Serious Play : : The Cultural Form of the Nineteenth-Century Realist Novel / / J. Jeffrey Franklin.

Queen Victoria was famously not amused, and the age to which she gave her name is not generally known for its playfulness or sense of fun. But play was pervasive in Victorian society and in the realist novels that were central to that culture. In Serious Play, J. Jeffrey Franklin examines the role o...

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Superior document:Title is part of eBook package: De Gruyter Penn eBook Package Archive 1898-1999 (pre Pub)
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Place / Publishing House:Philadelphia : : University of Pennsylvania Press, , [2016]
©1999
Year of Publication:2016
Edition:Reprint 2016
Language:English
Series:New Cultural Studies
Online Access:
Physical Description:1 online resource (250 p.)
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100 1 |a Franklin, J. Jeffrey,   |e author.  |4 aut  |4 http://id.loc.gov/vocabulary/relators/aut 
245 1 0 |a Serious Play :  |b The Cultural Form of the Nineteenth-Century Realist Novel /  |c J. Jeffrey Franklin. 
250 |a Reprint 2016 
264 1 |a Philadelphia :   |b University of Pennsylvania Press,   |c [2016] 
264 4 |c ©1999 
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505 0 0 |t Frontmatter --   |t Contents --   |t 1. Nineteenth-Century Discourses of Play and the Novel as a Cultural Form --   |t 2. Gambling with Fortuna --   |t 3. Performing the Self --   |t 4. Theorizing the Aesthetic Citizen --   |t Notes --   |t Works Cited --   |t Acknowledgments --   |t Index  
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520 |a Queen Victoria was famously not amused, and the age to which she gave her name is not generally known for its playfulness or sense of fun. But play was pervasive in Victorian society and in the realist novels that were central to that culture. In Serious Play, J. Jeffrey Franklin examines the role of play in three areas--gambling, theatricality, and aesthetic theory--demonstrating in the process how the realist novel served as a vehicle for play while play in turn entered and helped define the form of realism. Franklin's analysis focuses on close readings of eight novels by Charlotte Bronte, George Eliot, Charles Kingsley, William Thackeray, and Anthony Trollope, as well as works by Immanuel Kant, Adam Smith, John Ruskin, and Matthew Arnold. The readings are grounded in histories and cultural studies of gambling, recreation, the stock market, theater and antitheatrical prejudice, the performance of gender roles, working-class protest, aesthetic theory, and especially the novel genre itself. While the treatments of gambling, theatricality, and aesthetics are specific, the book shows how play links each of them to broader, culturally defining issues that Victorian writings frequently express: values versus value, the artificial versus the authentic, and the real versus the illusory. Serious Play demonstrates, as no previous study has, how play functioned as a linchpin concept within the discursive infrastructure of Victorian society, challenging critical commonplaces about the unplayfulness of the Victorians and the ideological conservatism of realism. "Serious Play provides a completely new insight into the Victorian realist novel. . . . All the major theories of play are subjected to penetrating analysis through which their respective shortcomings and their historical conditioning are highlighted, so that the book can also be read as one of the most comprehensive assessments of modern play theories to date." --Wolfgang Iser 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020) 
650 0 |a English fiction  |y 19th century  |x History and criticism. 
650 0 |a Gambling in literature. 
650 0 |a Literary form  |x History  |y 19th century. 
650 0 |a Literature and society  |z Great Britain  |x History  |y 19th century. 
650 0 |a Performing arts in literature. 
650 0 |a Play in literature. 
650 0 |a Realism in literature. 
650 7 |a LITERARY CRITICISM / European / General.  |2 bisacsh 
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