Point of View in the Cinema : : A Theory of Narration and Subjectivity in Classical Film / / Edward Branigan.
Branigan effectively criticizes the communication model of narration, a task long overdue in Anglo-American circles. The book brings out the extent to which mainstream mimetic theories have relied upon the elastic notion of an invisible, idealized observer, a convenient spook whom critics can summon...
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| Superior document: | Title is part of eBook package: De Gruyter DGBA Linguistics and Semiotics - <1990 |
|---|---|
| VerfasserIn: | |
| Place / Publishing House: | Berlin ;, Boston : : De Gruyter Mouton, , [2012] ©1984 |
| Year of Publication: | 2012 |
| Edition: | Reprint 2010 |
| Language: | English |
| Series: | Approaches to Semiotics [AS] ,
66 |
| Online Access: | |
| Physical Description: | 1 online resource (246 p.) |
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| 001 | 9783110817591 | ||
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| 100 | 1 | |a Branigan, Edward, |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
| 245 | 1 | 0 | |a Point of View in the Cinema : |b A Theory of Narration and Subjectivity in Classical Film / |c Edward Branigan. |
| 250 | |a Reprint 2010 | ||
| 264 | 1 | |a Berlin ; |a Boston : |b De Gruyter Mouton, |c [2012] | |
| 264 | 4 | |c ©1984 | |
| 300 | |a 1 online resource (246 p.) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a text file |b PDF |2 rda | ||
| 490 | 0 | |a Approaches to Semiotics [AS] , |x 0066-5576 ; |v 66 | |
| 505 | 0 | 0 | |t Frontmatter -- |t Chapter 1 The Problem of Point of View -- |t Chapter 2 Film as System -- |t Chapter 3 Narration -- |t Chapter 4 Subjectivity -- |t Chapter 5 The Point-of-view Shot -- |t Chapter 6 Character Reflection and Projection -- |t Chapter 7 The Modern Text: Subjectivity under Siege from Fellini's 8 1/2 to Oshima's The Story of a Man Who Left His Will on Film -- |t Chapter 8 Metatheory -- |t Appendix Orthodox Theories of Narration -- |t Suggested Further Reading -- |t Index -- |t Backmatter |
| 506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
| 520 | |a Branigan effectively criticizes the communication model of narration, a task long overdue in Anglo-American circles. The book brings out the extent to which mainstream mimetic theories have relied upon the elastic notion of an invisible, idealized observer, a convenient spook whom critics can summon up whenever they desire to "naturalize" style. The book also makes distinctions among types of subjectivity; after this, we will have much more precise ways of tracing the fluctuations among a character's vision, dreams, wishes, and so forth. Branigan also explains the necessity of distinguishing levels of narration. | ||
| 530 | |a Issued also in print. | ||
| 538 | |a Mode of access: Internet via World Wide Web. | ||
| 546 | |a In English. | ||
| 588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Feb 2023) | |
| 650 | 0 | |a Motion picture plays |x History and criticism. | |
| 650 | 0 | |a Motion pictures |x Philosophy. | |
| 650 | 0 | |a Point of view (Literature). | |
| 650 | 0 | |a Subjectivity in motion pictures. | |
| 650 | 4 | |a Erzählen. | |
| 650 | 4 | |a Film. | |
| 650 | 7 | |a LANGUAGE ARTS & DISCIPLINES / Linguistics / General. |2 bisacsh | |
| 773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t DGBA Linguistics and Semiotics - <1990 |z 9783110636772 |o ZDB-23-DLS |
| 776 | 0 | |c print |z 9789027930798 | |
| 856 | 4 | 0 | |u https://doi.org/10.1515/9783110817591 |
| 856 | 4 | 0 | |u https://www.degruyter.com/isbn/9783110817591 |
| 856 | 4 | 2 | |3 Cover |u https://www.degruyter.com/document/cover/isbn/9783110817591/original |
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