The Collected Essays of Robert Creeley / / Robert Creeley.
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| Place / Publishing House: | Berlin ;, Boston : : De Gruyter, , [1989] ©1989 |
| Year of Publication: | 1989 |
| Edition: | Reprint 2022 |
| Language: | English |
| Online Access: | |
| Physical Description: | 1 online resource (XV, 603 p.) |
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| LEADER | 07576nam a22006255i 4500 | ||
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| 001 | 9783112658024 | ||
| 003 | DE-B1597 | ||
| 005 | 20221107062033.0 | ||
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| 008 | 221107t19891989gw fo d z eng d | ||
| 020 | |a 9783112658024 | ||
| 024 | 7 | |a 10.1515/9783112658024 |2 doi | |
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| 040 | |a DE-B1597 |b eng |c DE-B1597 |e rda | ||
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| 100 | 1 | |a Creeley, Robert, |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
| 245 | 1 | 4 | |a The Collected Essays of Robert Creeley / |c Robert Creeley. |
| 250 | |a Reprint 2022 | ||
| 264 | 1 | |a Berlin ; |a Boston : |b De Gruyter, |c [1989] | |
| 264 | 4 | |c ©1989 | |
| 300 | |a 1 online resource (XV, 603 p.) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a text file |b PDF |2 rda | ||
| 505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t Introduction -- |t I HEROES/ELDERS -- |t Introduction to Penguin Selected Whitman -- |t Hart Crane and the Private Judgment -- |t The Letters of Hart Crane, Edited by Brom Weber -- |t A Note on Ezra Pound -- |t Why Pound!?! -- |t The Release -- |t William Carlos Williams: Selected Essays -- |t A Character for Love -- |t The Fact -- |t Foreword to The Manuscripts and Letters of William Carlos Williams, by Neil Baldwin and Steven L. Meyers -- |t "paradise/our/speech . . ." -- |t Louis Zukofsky: All: The Collected Short Poems, 1923-1958 -- |t A Note -- |t All Ears Hear Here -- |t For L.Z. -- |t A Personal Note -- |t A Note on Basil Bunting -- |t Basil Bunting -- |t H. D. -- |t Here -- |t II THE COMPANY -- |t Introduction to The New Writing in the USA -- |t Charles Olson: Y & X -- |t Charles Olson: In Cold Hell, in Thicket -- |t Preface to Mayan Letters, by Charles Olson -- |t Charles Olson: The Maximus Poems, 1—10 -- |t Olson & Others: Some Orts for the Sports -- |t Some Notes on Olson's Maximus -- |t Introduction to Charles Olson: Selected Writings I -- |t Introduction to Charles Olson: Selected Writings II -- |t "A Foot Is to Kick With" -- |t "An Image of Man . . .": Working Notes on Charles Olson's Concept of Person -- |t Charles Olson's Masterwork -- |t "A light, a glory, a fair luminous cloud" -- |t "To disclose that vision particular to dreams" -- |t Preface to Robert Duncan: A Descriptive Bibliography, by Robert J. Bertholf -- |t "An intensely singular art" -- |t Edward Dorn in the News -- |t Edward Dorn's Geography -- |t Preface to Selected Poems, by Edward Dorn -- |t The New World -- |t For Michael -- |t Preface to Against the Silences, by Paul Blackburn -- |t "How Is It Far If You Think It?" -- |t III THE WRITING LIFE -- |t Kenneth Patchen: Fables £s? Other Little Tales -- |t A Note on Canadian Poetry -- |t Canadian Poetry 1954 -- |t D. H. Lawrence: Studies in Classic American Literature -- |t Witter Bynner: Journey with Genius -- |t Louis-Ferdinand Céline: Guignol's Band & John Hawkes: The Goose on the Grave -- |t "By God, Pomeroy, you here!" -- |t Waiting for Godot -- |t Ramón Sender: Two Novels -- |t On Love -- |t The Journals of Jean Cocteau -- |t Kenneth Rexroth: In Defense of the Earth -- |t Edward Dahlberg: The Sorrows of Priapus -- |t Evergreen Review, Nos. 1 and 2 -- |t "To Build Castles in Spain" -- |t "Her Service Is Perfect Freedom" -- |t A New Testament -- |t Ways of Looking -- |t The