The Imprint of Gender : : Authorship and Publication in the English Renaissance /

The Imprint of Gender : : Authorship and Publication in the English Renaissance / / Wendy Wall.

What did it mean to be published at the end of the sixteenth century? While in polite circles gentlemen exchanged handwritten letters, published authors risked association with the low-born masses. Examining a wide range of published material including sonnets, pageants, prefaces, narrative poems, a...

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Bibliographic Details
Superior document:Title is part of eBook package: De Gruyter Cornell University Press Archive Pre-2000
VerfasserIn:
Wall, Wendy,
Place / Publishing House:Ithaca, NY : : Cornell University Press, , [2019]
©1994
Year of Publication:2019
Language:English
Online Access:
Physical Description:1 online resource (368 p.) :; 18 halftones
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Table of Contents:
  • Frontmatter
  • CONTENTS
  • PREFACE
  • INTRODUCTION: TO BE “A MAN IN PRINT”
  • CHAPTER ONE. TURNING SONNET:
  • CHAPTER TWO. AUTHOR(IZ) ING ROYAL SPECTACLE:
  • CHAPTER THREE. PREFATORIAL DISCLOSURES:
  • CHAPTER FOUR. IMPERSONATING THE MANUSCRIPT:
  • CHAPTER FIVE. DANCING IN A NET:
  • AFTERWORD: THE POLITICS OF PRINT
  • SELECTED BIBLIOGRAPHY
  • INDEX

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