Social Sciences 2016
Title is part of eBook package: De Gruyter PP Plus eBook-Package 2016
Title is part of eBook package: De Gruyter transcript Complete eBook Package 2014-2016
is_hierarchy_title Kinematographische Differenz : Film und Wahrnehmung /
container_title Title is part of eBook package: De Gruyter DG Plus eBook-Package 2016
author2_original_writing_str_mv noLinkedField
noLinkedField
_version_ 1806145794730885120
fullrecord <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>05144nam a22011775i 4500</leader><controlfield tag="001">9783839437131</controlfield><controlfield tag="003">DE-B1597</controlfield><controlfield tag="005">20211129102213.0</controlfield><controlfield tag="006">m|||||o||d||||||||</controlfield><controlfield tag="007">cr || ||||||||</controlfield><controlfield tag="008">211129t20162016gw fo d z ger d</controlfield><datafield tag="019" ind1=" " ind2=" "><subfield code="a">(OCoLC)967531731</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9783839437131</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1515/9783839437131</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-B1597)477020</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)965684485</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-B1597</subfield><subfield code="b">eng</subfield><subfield code="c">DE-B1597</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">ger</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">gw</subfield><subfield code="c">DE</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">SOC052000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">AP 57800</subfield><subfield code="2">rvk</subfield><subfield code="0">(DE-625)rvk/7775:</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Brandstätter, Markus, </subfield><subfield code="e">author.</subfield><subfield code="4">aut</subfield><subfield code="4">http://id.loc.gov/vocabulary/relators/aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Kinematographische Differenz :</subfield><subfield code="b">Film und Wahrnehmung /</subfield><subfield code="c">Markus Brandstätter.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Bielefeld : </subfield><subfield code="b">transcript Verlag, </subfield><subfield code="c">[2016]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2016</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (128 p.)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="347" ind1=" " ind2=" "><subfield code="a">text file</subfield><subfield code="b">PDF</subfield><subfield code="2">rda</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Film</subfield></datafield><datafield tag="505" ind1="0" ind2="0"><subfield code="t">Frontmatter -- </subfield><subfield code="t">Inhalt -- </subfield><subfield code="t">Anstelle einer Vorbemerkung -- </subfield><subfield code="t">[vor-läufig] -- </subfield><subfield code="t">[Öffnung] -- </subfield><subfield code="t">Lost Highway, David Lynch, 1997 -- </subfield><subfield code="t">[Angst], [organloser Körper], [Wunschmaschine] -- </subfield><subfield code="t">[Vorläufigkeit], [Verschränkung] [Bewegung], [Schema], [Bild], [Modell] -- </subfield><subfield code="t">[Kinematograph] -- </subfield><subfield code="t">In den Tagebuchaufzeichnungen Dsiga Wertows -- </subfield><subfield code="t">Kasimir Malewitsch beklagt sich -- </subfield><subfield code="t">Philosophischer Begriff und der Weiße Wal -- </subfield><subfield code="t">Literatur -- </subfield><subfield code="t">Filmverzeichnis -- </subfield><subfield code="t">Backmatter</subfield></datafield><datafield tag="506" ind1="0" ind2=" "><subfield code="a">restricted access</subfield><subfield code="u">http://purl.org/coar/access_right/c_16ec</subfield><subfield code="f">online access with authorization</subfield><subfield code="2">star</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">The Film as an organisation principle: about noises, sounds, thoughts, time, space, and their perception.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Wie funktionieren Begriffe, bewegte Bilder und Wahrnehmung?Mit dem Konzept der »Kinematographischen Differenz« richtet sich der Fokus auf die Wahrnehmung von Bewegungsbildern und filmischer Zeit. Vor diesem Hintergrund betrachtet Markus Brandstätter den Kinematographen als Schema und Modell des transzendentalen Vollzugs. Er zeigt, dass man das Phänomen Film auch außerhalb gängiger Interpretationsmuster betrachten kann und geht - im Rahmen der »Kinematographischen Differenz« - den transzendentalen Problemen der Kinematographie und Wahrnehmung nach.</subfield></datafield><datafield tag="530" ind1=" " ind2=" "><subfield code="a">Issued also in print.</subfield></datafield><datafield tag="538" ind1=" " ind2=" "><subfield code="a">Mode of access: Internet via World Wide Web.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In German.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Nov 2021)</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Bewegungsbild.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Bild.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Differenz.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Erkenntnis.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Filmische Zeit.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Gesellschaft.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Interpretation.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Kinematograph.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Kritik.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Kultur.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Medien.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Medientheorie.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Medienwissenschaft.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Medienästhetik.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Philosophie.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Transzendenz.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Wahrnehmung.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Zeitbild.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">SOCIAL SCIENCE / Media Studies.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Cinematographer.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Critique.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Culture.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Difference.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Filmic Time.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Image.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Interpretation.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Knowledge.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Media Aesthetics.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Media Studies.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Media Theory.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Media.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Moving Picture.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Perception.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Philosophy.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Society.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Time Picture.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Transcendence.</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Valéry, Paul, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="i">Title is part of eBook package:</subfield><subfield code="d">De Gruyter</subfield><subfield code="t">DG Plus eBook-Package 2016</subfield><subfield code="z">9783110701005</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="i">Title is part of eBook package:</subfield><subfield code="d">De Gruyter</subfield><subfield code="t">EBOOK PACKAGE COMPLETE 2016</subfield><subfield code="z">9783110485103</subfield><subfield code="o">ZDB-23-DGG</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="i">Title is part of eBook package:</subfield><subfield code="d">De Gruyter</subfield><subfield code="t">EBOOK PACKAGE Social Sciences 2016</subfield><subfield code="z">9783110485332</subfield><subfield code="o">ZDB-23-DSW</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="i">Title is part of eBook package:</subfield><subfield code="d">De Gruyter</subfield><subfield code="t">PP Plus eBook-Package 2016</subfield><subfield code="z">9783110701012</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="i">Title is part of eBook package:</subfield><subfield code="d">De Gruyter</subfield><subfield code="t">transcript Complete eBook Package 2014-2016</subfield><subfield code="z">9783110489842</subfield><subfield code="o">ZDB-23-TGP</subfield></datafield><datafield tag="776" ind1="0" ind2=" "><subfield code="c">print</subfield><subfield code="z">9783837637137</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1515/9783839437131?locatt=mode:legacy</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://www.degruyter.com/isbn/9783839437131</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="3">Cover</subfield><subfield code="u">https://www.degruyter.com/document/cover/isbn/9783839437131/original</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">978-3-11-070100-5 DG Plus eBook-Package 2016</subfield><subfield code="b">2016</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">978-3-11-070101-2 PP Plus eBook-Package 2016</subfield><subfield code="b">2016</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_BACKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_CL_SN</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EBKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_PPALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_SSHALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_STMALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV-deGruyter-alles</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA11SSHE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA12STME</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA5EBK</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-23-DGG</subfield><subfield code="b">2016</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-23-DSW</subfield><subfield code="b">2016</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-23-TGP</subfield><subfield code="c">2014</subfield><subfield code="d">2016</subfield></datafield></record></collection>

Similar Items