The Collected Essays of Robert Creeley / / Robert Creeley.

• VerfasserIn: Creeley, Robert,
• Place / Publishing House: Berlin ;, Boston : : De Gruyter, , [1989]; ©1989
• Year of Publication: 1989
• Edition: Reprint 2022
• Language: English
• Physical Description: 1 online resource (XV, 603 p.)
• Other title: Frontmatter --; Contents --; Introduction --; I HEROES/ELDERS --; Introduction to Penguin Selected Whitman --; Hart Crane and the Private Judgment --; The Letters of Hart Crane, Edited by Brom Weber --; A Note on Ezra Pound --; Why Pound!?! --; The Release --; William Carlos Williams: Selected Essays --; A Character for Love --; The Fact --; Foreword to The Manuscripts and Letters of William Carlos Williams, by Neil Baldwin and Steven L. Meyers --; "paradise/our/speech . . ." --; Louis Zukofsky: All: The Collected Short Poems, 1923-1958 --; A Note --; All Ears Hear Here --; For L.Z. --; A Personal Note --; A Note on Basil Bunting --; Basil Bunting --; H. D. --; Here --; II THE COMPANY --; Introduction to The New Writing in the USA --; Charles Olson: Y & X --; Charles Olson: In Cold Hell, in Thicket --; Preface to Mayan Letters, by Charles Olson --; Charles Olson: The Maximus Poems, 1—10 --; Olson & Others: Some Orts for the Sports --; Some Notes on Olson's Maximus --; Introduction to Charles Olson: Selected Writings I --; Introduction to Charles Olson: Selected Writings II --; "A Foot Is to Kick With" --; "An Image of Man . . .": Working Notes on Charles Olson's Concept of Person --; Charles Olson's Masterwork --; "A light, a glory, a fair luminous cloud" --; "To disclose that vision particular to dreams" --; Preface to Robert Duncan: A Descriptive Bibliography, by Robert J. Bertholf --; "An intensely singular art" --; Edward Dorn in the News --; Edward Dorn's Geography --; Preface to Selected Poems, by Edward Dorn --; The New World --; For Michael --; Preface to Against the Silences, by Paul Blackburn --; "How Is It Far If You Think It?" --; III THE WRITING LIFE --; Kenneth Patchen: Fables £s? Other Little Tales --; A Note on Canadian Poetry --; Canadian Poetry 1954 --; D. H. Lawrence: Studies in Classic American Literature --; Witter Bynner: Journey with Genius --; Louis-Ferdinand Céline: Guignol's Band & John Hawkes: The Goose on the Grave --; "By God, Pomeroy, you here!" --; Waiting for Godot --; Ramón Sender: Two Novels --; On Love --; The Journals of Jean Cocteau --; Kenneth Rexroth: In Defense of the Earth --; Edward Dahlberg: The Sorrows of Priapus --; Evergreen Review, Nos. 1 and 2 --; "To Build Castles in Spain" --; "Her Service Is Perfect Freedom" --; A New Testament --; Ways of Looking --; The Fascinating Bore --; Preface to Sticks and Stones, by George Bowering --; "Think what's got away..." --; The Beat Voznesensky --; Judson Crews --; A Note for Thread and Fielding Dawson --; A Note for Kenneth Irby --; Frederick Eckman: The Epistemologa of Loss --; A Note for These Poems... --; Rainer Gerhardt: A Note --; Introduction to Thongs, by Alex Trocchi --; AM --; Introduction to Krazy Katl The Unveiling & Other Stories, by Fielding Dawson --; For Diane --; Foreword to The Sterile Honeycomb, by Arthur Axelrod --; Gee Gerry G... --; Lew --; A Note for Hilda Morley: A Blessing Outside Us --; Foreword to Sojourner Microcosms, by Anselm Hollo --; Introduction to The Manner Music, by Charles Reznikoff --; Preface to Nolo Contendere, by Judson Crews --; Preface to The Blind Receptionist and Other Poems, by Robert J. Richkin --; Foreword to Running Grass: Poems 1970-1977, by Peter Levitt --; Xmas as in Merry --; Poetry of Commitment --; First Prize --; Ted Berrigan's Death --; William Corbett: Two Books --; No Matter What: A Note for Collected Poems, by William Corbett --; An Afterword to Splendide-Hôtel, by Gilbert Sorrentino --; The Gentle on the Mind Number --; With Crusoe, on Familiar Shores --; Kenneth Koch's Selected Poems, 1950-1982 --; Gone Fishing --; From the Language Poets --; A True Poet --; Preface to The Leafless American, by Edward Dahlberg --; Foreword to The Collected Poems of Marsden Hartley --; Foreword to Trumpets from the Islands of Their Eviction, by Martin Espada --; IV ARTISTS --; On the Road: Notes on Artists 8c Poets, 1950-1965 --; Divers Sentiments --; René Laubiès: An Introduction --; A Note on Franz Kline --; Philip Guston: A Note --; Harry Callahan: A Note --; Feedback: "Contemporary Voices in the Arts" --; John Chamberlain --; Frank Stella: A Way to Go --; "Mehr Licht . .." --; Ecce Homo --; Three Films --; Bill the King --; "Some Place Enormously Moveable": The Collaboration of Arakawa and Madeline H. Gins --; Introduction to Larry Bell: New Work --; Memories of John --; My New Mexico --; Jim Dine/Five Themes --; Face It --; Seeing Things: Preface to Scopophilia, by Gerard Malanga --; Foreword to The Poet Exposed, Portraits by Christopher Felver --; V AUTOBIOGRAPHY AND POETICS --; A Note on the Objective --; Notes for a New Prose --; How to Write a Novel --; To Define --; A Dilemma --; A Note on the Local --; A Quick Graph --; "Statement" for the Paterson Society --; Why Bother? --; A Sense of Measure --; "Poems are a complex" --; A Statement about the Poem "The Name" --; Notes Apropos "Free Verse" --; "I'm given to write poems" --; The Black Mountain Review --; The Writer's Situation --; Writing --; On the New Cultural Conservatism --; The Creative --; Inside Out --; Foreword to Robert Creeley: An Inventory, 1945—1970, by Mary Novik --; Last Night --; Was That a Real Poem or Did You Just Make It Up Yourself? --; A Note for Hello --; Letter from Berlin --; Berlin, Etc. --; Form --; Index --; Backmatter
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9783112658024
• DOI: 10.1515/9783112658024
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Robert Creeley.