The Imprint of Gender : : Authorship and Publication in the English Renaissance / / Wendy Wall.
What did it mean to be published at the end of the sixteenth century? While in polite circles gentlemen exchanged handwritten letters, published authors risked association with the low-born masses. Examining a wide range of published material including sonnets, pageants, prefaces, narrative poems, a...
Saved in:
Superior document: | Title is part of eBook package: De Gruyter Cornell University Press Archive Pre-2000 |
---|---|
VerfasserIn: | |
Place / Publishing House: | Ithaca, NY : : Cornell University Press, , [2019] ©1994 |
Year of Publication: | 2019 |
Language: | English |
Online Access: | |
Physical Description: | 1 online resource (368 p.) :; 18 halftones |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
id |
9781501739064 |
---|---|
ctrlnum |
(DE-B1597)534589 (OCoLC)1178768829 |
collection |
bib_alma |
record_format |
marc |
spelling |
Wall, Wendy, author. aut http://id.loc.gov/vocabulary/relators/aut The Imprint of Gender : Authorship and Publication in the English Renaissance / Wendy Wall. Ithaca, NY : Cornell University Press, [2019] ©1994 1 online resource (368 p.) : 18 halftones text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Frontmatter -- CONTENTS -- PREFACE -- INTRODUCTION: TO BE “A MAN IN PRINT” -- CHAPTER ONE. TURNING SONNET: -- CHAPTER TWO. AUTHOR(IZ) ING ROYAL SPECTACLE: -- CHAPTER THREE. PREFATORIAL DISCLOSURES: -- CHAPTER FOUR. IMPERSONATING THE MANUSCRIPT: -- CHAPTER FIVE. DANCING IN A NET: -- AFTERWORD: THE POLITICS OF PRINT -- SELECTED BIBLIOGRAPHY -- INDEX restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star What did it mean to be published at the end of the sixteenth century? While in polite circles gentlemen exchanged handwritten letters, published authors risked association with the low-born masses. Examining a wide range of published material including sonnets, pageants, prefaces, narrative poems, and title pages, Wendy Wall considers how the idea of authorship was shaped by the complex social controversies generated by publication during the English Renaissance. In the process, she maps the intricate connections between authorship and the gendered rhetoric used to introduce the book as an item for sale.Wall looks at how the dynamics of courtly society in the Renaissance informed the emergence of authorship, and how publication reflected cultural anxiety over shifting social boundaries. When writers, publishers and printers adapted material for the press, she maintains, they promoted a particular concept of literary authority, one that masculinized the domain of authorship and the literary marketplace. Male writers, she argues, employed themes of cross-dressing, voyeurism, and courtly love to designate the feminine as the ground upon which authorship was established. Wall concludes by investigating the ways in which women writers of the Renaissance, in creating new models of authorship, confronted both the objectification of women in tropes used to establish authority and the general problems of publication.Challenging received interpretations of the advent of print culture, The Imprint of Gender will be compelling reading for students and scholars in the fields of Renaissance studies, feminist theory, cultural studies, literary theory, and the history of books. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) LITERARY CRITICISM / European / English, Irish, Scottish, Welsh. bisacsh Title is part of eBook package: De Gruyter Cornell University Press Archive Pre-2000 9783110536171 https://doi.org/10.7591/9781501739064 https://www.degruyter.com/isbn/9781501739064 Cover https://www.degruyter.com/document/cover/isbn/9781501739064/original |
language |
English |
format |
eBook |
author |
Wall, Wendy, Wall, Wendy, |
spellingShingle |
Wall, Wendy, Wall, Wendy, The Imprint of Gender : Authorship and Publication in the English Renaissance / Frontmatter -- CONTENTS -- PREFACE -- INTRODUCTION: TO BE “A MAN IN PRINT” -- CHAPTER ONE. TURNING SONNET: -- CHAPTER TWO. AUTHOR(IZ) ING ROYAL SPECTACLE: -- CHAPTER THREE. PREFATORIAL DISCLOSURES: -- CHAPTER FOUR. IMPERSONATING THE MANUSCRIPT: -- CHAPTER FIVE. DANCING IN A NET: -- AFTERWORD: THE POLITICS OF PRINT -- SELECTED BIBLIOGRAPHY -- INDEX |
author_facet |
Wall, Wendy, Wall, Wendy, |
author_variant |
w w ww w w ww |
author_role |
VerfasserIn VerfasserIn |
author_sort |
Wall, Wendy, |
title |
The Imprint of Gender : Authorship and Publication in the English Renaissance / |
title_sub |
Authorship and Publication in the English Renaissance / |
title_full |
The Imprint of Gender : Authorship and Publication in the English Renaissance / Wendy Wall. |
title_fullStr |
The Imprint of Gender : Authorship and Publication in the English Renaissance / Wendy Wall. |
title_full_unstemmed |
