Steinformen : : Materialität, Qualität, Imitation / / hrsg. von Isabella Augart, Maurice Saß, Iris Wenderholm.
Die natürliche Genese von Steinen eignet sich besonders als Produktionsparadigma mimetischer Kunst, wie etwa Fels- und Korallenformen oder Marmoräderungen als Ausprägungen der natürlichen Gestaltkräfte zeigen. Künstlerische Materialien vermitteln zwischen Idee und Ausführung und prägen den Werkproze...
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Superior document: | Title is part of eBook package: De Gruyter DG Plus DeG Package 2019 Part 1 |
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Place / Publishing House: | Berlin ;, Boston : : De Gruyter, , [2018] ©2019 |
Year of Publication: | 2018 |
Language: | German |
Series: | Naturbilder / Images of Nature ,
8 |
Online Access: | |
Physical Description: | 1 online resource (378 p.) |
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LEADER | 08318nam a22010095i 4500 | ||
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001 | 9783110583618 | ||
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245 | 0 | 0 | |a Steinformen : |b Materialität, Qualität, Imitation / |c hrsg. von Isabella Augart, Maurice Saß, Iris Wenderholm. |
264 | 1 | |a Berlin ; |a Boston : |b De Gruyter, |c [2018] | |
264 | 4 | |c ©2019 | |
300 | |a 1 online resource (378 p.) | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
338 | |a online resource |b cr |2 rdacarrier | ||
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490 | 0 | |a Naturbilder / Images of Nature , |x 2367-1955 ; |v 8 | |
505 | 0 | 0 | |t Frontmatter -- |t Inhaltsverzeichnis -- |t Steinformen – Stein formen -- |t Materialität -- |t Ornatus lapidum. Steine auf frühmittelalterlichen Büchern -- |t Luoghi aspri. Stone and Solitude in Trecento Painting -- |t Christ’s Side-Wound and Francis’ Stigmatization at La-Verna. Reflections on the Rock of Golgotha -- |t Stonework and Crack in Giovanni Bellini’s St. Francis in the Wilderness -- |t A Stone Through the Window of Art History. Paintings on Stone and the Legacy of Pictorial Illusionism -- |t Farbtafeln -- |t Dressed in Marble. Stoffwechsel and Ephemerality in Baroque Naples. The High Altar of San Domenico Maggiore -- |t Qualität -- |t Bunte Steine. Zur Rolle der Farbe in mittelalterlichen und frühneuzeitlichen Lapidarien -- |t Matter of Life and Death? The “Living Stones” and Medieval Gospel Books -- |t Albertus Magnus und die Steine von Venedig. Ein Beitrag zur „Bildwissenschaft“ des 13. Jahrhunderts -- |t The Art of Glassmaking and the Nature of Stones. The Role of Imitation in Anselm De Boodt’s Classification of Stones -- |t Politik der Steine. Zur Materialsemantik der Pietra dura-Tischplatten -- |t Adern im Stein und Adern im Bein. Vom Material zur Skulptur -- |t Imitation -- |t Making a New Stone? The Magical Powers of Carved Stones from Albert the Great to Camillo Leonardi -- |t Versteinertes Blut. Heilig-Blut-Säulen in der flämischen Malerei um 1500 -- |t Cangiante Fabrics, Marble Cloths, and the Textility of Stone. Transmaterial Aesthetics in Ambrogio Lorenzetti’s Presentation at the Temple and 13th- and 14th-century Tuscan Painting -- |t Annunziation und Petrifikation in der Malerei des Quattrocento -- |t Als die Trauben des Zeuxis gegessen waren … Figuren der Kunsttheorie auf steinernen Oberflächen der Malerei -- |t „Meester snijt die keye ras“. Steinschneiden an Leib und Geist -- |t Abstracts -- |t Stein-Register -- |t Bildnachweise |
506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
