Vital Signs : : Medical Realism in Nineteenth-Century Fiction / / Lawrence Rothfield.

• Superior document: Title is part of eBook package: De Gruyter Princeton University Press eBook-Package Archive 1927-1999
• VerfasserIn: Rothfield, Lawrence,
• Place / Publishing House: Princeton, NJ : : Princeton University Press, , [1994]; ©1992
• Year of Publication: 1994
• Edition: Course Book
• Language: English
• Series: Literature in History
• Physical Description: 1 online resource (252 p.)
• Other title: Frontmatter --; CONTENTS --; ACKNOWLEDGMENTS --; PREFACE --; ONE. Medicine and Mimesis: The Contours of a Configuration --; TWO. Disarticulating Madame Bovary: Flaubert and the Medicalization of the Real --; THREE. Paradigms and Professionalism: Balzacian Realism in Discursive Context --; FOUR. "A New Organ of Knowledge": Medical Organicism and the Limits of Realism in Middlemarch --; FIVE. On the Realism/Naturalism Distinction: Some Archaeological Considerations --; SIX. From Diagnosis to Deduction: Sherlock Holmes and the Perversion of Realism --; SEVEN. The Pathological Perspective: Clinical Realism's Decline and the Emergence of Modernist Counter-Discourse --; EPILOGUE. Toward a New Historicist Methodology --; NOTES --; INDEX
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9781400820689; 9783110442496
• DOI: 10.1515/9781400820689
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Lawrence Rothfield.

Vital Signs offers both a compelling reinterpretation of the nineteenth-century novel and a methodological challenge to literary historians. Rejecting theories that equate realism with representation, Lawrence Rothfield argues that literary history forms a subset of the history of discourses and their attendant practices. He shows how clinical medicine provided Balzac, Flaubert, Eliot, and others with narrative strategies, epistemological assumptions, and models of professional authority. He also traces the linkages between medicine's eventual decline in scientific and social status and realism's displacement by naturalism, detective fiction, and modernism.