International Yearbook of Futurism Studies. / Volume 13, : 2023 / / ed. by Günter Berghaus, Dalila Colucci, Tim Klähn.

• Superior document: Title is part of eBook package: De Gruyter DG Plus DeG Package 2024 Part 1
• MitwirkendeR: Berghaus, Günter,; Bick, Tenley,; Brandon Hunter, Lindsay,; Cigliana, Simona,; Cisneros, Odile,; Colucci, Dalila,; Dogheria, Duccio,; Duran, Adrian R.,; Fameli, Pasquale,; Fontana, Giovanni,; Hanstein, Lisa,; Klähn, Tim,; Lorenzi, Marcella Giulia,; Miranda, Ángel Díaz,; Mosca, Raffaello Palumbo,; O’Grady, Deirdre,; Palomares-Salas, Claudio,; Parisi, Valentina,; Park, Sun-yung,; Pasini, Leandro,; Pavlovets, Mikhail,; Re, Lucia,; Schmitz-Gundlach, Esther,; Sztukalski, Artur R.,; Touissant, Guillaume,
• HerausgeberIn: Berghaus, Günter,; Colucci, Dalila,; Klähn, Tim,
• Place / Publishing House: Berlin ;, Boston : : De Gruyter, , [2023]; ©2024
• Year of Publication: 2023
• Language: English
• Series: International Yearbook of Futurism Studies ; Volume 13
• Physical Description: 1 online resource (582 p.)

Der 13. Band des Internationalen Jahrbuchs für Futurismus-Studien untersucht einige der zahlreichen Facetten des Neo-Futurismus von der zweiten Hälfte des 20. Jahrhunderts bis in die Gegenwart. Dabei geht es sowohl um die Wiederbelebung als auch um die Fortsetzung der futuristischen Ästhetik, sei es in expliziter Form oder als Palimpsest, in einer Vielzahl von Medien: Literatur, bildende Kunst, Design, Musik, Architektur, Theater und Fotografie. Die Aufsätze decken ein breites Spektrum der Forschung ab und dokumentieren in Fallstudien mit transnationaler und interdisziplinärer Ausrichtung die vielfältigen Formen des Neo-Futurismus in verschiedenen Teilen der Welt. Sie gehen der Frage nach, wie die intellektuelle und künstlerische Perspektive des historischen Futurismus mehr oder weniger bewusst, originalgetreu und originell aufgegriffen und weiterentwickelt wurde, und setzen sich dabei mit den kulturellen, sozialen und politischen Missverständnissen des ursprünglichen Futurismus auseinander. Interdisziplinäre Beiträge zum Neo-Futurismus als globales Phänomen

This thirteenth volume of the International Yearbook of Futurism Studies explores some of the many facets of Neo-Futurism from the second half of the twentieth century to the present day. It looks both at the revival and the continuation of Futurist aesthetics, whether in explicit or palimpsest form, in a variety of media: literature, visual art, design, music, architecture, theatre and photography. The essays delve into the broad spectrum of artistic research and offer a good dozen case studies that document, with a transnational and interdisciplinary orientation, the manifold forms of Neo-Futurism in various parts of the world. They investigate how historical Futurism's intellectual and artistic perspective was appropriated and developed further in a more or less conscious, faithful and original way, all the while confronting its progenitor's cultural, social and political misconceptions. Interdisciplinary contributions to neo-futurism as a global phenomenon

Table of Contents

Frontmatter -- Table of Contents -- Editorial -- Volume Editors’ Preface -- Section 1: Futurism Studies -- 1 Italy -- Futurism in Italian Verbo-Visual Poetry after the Second World War -- Bang Tumb Tuuum! The Influence of Futurism on Italian Avant-garde Comic Strips -- Even the Great Marinetti Got It Wrong: Giovanni Tuzet’s Logical Neo-Futurism -- 2 Russia -- Gennady Aygi and Russian Futurism -- Serge Segay, Rea Nikonova and Italy: Between Futurism and Mail Art -- Konstantin K. Kuzminsky as a Neo-Futurist -- 3 Asia and Latin America -- The Post-utopian Avant-garde Poetics of the Korean ‘Futurist’ Min-jeong Kim -- The Infrarealist Movement and its Futurist Roots -- Russian Futurism and Brazilian Avant-garde Poetry: Incorporation, Translation, Convergence -- 4 Music, Sculpture and Architecture -- Back to the Future of The Art of Noises: The After-Life of Futurism in Twentieth-Century Music -- Postcolonial Retro-Futurism: Alessandro Ceresoli’s Linea Tagliero Prototypes -- 5 Artist Statements -- Transfuturism Manifesto -- From Words-in-Freedom to Epigenetic Poetry: Evolutions in Futurist Recitation and Performance -- The Future of Futurism in Digital Photography -- The Infinite Wrench: An Ensemble Member Reflects on the Theatre Company ‘The Neo-Futurists’ During and After Greg Allen’s Tenure -- Section 2: Reports -- EAM2022 in Lisbon: The Global Expansion of Futurism in the 1910s and 1920s -- Futurism and the Brazilian Week of Modern Art (1922): Some Thoughts Prompted by the Centenário da Semana de 22 -- Anton Giulio Bragaglia: The Archive of a Visionary -- Rosa Rosà / Edith Arnaldi / Edyth von Haynau (1884–1978): A Woman Photographer and Her Futurist Inspiration -- Section 3: Critical responses to new publications -- The Crisis of Humanism, the Search for a New Man and the Historical Avant-garde -- Looking at the Lives of Avant-garde Women: The Collector as Scholar and Feminist -- Exhibiting Italian Art in the United States: From Futurism to Arte Povera -- Section 4: Bibliography -- A Bibliography of Publications on Futurism, 2020–2023 -- Section 5: Back Matter -- List of Illustrations and Provenance Descriptions -- Notes on Contributors -- Name Index -- Subject Index -- Geographical Index