Point of View in the Cinema : : A Theory of Narration and Subjectivity in Classical Film / / Edward Branigan.
Branigan effectively criticizes the communication model of narration, a task long overdue in Anglo-American circles. The book brings out the extent to which mainstream mimetic theories have relied upon the elastic notion of an invisible, idealized observer, a convenient spook whom critics can summon...
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Superior document: | Title is part of eBook package: De Gruyter DGBA Linguistics and Semiotics - <1990 |
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Place / Publishing House: | Berlin ;, Boston : : De Gruyter Mouton, , [2012] ©1984 |
Year of Publication: | 2012 |
Edition: | Reprint 2010 |
Language: | English |
Series: | Approaches to Semiotics [AS] ,
66 |
Online Access: | |
Physical Description: | 1 online resource (246 p.) |
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Table of Contents:
- Frontmatter
- Chapter 1 The Problem of Point of View
- Chapter 2 Film as System
- Chapter 3 Narration
- Chapter 4 Subjectivity
- Chapter 5 The Point-of-view Shot
- Chapter 6 Character Reflection and Projection
- Chapter 7 The Modern Text: Subjectivity under Siege from Fellini's 8 1/2 to Oshima's The Story of a Man Who Left His Will on Film
- Chapter 8 Metatheory
- Appendix Orthodox Theories of Narration
- Suggested Further Reading
- Index
- Backmatter