Point of View in the Cinema : : A Theory of Narration and Subjectivity in Classical Film /

Point of View in the Cinema : : A Theory of Narration and Subjectivity in Classical Film / / Edward Branigan.

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Branigan effectively criticizes the communication model of narration, a task long overdue in Anglo-American circles. The book brings out the extent to which mainstream mimetic theories have relied upon the elastic notion of an invisible, idealized observer, a convenient spook whom critics can summon...

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Superior document:Title is part of eBook package: De Gruyter DGBA Linguistics and Semiotics - <1990
VerfasserIn:
Branigan, Edward,
Place / Publishing House:Berlin ;, Boston : : De Gruyter Mouton, , [2012]
©1984
Year of Publication:2012
Edition:Reprint 2010
Language:English
Series:Approaches to Semiotics [AS] , 66
Online Access:
Physical Description:1 online resource (246 p.)
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id 9783110817591
ctrlnum (DE-B1597)43521
(OCoLC)979638771
collection bib_alma
record_format marc
spelling Branigan, Edward, author. aut http://id.loc.gov/vocabulary/relators/aut
Point of View in the Cinema : A Theory of Narration and Subjectivity in Classical Film / Edward Branigan.
Reprint 2010
Berlin ; Boston : De Gruyter Mouton, [2012]
©1984
1 online resource (246 p.)
text txt rdacontent
computer c rdamedia
online resource cr rdacarrier
text file PDF rda
Approaches to Semiotics [AS] , 0066-5576 ; 66
Frontmatter -- Chapter 1 The Problem of Point of View -- Chapter 2 Film as System -- Chapter 3 Narration -- Chapter 4 Subjectivity -- Chapter 5 The Point-of-view Shot -- Chapter 6 Character Reflection and Projection -- Chapter 7 The Modern Text: Subjectivity under Siege from Fellini's 8 1/2 to Oshima's The Story of a Man Who Left His Will on Film -- Chapter 8 Metatheory -- Appendix Orthodox Theories of Narration -- Suggested Further Reading -- Index -- Backmatter
restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star
Branigan effectively criticizes the communication model of narration, a task long overdue in Anglo-American circles. The book brings out the extent to which mainstream mimetic theories have relied upon the elastic notion of an invisible, idealized observer, a convenient spook whom critics can summon up whenever they desire to "naturalize" style. The book also makes distinctions among types of subjectivity; after this, we will have much more precise ways of tracing the fluctuations among a character's vision, dreams, wishes, and so forth. Branigan also explains the necessity of distinguishing levels of narration.
Issued also in print.
Mode of access: Internet via World Wide Web.
In English.
Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Feb 2023)
Motion picture plays History and criticism.
Motion pictures Philosophy.
Point of view (Literature).
Subjectivity in motion pictures.
Erzählen.
Film.
LANGUAGE ARTS & DISCIPLINES / Linguistics / General. bisacsh
Title is part of eBook package: De Gruyter DGBA Linguistics and Semiotics - <1990 9783110636772 ZDB-23-DLS
print 9789027930798
https://doi.org/10.1515/9783110817591
https://www.degruyter.com/isbn/9783110817591
Cover https://www.degruyter.com/document/cover/isbn/9783110817591/original
language English
format eBook
author Branigan, Edward,
Branigan, Edward,
spellingShingle Branigan, Edward,
Branigan, Edward,
Point of View in the Cinema : A Theory of Narration and Subjectivity in Classical Film /
Approaches to Semiotics [AS] ,
Frontmatter --
Chapter 1 The Problem of Point of View --
Chapter 2 Film as System --
Chapter 3 Narration --
Chapter 4 Subjectivity --
Chapter 5 The Point-of-view Shot --
Chapter 6 Character Reflection and Projection --
Chapter 7 The Modern Text: Subjectivity under Siege from Fellini's 8 1/2 to Oshima's The Story of a Man Who Left His Will on Film --
Chapter 8 Metatheory --
Appendix Orthodox Theories of Narration --
Suggested Further Reading --
Index --
Backmatter
author_facet Branigan, Edward,
Branigan, Edward,
author_variant e b eb
e b eb
author_role VerfasserIn
VerfasserIn
author_sort Branigan, Edward,
title Point of View in the Cinema : A Theory of Narration and Subjectivity in Classical Film /
title_sub A Theory of Narration and Subjectivity in Classical Film /
title_full Point of View in the Cinema : A Theory of Narration and Subjectivity in Classical Film / Edward Branigan.
title_fullStr Point of View in the Cinema : A Theory of Narration and Subjectivity in Classical Film / Edward Branigan.
title_full_unstemmed Point of View in the Cinema : A Theory of Narration and Subjectivity in Classical Film / Edward Branigan.
title_auth Point of View in the Cinema : A Theory of Narration and Subjectivity in Classical Film /
title_alt Frontmatter --
Chapter 1 The Problem of Point of View --
Chapter 2 Film as System --
Chapter 3 Narration --
Chapter 4 Subjectivity --
Chapter 5 The Point-of-view Shot --
Chapter 6 Character Reflection and Projection --
Chapter 7 The Modern Text: Subjectivity under Siege from Fellini's 8 1/2 to Oshima's The Story of a Man Who Left His Will on Film --
Chapter 8 Metatheory --
Appendix Orthodox Theories of Narration --
Suggested Further Reading --
Index --
Backmatter
title_new Point of View in the Cinema :
title_sort point of view in the cinema : a theory of narration and subjectivity in classical film /
series Approaches to Semiotics [AS] ,
series2 Approaches to Semiotics [AS] ,
publisher De Gruyter Mouton,
publishDate 2012
physical 1 online resource (246 p.)
Issued also in print.
edition Reprint 2010
contents Frontmatter --
Chapter 1 The Problem of Point of View --
Chapter 2 Film as System --
Chapter 3 Narration --
Chapter 4 Subjectivity --
Chapter 5 The Point-of-view Shot --
Chapter 6 Character Reflection and Projection --
Chapter 7 The Modern Text: Subjectivity under Siege from Fellini's 8 1/2 to Oshima's The Story of a Man Who Left His Will on Film --
Chapter 8 Metatheory --
Appendix Orthodox Theories of Narration --
Suggested Further Reading --
Index --
Backmatter
isbn 9783110817591
9783110636772
9789027930798
issn 0066-5576 ;
callnumber-first P - Language and Literature
callnumber-subject PN - General Literature
callnumber-label PN1995
callnumber-sort PN 41995 B717 41984
url https://doi.org/10.1515/9783110817591
https://www.degruyter.com/isbn/9783110817591
https://www.degruyter.com/document/cover/isbn/9783110817591/original
illustrated Not Illustrated
dewey-hundreds 700 - Arts & recreation
dewey-tens 790 - Sports, games & entertainment
dewey-ones 791 - Public performances
dewey-full 791.4301
dewey-sort 3791.4301
dewey-raw 791.4301
dewey-search 791.4301
doi_str_mv 10.1515/9783110817591
oclc_num 979638771
work_keys_str_mv AT braniganedward pointofviewinthecinemaatheoryofnarrationandsubjectivityinclassicalfilm
status_str n
ids_txt_mv (DE-B1597)43521
(OCoLC)979638771
carrierType_str_mv cr
hierarchy_parent_title Title is part of eBook package: De Gruyter DGBA Linguistics and Semiotics - <1990
is_hierarchy_title Point of View in the Cinema : A Theory of Narration and Subjectivity in Classical Film /
container_title Title is part of eBook package: De Gruyter DGBA Linguistics and Semiotics - <1990
_version_ 1770177864612708352
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