Fascinating Bore -- |t Preface to Sticks and Stones, by George Bowering -- |t "Think what's got away..." -- |t The Beat Voznesensky -- |t Judson Crews -- |t A Note for Thread and Fielding Dawson -- |t A Note for Kenneth Irby -- |t Frederick Eckman: The Epistemologa of Loss -- |t A Note for These Poems... -- |t Rainer Gerhardt: A Note -- |t Introduction to Thongs, by Alex Trocchi -- |t AM -- |t Introduction to Krazy Katl The Unveiling & Other Stories, by Fielding Dawson -- |t For Diane -- |t Foreword to The Sterile Honeycomb, by Arthur Axelrod -- |t Gee Gerry G... -- |t Lew -- |t A Note for Hilda Morley: A Blessing Outside Us -- |t Foreword to Sojourner Microcosms, by Anselm Hollo -- |t Introduction to The Manner Music, by Charles Reznikoff -- |t Preface to Nolo Contendere, by Judson Crews -- |t Preface to The Blind Receptionist and Other Poems, by Robert J. Richkin -- |t Foreword to Running Grass: Poems 1970-1977, by Peter Levitt -- |t Xmas as in Merry -- |t Poetry of Commitment -- |t First Prize -- |t First Prize -- |t Ted Berrigan's Death -- |t William Corbett: Two Books -- |t No Matter What: A Note for Collected Poems, by William Corbett -- |t An Afterword to Splendide-Hôtel, by Gilbert Sorrentino -- |t The Gentle on the Mind Number -- |t With Crusoe, on Familiar Shores -- |t Kenneth Koch's Selected Poems, 1950-1982 -- |t Gone Fishing -- |t From the Language Poets -- |t A True Poet -- |t Preface to The Leafless American, by Edward Dahlberg -- |t Foreword to The Collected Poems of Marsden Hartley -- |t Foreword to Trumpets from the Islands of Their Eviction, by Martin Espada -- |t IV ARTISTS -- |t On the Road: Notes on Artists 8c Poets, 1950-1965 -- |t Divers Sentiments -- |t René Laubiès: An Introduction -- |t A Note on Franz Kline -- |t Philip Guston: A Note -- |t Harry Callahan: A Note -- |t A Note -- |t Feedback: "Contemporary Voices in the Arts" -- |t John Chamberlain -- |t Frank Stella: A Way to Go -- |t "Mehr Licht . .." -- |t Ecce Homo -- |t Three Films -- |t Bill the King -- |t "Some Place Enormously Moveable": The Collaboration of Arakawa and Madeline H. Gins -- |t Introduction to Larry Bell: New Work -- |t Memories of John -- |t My New Mexico -- |t Jim Dine/Five Themes -- |t Face It -- |t Seeing Things: Preface to Scopophilia, by Gerard Malanga -- |t Foreword to The Poet Exposed, Portraits by Christopher Felver -- |t V AUTOBIOGRAPHY AND POETICS -- |t A Note on the Objective -- |t Notes for a New Prose -- |t How to Write a Novel -- |t To Define -- |t A Dilemma -- |t A Note -- |t A Note on the Local -- |t A Quick Graph -- |t "Statement" for the Paterson Society -- |t Why Bother? -- |t A Sense of Measure -- |t "Poems are a complex" -- |t A Statement about the Poem "The Name" -- |t Notes Apropos "Free Verse" -- |t "I'm given to write poems" -- |t The Black Mountain Review -- |t The Writer's Situation -- |t Writing -- |t On the New Cultural Conservatism -- |t The Creative -- |t Inside Out -- |t Foreword to Robert Creeley: An Inventory, 1945—1970, by Mary Novik -- |t Last Night -- |t Was That a Real Poem or Did You Just Make It Up Yourself? -- |t A Note for Hello -- |t Letter from Berlin -- |t Berlin, Etc. -- |t Form -- |t Index -- |t Backmatter |
| 506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
| 530 | |a Issued also in print. | ||
| 538 | |a Mode of access: Internet via World Wide Web. | ||
| 546 | |a In English. | ||
| 588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 07. Nov 2022) | |
| 650 | 7 | |a NON-CLASSIFIABLE. |2 bisacsh | |
| 776 | 0 | |c print |z 9783112658017 | |
| 856 | 4 | 0 | |u https://doi.org/10.1515/9783112658024 |
| 856 | 4 | 0 | |u https://www.degruyter.com/isbn/9783112658024 |
| 856 | 4 | 2 | |3 Cover |u https://www.degruyter.com/document/cover/isbn/9783112658024/original |
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