The Collected Essays of Robert Creeley / / Robert Creeley.
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Place / Publishing House: | Berlin ;, Boston : : De Gruyter, , [1989] ©1989 |
Year of Publication: | 1989 |
Edition: | Reprint 2022 |
Language: | English |
Online Access: | |
Physical Description: | 1 online resource (XV, 603 p.) |
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Table of Contents:
- Frontmatter
- Contents
- Introduction
- I HEROES/ELDERS
- Introduction to Penguin Selected Whitman
- Hart Crane and the Private Judgment
- The Letters of Hart Crane, Edited by Brom Weber
- A Note on Ezra Pound
- Why Pound!?!
- The Release
- William Carlos Williams: Selected Essays
- A Character for Love
- The Fact
- Foreword to The Manuscripts and Letters of William Carlos Williams, by Neil Baldwin and Steven L. Meyers
- "paradise/our/speech . . ."
- Louis Zukofsky: All: The Collected Short Poems, 1923-1958
- A Note
- All Ears Hear Here
- For L.Z.
- A Personal Note
- A Note on Basil Bunting
- Basil Bunting
- H. D.
- Here
- II THE COMPANY
- Introduction to The New Writing in the USA
- Charles Olson: Y & X
- Charles Olson: In Cold Hell, in Thicket
- Preface to Mayan Letters, by Charles Olson
- Charles Olson: The Maximus Poems, 1—10
- Olson & Others: Some Orts for the Sports
- Some Notes on Olson's Maximus
- Introduction to Charles Olson: Selected Writings I
- Introduction to Charles Olson: Selected Writings II
- "A Foot Is to Kick With"
- "An Image of Man . . .": Working Notes on Charles Olson's Concept of Person
- Charles Olson's Masterwork
- "A light, a glory, a fair luminous cloud"
- "To disclose that vision particular to dreams"
- Preface to Robert Duncan: A Descriptive Bibliography, by Robert J. Bertholf
- "An intensely singular art"
- Edward Dorn in the News
- Edward Dorn's Geography
- Preface to Selected Poems, by Edward Dorn
- The New World
- For Michael
- Preface to Against the Silences, by Paul Blackburn
- "How Is It Far If You Think It?"
- III THE WRITING LIFE
- Kenneth Patchen: Fables £s? Other Little Tales
- A Note on Canadian Poetry
- Canadian Poetry 1954
- D. H. Lawrence: Studies in Classic American Literature
- Witter Bynner: Journey with Genius
- Louis-Ferdinand Céline: Guignol's Band & John Hawkes: The Goose on the Grave
- "By God, Pomeroy, you here!"
- Waiting for Godot
- Ramón Sender: Two Novels
- On Love
- The Journals of Jean Cocteau
- Kenneth Rexroth: In Defense of the Earth
- Edward Dahlberg: The Sorrows of Priapus
- Evergreen Review, Nos. 1 and 2
- "To Build Castles in Spain"
- "Her Service Is Perfect Freedom"
- A New Testament
- Ways of Looking
- The Fascinating Bore
- Preface to Sticks and Stones, by George Bowering
- "Think what's got away..."
- The Beat Voznesensky
- Judson Crews
- A Note for Thread and Fielding Dawson
- A Note for Kenneth Irby
- Frederick Eckman: The Epistemologa of Loss
- A Note for These Poems...
- Rainer Gerhardt: A Note
- Introduction to Thongs, by Alex Trocchi
- AM
- Introduction to Krazy Katl The Unveiling & Other Stories, by Fielding Dawson
- For Diane
- Foreword to The Sterile Honeycomb, by Arthur Axelrod
- Gee Gerry G...
- Lew
- A Note for Hilda Morley: A Blessing Outside Us
- Foreword to Sojourner Microcosms, by Anselm Hollo
- Introduction to The Manner Music, by Charles Reznikoff
- Preface to Nolo Contendere, by Judson Crews
- Preface to The Blind Receptionist and Other Poems, by Robert J. Richkin
- Foreword to Running Grass: Poems 1970-1977, by Peter Levitt
- Xmas as in Merry
- Poetry of Commitment
- First Prize
- First Prize
- Ted Berrigan's Death
- William Corbett: Two Books
- No Matter What: A Note for Collected Poems, by William Corbett
- An Afterword to Splendide-Hôtel, by Gilbert Sorrentino
- The Gentle on the Mind Number
- With Crusoe, on Familiar Shores
- Kenneth Koch's Selected Poems, 1950-1982
- Gone Fishing
- From the Language Poets
- A True Poet
- Preface to The Leafless American, by Edward Dahlberg
- Foreword to The Collected Poems of Marsden Hartley
- Foreword to Trumpets from the Islands of Their Eviction, by Martin Espada
- IV ARTISTS
- On the Road: Notes on Artists 8c Poets, 1950-1965
- Divers Sentiments
- René Laubiès: An Introduction
- A Note on Franz Kline
- Philip Guston: A Note
- Harry Callahan: A Note
- A Note
- Feedback: "Contemporary Voices in the Arts"
- John Chamberlain
- Frank Stella: A Way to Go
- "Mehr Licht . .."
- Ecce Homo
- Three Films
- Bill the King
- "Some Place Enormously Moveable": The Collaboration of Arakawa and Madeline H. Gins
- Introduction to Larry Bell: New Work
- Memories of John
- My New Mexico
- Jim Dine/Five Themes
- Face It
- Seeing Things: Preface to Scopophilia, by Gerard Malanga
- Foreword to The Poet Exposed, Portraits by Christopher Felver
- V AUTOBIOGRAPHY AND POETICS
- A Note on the Objective
- Notes for a New Prose
- How to Write a Novel
- To Define
- A Dilemma
- A Note
- A Note on the Local
- A Quick Graph
- "Statement" for the Paterson Society
- Why Bother?
- A Sense of Measure
- "Poems are a complex"
- A Statement about the Poem "The Name"
- Notes Apropos "Free Verse"
- "I'm given to write poems"
- The Black Mountain Review
- The Writer's Situation
- Writing
- On the New Cultural Conservatism
- The Creative
- Inside Out
- Foreword to Robert Creeley: An Inventory, 1945—1970, by Mary Novik
- Last Night
- Was That a Real Poem or Did You Just Make It Up Yourself?
- A Note for Hello
- Letter from Berlin
- Berlin, Etc.
- Form
- Index
- Backmatter