520 | |a Die natürliche Genese von Steinen eignet sich besonders als Produktionsparadigma mimetischer Kunst, wie etwa Fels- und Korallenformen oder Marmoräderungen als Ausprägungen der natürlichen Gestaltkräfte zeigen. Künstlerische Materialien vermitteln zwischen Idee und Ausführung und prägen den Werkprozess. Die Formung des Materials legt Bedeutungsebenen des Werkes ebenso frei, wie die spezifische Form eines Materials Möglichkeiten der Bedeutungsgenerierung bietet. Die Nachahmung natürlicher Materialien ist weitaus mehr als ein Materialersatz oder das Herausstellen eigener künstlerischer Fertigkeiten. Die Beiträge in diesem Buch beleuchten die Imitation des Naturmaterials Stein als künstlerisches Vermögen, das Wechselspiel von natürlichen und artifiziellen Materialqualitäten zu gestalten. | ||
520 | |a The natural genesis of stone is particularly suitable as a production paradigm of mimicking art; examples are rock and coral formations, or the veins in marble, that are an expression of the forces of natural creation. Art materials bridge the chasm between idea and execution and impact on the working process; shaping the material reveals levels of meaning in the piece and, likewise, the specific form of the material offers opportunities for generating meaning. Imitating natural materials is much more than a replacement of the material or a demonstration of one’s own artistic skills. The contributions in this book take a close look at the imitation of natural stone as artistic potential to express the interplay between natural and artificial material qualities. | ||
530 | |a Issued also in print. | ||
538 | |a Mode of access: Internet via World Wide Web. | ||
546 | |a In German. | ||
588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Feb 2023) | |
650 | 0 | |a Imitation in art |v Congresses. | |
650 | 0 | |a Nature in art |v Congresses. | |
650 | 0 | |a Stone in art |v Congresses. | |
650 | 4 | |a Kunst. | |
650 | 4 | |a Material. | |
650 | 4 | |a Natur. | |
650 | 4 | |a Stein. | |
650 | 7 | |a ART / General. |2 bisacsh | |
700 | 1 | |a Augart, Isabella, |e contributor. |4 ctb |4 https://id.loc.gov/vocabulary/relators/ctb | |
700 | 1 | |a Augart, Isabella, |e editor. |4 edt |4 http://id.loc.gov/vocabulary/relators/edt | |
700 | 1 | |a Cordez, Philippe, |e contributor. |4 ctb |4 https://id.loc.gov/vocabulary/relators/ctb | |
700 | 1 | |a Dupré, Sven, |e contributor. |4 ctb |4 https://id.loc.gov/vocabulary/relators/ctb | |
700 | 1 | |a Felfe, Robert, |e contributor. |4 ctb |4 https://id.loc.gov/vocabulary/relators/ctb | |
700 | 1 | |a Ganz, David, |e contributor. |4 ctb |4 https://id.loc.gov/vocabulary/relators/ctb | |
700 | 1 | |a Kim, David Young, |e contributor. |4 ctb |4 https://id.loc.gov/vocabulary/relators/ctb | |
700 | 1 | |a Kölle, Julia, |e contributor. |4 ctb |4 https://id.loc.gov/vocabulary/relators/ctb | |
700 | 1 | |a Leonhard, Karin, |e contributor. |4 ctb |4 https://id.loc.gov/vocabulary/relators/ctb | |
700 | 1 | |a Mestemacher, Ilka, |e contributor. |4 ctb |4 https://id.loc.gov/vocabulary/relators/ctb | |
700 | 1 | |a Nygren, Christopher J., |e contributor. |4 ctb |4 https://id.loc.gov/vocabulary/relators/ctb | |
700 | 1 | |a Rachman-Schrire, Yamit, |e contributor. |4 ctb |4 https://id.loc.gov/vocabulary/relators/ctb | |
700 | 1 | |a Rath, Markus, |e contributor. |4 ctb |4 https://id.loc.gov/vocabulary/relators/ctb | |
700 | 1 | |a Saß, Maurice, |e contributor. |4 ctb |4 https://id.loc.gov/vocabulary/relators/ctb | |
700 | 1 | |a Saß, Maurice, |e editor. |4 edt |4 http://id.loc.gov/vocabulary/relators/edt | |
700 | 1 | |a Schulz, Vera-Simone, |e contributor. |4 ctb |4 https://id.loc.gov/vocabulary/relators/ctb | |
700 | 1 | |a Wagner, Monika, |e contributor. |4 ctb |4 https://id.loc.gov/vocabulary/relators/ctb | |
700 | 1 | |a Weill-Parot, Nicolas, |e contributor. |4 ctb |4 https://id.loc.gov/vocabulary/relators/ctb | |
700 | 1 | |a Wenderholm, Iris, |e contributor. |4 ctb |4 https://id.loc.gov/vocabulary/relators/ctb | |
700 | 1 | |a Wenderholm, Iris, |e editor. |4 edt |4 http://id.loc.gov/vocabulary/relators/edt | |
700 | 1 | |a van Gastel, Joris, |e contributor. |4 ctb |4 https://id.loc.gov/vocabulary/relators/ctb | |
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