Populating the Novel : : Literary Form and the Politics of Surplus Life / / Emily Steinlight.

• Superior document: Title is part of eBook package: De Gruyter Cornell University Press Complete eBook-Package 2018
• VerfasserIn: Steinlight, Emily,
• Place / Publishing House: Ithaca, NY : : Cornell University Press, , [2018]; ©2018
• Year of Publication: 2018
• Language: English
• Physical Description: 1 online resource (294 p.)
• Other title: Frontmatter --; Contents --; Acknowledgments --; Introduction. The Biopolitical Imagination --; Chapter 1. Populating Solitude --; Chapter 2. Political Animals --; Chapter 3. Dickens's Supernumeraries --; Chapter 4. The Sensation Novel and the Redundant Woman Question --; Chapter 5. "Because We Are Too Menny" --; Conclusion --; Notes --; Bibliography --; Index
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9781501710728; 9783110606553; 9783110604252; 9783110603255; 9783110604184; 9783110603187
• DOI: 10.7591/9781501710728
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Emily Steinlight.

From the teeming streets of Dickens's London to the households of domestic fiction, nineteenth-century British writers constructed worlds crammed beyond capacity with human life. In Populating the Novel, Emily Steinlight contends that rather than simply reflecting demographic growth, such pervasive literary crowding contributed to a seismic shift in British political thought. She shows how the nineteenth-century novel in particular claimed a new cultural role as it took on the task of narrating human aggregation at a moment when the Malthusian specter of surplus population suddenly and quite unexpectedly became a central premise of modern politics.In readings of novels by Mary Shelley, Elizabeth Gaskell, Charles Dickens, Mary Braddon, Thomas Hardy, and Joseph Conrad that link fiction and biopolitics, Steinlight brings the crowds that pervade nineteenth-century fiction into the foreground. In so doing, she transforms the subject and political stakes of the Victorian novel, dislodging the longstanding idea that its central category is the individual by demonstrating how fiction is altered by its emerging concern with population. By overpopulating narrative space and imagining the human species perpetually in excess of the existing social order, she shows, fiction made it necessary to radically reimagine life in the aggregate.