Kinematographische Differenz : : Film und Wahrnehmung / / Markus Brandstätter.
The Film as an organisation principle: about noises, sounds, thoughts, time, space, and their perception.
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Superior document: | Title is part of eBook package: De Gruyter DG Plus eBook-Package 2016 |
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VerfasserIn: | |
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Place / Publishing House: | Bielefeld : : transcript Verlag, , [2016] ©2016 |
Year of Publication: | 2016 |
Language: | German |
Series: | Film
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Online Access: | |
Physical Description: | 1 online resource (128 p.) |
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LEADER | 05144nam a22011775i 4500 | ||
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001 | 9783839437131 | ||
003 | DE-B1597 | ||
005 | 20211129102213.0 | ||
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008 | 211129t20162016gw fo d z ger d | ||
019 | |a (OCoLC)967531731 | ||
020 | |a 9783839437131 | ||
024 | 7 | |a 10.1515/9783839437131 |2 doi | |
035 | |a (DE-B1597)477020 | ||
035 | |a (OCoLC)965684485 | ||
040 | |a DE-B1597 |b eng |c DE-B1597 |e rda | ||
041 | 0 | |a ger | |
044 | |a gw |c DE | ||
072 | 7 | |a SOC052000 |2 bisacsh | |
084 | |a AP 57800 |2 rvk |0 (DE-625)rvk/7775: | ||
100 | 1 | |a Brandstätter, Markus, |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
245 | 1 | 0 | |a Kinematographische Differenz : |b Film und Wahrnehmung / |c Markus Brandstätter. |
264 | 1 | |a Bielefeld : |b transcript Verlag, |c [2016] | |
264 | 4 | |c ©2016 | |
300 | |a 1 online resource (128 p.) | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
338 | |a online resource |b cr |2 rdacarrier | ||
347 | |a text file |b PDF |2 rda | ||
490 | 0 | |a Film | |
505 | 0 | 0 | |t Frontmatter -- |t Inhalt -- |t Anstelle einer Vorbemerkung -- |t [vor-läufig] -- |t [Öffnung] -- |t Lost Highway, David Lynch, 1997 -- |t [Angst], [organloser Körper], [Wunschmaschine] -- |t [Vorläufigkeit], [Verschränkung] [Bewegung], [Schema], [Bild], [Modell] -- |t [Kinematograph] -- |t In den Tagebuchaufzeichnungen Dsiga Wertows -- |t Kasimir Malewitsch beklagt sich -- |t Philosophischer Begriff und der Weiße Wal -- |t Literatur -- |t Filmverzeichnis -- |t Backmatter |
506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
520 | |a The Film as an organisation principle: about noises, sounds, thoughts, time, space, and their perception. | ||
520 | |a Wie funktionieren Begriffe, bewegte Bilder und Wahrnehmung?Mit dem Konzept der »Kinematographischen Differenz« richtet sich der Fokus auf die Wahrnehmung von Bewegungsbildern und filmischer Zeit. Vor diesem Hintergrund betrachtet Markus Brandstätter den Kinematographen als Schema und Modell des transzendentalen Vollzugs. Er zeigt, dass man das Phänomen Film auch außerhalb gängiger Interpretationsmuster betrachten kann und geht - im Rahmen der »Kinematographischen Differenz« - den transzendentalen Problemen der Kinematographie und Wahrnehmung nach. | ||
530 | |a Issued also in print. | ||
538 | |a Mode of access: Internet via World Wide Web. | ||
546 | |a In German. | ||
588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Nov 2021) | |
650 | 4 | |a Bewegungsbild. | |
650 | 4 | |a Bild. | |
650 | 4 | |a Differenz. | |
650 | 4 | |a Erkenntnis. | |
650 | 4 | |a Filmische Zeit. | |
650 | 4 | |a Gesellschaft. | |
650 | 4 | |a Interpretation. | |
650 | 4 | |a Kinematograph. | |
650 | 4 | |a Kritik. | |
650 | 4 | |a Kultur. | |
650 | 4 | |a Medien. | |
650 | 4 | |a Medientheorie. | |
650 | 4 | |a Medienwissenschaft. | |
650 | 4 | |a Medienästhetik. | |
650 | 4 | |a Philosophie. | |
650 | 4 | |a Transzendenz. | |
650 | 4 | |a Wahrnehmung. | |
650 | 4 | |a Zeitbild. | |
650 | 7 | |a SOCIAL SCIENCE / Media Studies. |2 bisacsh | |
653 | |a Cinematographer. | ||
653 | |a Critique. | ||
653 | |a Culture. | ||
653 | |a Difference. | ||
653 | |a Filmic Time. | ||
653 | |a Image. | ||
653 | |a Interpretation. | ||
653 | |a Knowledge. | ||
653 | |a Media Aesthetics. | ||
653 | |a Media Studies. | ||
653 | |a Media Theory. | ||
653 | |a Media. | ||
653 | |a Moving Picture. | ||
653 | |a Perception. | ||
653 | |a Philosophy. | ||
653 | |a Society. | ||
653 | |a Time Picture. | ||
653 | |a Transcendence. | ||
700 | 1 | |a Valéry, Paul, |e contributor. |4 ctb |4 https://id.loc.gov/vocabulary/relators/ctb | |
773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t DG Plus eBook-Package 2016 |z 9783110701005 |
773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t EBOOK PACKAGE COMPLETE 2016 |z 9783110485103 |o ZDB-23-DGG |
773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t EBOOK PACKAGE Social Sciences 2016 |z 9783110485332 |o ZDB-23-DSW |
773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t PP Plus eBook-Package 2016 |z 9783110701012 |
773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t transcript Complete eBook Package 2014-2016 |z 9783110489842 |o ZDB-23-TGP |
776 | 0 | |c print |z 9783837637137 | |
856 | 4 | 0 | |u https://doi.org/10.1515/9783839437131?locatt=mode:legacy |
856 | 4 | 0 | |u https://www.degruyter.com/isbn/9783839437131 |
856 | 4 | 2 | |3 Cover |u https://www.degruyter.com/document/cover/isbn/9783839437131/original |
912 | |a 978-3-11-070100-5 DG Plus eBook-Package 2016 |b 2016 | ||
912 | |a 978-3-11-070101-2 PP Plus eBook-Package 2016 |b 2016 | ||
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