International Yearbook of Futurism Studies. / Volume 13, : 2023 / / ed. by Günter Berghaus, Dalila Colucci, Tim Klähn.

Der 13. Band des Internationalen Jahrbuchs für Futurismus-Studien untersucht einige der zahlreichen Facetten des Neo-Futurismus von der zweiten Hälfte des 20. Jahrhunderts bis in die Gegenwart. Dabei geht es sowohl um die Wiederbelebung als auch um die Fortsetzung der futuristischen Ästhetik, sei es...

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Bibliographic Details
Superior document:Title is part of eBook package: De Gruyter DG Plus DeG Package 2024 Part 1
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Place / Publishing House:Berlin ;, Boston : : De Gruyter, , [2023]
©2024
Year of Publication:2023
Language:English
Series:International Yearbook of Futurism Studies ; Volume 13
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Physical Description:1 online resource (582 p.)
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Table of Contents:
  • Frontmatter
  • Table of Contents
  • Editorial
  • Volume Editors’ Preface
  • Section 1: Futurism Studies
  • 1 Italy
  • Futurism in Italian Verbo-Visual Poetry after the Second World War
  • Bang Tumb Tuuum! The Influence of Futurism on Italian Avant-garde Comic Strips
  • Even the Great Marinetti Got It Wrong: Giovanni Tuzet’s Logical Neo-Futurism
  • 2 Russia
  • Gennady Aygi and Russian Futurism
  • Serge Segay, Rea Nikonova and Italy: Between Futurism and Mail Art
  • Konstantin K. Kuzminsky as a Neo-Futurist
  • 3 Asia and Latin America
  • The Post-utopian Avant-garde Poetics of the Korean ‘Futurist’ Min-jeong Kim
  • The Infrarealist Movement and its Futurist Roots
  • Russian Futurism and Brazilian Avant-garde Poetry: Incorporation, Translation, Convergence
  • 4 Music, Sculpture and Architecture
  • Back to the Future of The Art of Noises: The After-Life of Futurism in Twentieth-Century Music
  • Postcolonial Retro-Futurism: Alessandro Ceresoli’s Linea Tagliero Prototypes
  • 5 Artist Statements
  • Transfuturism Manifesto
  • From Words-in-Freedom to Epigenetic Poetry: Evolutions in Futurist Recitation and Performance
  • The Future of Futurism in Digital Photography
  • The Infinite Wrench: An Ensemble Member Reflects on the Theatre Company ‘The Neo-Futurists’ During and After Greg Allen’s Tenure
  • Section 2: Reports
  • EAM2022 in Lisbon: The Global Expansion of Futurism in the 1910s and 1920s
  • Futurism and the Brazilian Week of Modern Art (1922): Some Thoughts Prompted by the Centenário da Semana de 22
  • Anton Giulio Bragaglia: The Archive of a Visionary
  • Rosa Rosà / Edith Arnaldi / Edyth von Haynau (1884–1978): A Woman Photographer and Her Futurist Inspiration
  • Section 3: Critical responses to new publications
  • The Crisis of Humanism, the Search for a New Man and the Historical Avant-garde
  • Looking at the Lives of Avant-garde Women: The Collector as Scholar and Feminist
  • Exhibiting Italian Art in the United States: From Futurism to Arte Povera
  • Section 4: Bibliography
  • A Bibliography of Publications on Futurism, 2020–2023
  • Section 5: Back Matter
  • List of Illustrations and Provenance Descriptions
  • Notes on Contributors
  • Name Index
  • Subject Index
  • Geographical Index