International Yearbook of Futurism Studies. / Volume 12, : 2022 / / ed. by Günter Berghaus.

• Superior document: Title is part of eBook package: De Gruyter DG Plus DeG Package 2023 Part 1
• MitwirkendeR: Berghaus, Günter,; Biasiolo, Monica,; Biryukov, Sergey,; Blejer, Daniella,; Braga, Duarte Drumond,; Bury, Stephen J.,; Carli, Maddalena,; Chirico, Mariateresa,; Cioli, Monica,; Coronelli, Giacomo,; Dorotinsky, Deborah,; Eder, Rita,; Hunkeler, Thomas,; Lazareva, Ekaterina,; Mancebo Roca, Juan Agustín,; Müller, Larissa Maria,; Ostashevsky, Eugene,; O’Grady, Deirdre,; Pfeifer, Kasper,; Rossomakhin, Andrey,; Silverman, Renée M.,; Subotić, Irina,; Van Dijck, Cedric,; Vasconcelos, Ricardo,; Virelli, Giuseppe,; Weber, Luigi,; Zetina, Sandra,
• HerausgeberIn: Berghaus, Günter,
• Place / Publishing House: Berlin ;, Boston : : De Gruyter, , [2022]; ©2023
• Year of Publication: 2022
• Edition: mit 43 sw-Abb.
• Language: English
• Series: International Yearbook of Futurism Studies ; Volume 12
• Physical Description: 1 online resource (XVII, 586 p.)
• Other title: Frontmatter --; Table of Contents --; Editorial --; Section 1: Futurism Studies --; The Futurist Manifestos of Early 1910: Dates and Editions Reconsidered --; From Bologna to the World: The International Futurism of Athos Casarini --; Parisian Rivalries before the War: Futurism and Cubism as Enemy Brothers (1912–1914) --; Futurism in Occupied Fiume, 1919–1920 --; Italian Futurism between Fascism, Modernism and Nazi Germany --; Vasily Kamensky and F. T. Marinetti: Italian Words-in-Freedom and Russian Typographic Visual Poetry --; The Scream of the Boor: Bruno Jasieński and the Politics of Art in Polish Futurism --; A Rêve onanistique: Futurism and Portuguese National Identity in Raul Leal’s Correspondence with Filippo Tommaso Marinetti --; Futurism in Goa: Early Interactions with Marinetti in Portugal’s Colony in India --; Out of the Archive: Marinetti in Cambridge (1914) --; Section 2: Obituaries and Anniversaries --; Mariana Aguirre (1977–2022): Obituary --; Akademiia Zaumi --; The 100th Anniversary of Zenit (1921–2021): Futurism and the Yugoslav Avant-garde --; Section 3: Critical Responses to Exhibitions, Conferences and Publications --; Cesare Andreoni (1903–1961), a Futurist in Milan: A Study Day Promoted by the Archivio Cesare Andreoni in Milan --; Aroldo Bonzagni and His (almost) Futurist Epoch --; Italian Futurism in the Gianni Mattioli Collection Presented in Russia (2021) --; Depero New Depero: Rovereto Presents the Artist and His Reception after 1960 --; The Futurist Novel before and After the First World War --; Paolo Buzzi and the Futurist chiaro di luna --; Gian Pietro Lucini in Context: Futurism and the Pursuit of a New ‘Avant-garde’ --; Fortunato Depero’s ‘Bolted Book’ --; Visualizing the Invisible: Photography and Futurist Art --; The Permanent Revolution of Fascist Art --; Space, Geography and Centre-Periphery Relations: New Perspectives on Ultraism and Estridentism, 1918–1927 --; Ilya Zdanevich (Iliazd): Ambassador of Georgian Futurism --; Section 4: Bibliography --; A Bibliography of Publications on Futurism, 2019–2022 --; Section 5: Back Matter --; List of Illustrations and Provenance Descriptions --; Notes on Contributors --; Name Index --; Subject Index --; Geographical Index
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9783110800920; 9783111175782; 9783110993899; 9783110994810; 9783110993752; 9783110993738
• DOI: 10.1515/9783110800920
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: ed. by Günter Berghaus.

Der erste Teil des Jahrbuchs enthält zehn Aufsätze über futuristische Kunst und Literatur in Italien, Frankreich, Russland, Polen, Portugal und in der ehemaligen Kolonie Goa. Untersucht werden u. a. das frühe futuristische Verlagswesen und die futuristische Propaganda anhand von Manifesten, Pressemitteilungen und Nachrichtenblättern sowie die künstlerische und politische Arbeit Athos Casarinis in Italien und den USA. Artikel im zweiten Teil befassen sich mit dem 30. Jahrestag der Internationalen Akademie von Zaum sowie mit verschiedenen Konferenzen, Ausstellungen und Publikationen, die das hundertjährige Bestehen des Zenitismus in Serbien und Kroatien feiern. Kritische Reaktionen auf Ausstellungen, Konferenzen und Veröffentlichungen sowie ein bibliografischer Teil mit Informationen über 139 neuere Buchveröffentlichungen zum Futurismus schließen das Jahrbuch ab. The first part of the yearbook contains ten essays on Futurist art and literature in Italy, France, Russia, Poland, Portugal and the former colony of Goa. Among other things, early Futurist publishing and propaganda initiatives by means of manifestos, press releases, and newssheets are examined, as well as Athos Casarini's artistic and political work undertaken in Italy and the USA. Articles in the second part deal with the 30th anniversary of the international Academy of Zaum as well as various conferences, exhibitions and publications celebrating the centenary of Zenitism in Serbia and Croatia. Critical responses to exhibitions, conferences and publications as well as a bibliographical section with information on 139 recent book publications on Futurism conclude the yearbook.