The Imprint of Gender : Authorship and Publication in the English Renaissance / Wendy Wall. |
title_auth |
The Imprint of Gender : Authorship and Publication in the English Renaissance / |
title_alt |
Frontmatter -- CONTENTS -- PREFACE -- INTRODUCTION: TO BE “A MAN IN PRINT” -- CHAPTER ONE. TURNING SONNET: -- CHAPTER TWO. AUTHOR(IZ) ING ROYAL SPECTACLE: -- CHAPTER THREE. PREFATORIAL DISCLOSURES: -- CHAPTER FOUR. IMPERSONATING THE MANUSCRIPT: -- CHAPTER FIVE. DANCING IN A NET: -- AFTERWORD: THE POLITICS OF PRINT -- SELECTED BIBLIOGRAPHY -- INDEX |
title_new |
The Imprint of Gender : |
title_sort |
the imprint of gender : authorship and publication in the english renaissance / |
publisher |
Cornell University Press, |
publishDate |
2019 |
physical |
1 online resource (368 p.) : 18 halftones |
contents |
Frontmatter -- CONTENTS -- PREFACE -- INTRODUCTION: TO BE “A MAN IN PRINT” -- CHAPTER ONE. TURNING SONNET: -- CHAPTER TWO. AUTHOR(IZ) ING ROYAL SPECTACLE: -- CHAPTER THREE. PREFATORIAL DISCLOSURES: -- CHAPTER FOUR. IMPERSONATING THE MANUSCRIPT: -- CHAPTER FIVE. DANCING IN A NET: -- AFTERWORD: THE POLITICS OF PRINT -- SELECTED BIBLIOGRAPHY -- INDEX |
isbn |
9781501739064 9783110536171 |
url |
https://doi.org/10.7591/9781501739064 https://www.degruyter.com/isbn/9781501739064 https://www.degruyter.com/document/cover/isbn/9781501739064/original |
illustrated |
Not Illustrated |
doi_str_mv |
10.7591/9781501739064 |
oclc_num |
1178768829 |
work_keys_str_mv |
AT wallwendy theimprintofgenderauthorshipandpublicationintheenglishrenaissance AT wallwendy imprintofgenderauthorshipandpublicationintheenglishrenaissance |
status_str |
n |
ids_txt_mv |
(DE-B1597)534589 (OCoLC)1178768829 |
carrierType_str_mv |
cr |
hierarchy_parent_title |
Title is part of eBook package: De Gruyter Cornell University Press Archive Pre-2000 |
is_hierarchy_title |
The Imprint of Gender : Authorship and Publication in the English Renaissance / |
container_title |
Title is part of eBook package: De Gruyter Cornell University Press Archive Pre-2000 |
_version_ |
1770177106071781376 |
fullrecord |
<?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04296nam a22006135i 4500</leader><controlfield tag="001">9781501739064</controlfield><controlfield tag="003">DE-B1597</controlfield><controlfield tag="005">20220302035458.0</controlfield><controlfield tag="006">m|||||o||d||||||||</controlfield><controlfield tag="007">cr || ||||||||</controlfield><controlfield tag="008">220302t20191994nyu fo d z eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781501739064</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.7591/9781501739064</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-B1597)534589</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1178768829</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-B1597</subfield><subfield code="b">eng</subfield><subfield code="c">DE-B1597</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">nyu</subfield><subfield code="c">US-NY</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">LIT004120</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Wall, Wendy, </subfield><subfield code="e">author.</subfield><subfield code="4">aut</subfield><subfield code="4">http://id.loc.gov/vocabulary/relators/aut</subfield></datafield><datafield tag="245" ind1="1" ind2="4"><subfield code="a">The Imprint of Gender :</subfield><subfield code="b">Authorship and Publication in the English Renaissance /</subfield><subfield code="c">Wendy Wall.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Ithaca, NY : </subfield><subfield code="b">Cornell University Press, </subfield><subfield code="c">[2019]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©1994</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (368 p.) :</subfield><subfield code="b">18 halftones</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="347" ind1=" " ind2=" "><subfield code="a">text file</subfield><subfield code="b">PDF</subfield><subfield code="2">rda</subfield></datafield><datafield tag="505" ind1="0" ind2="0"><subfield code="t">Frontmatter -- </subfield><subfield code="t">CONTENTS -- </subfield><subfield code="t">PREFACE -- </subfield><subfield code="t">INTRODUCTION: TO BE “A MAN IN PRINT” -- </subfield><subfield code="t">CHAPTER ONE. TURNING SONNET: -- </subfield><subfield code="t">CHAPTER TWO. AUTHOR(IZ) ING ROYAL SPECTACLE: -- </subfield><subfield code="t">CHAPTER THREE. PREFATORIAL DISCLOSURES: -- </subfield><subfield code="t">CHAPTER FOUR. IMPERSONATING THE MANUSCRIPT: -- </subfield><subfield code="t">CHAPTER FIVE. DANCING IN A NET: -- </subfield><subfield code="t">AFTERWORD: THE POLITICS OF PRINT -- </subfield><subfield code="t">SELECTED BIBLIOGRAPHY -- </subfield><subfield code="t">INDEX</subfield></datafield><datafield tag="506" ind1="0" ind2=" "><subfield code="a">restricted access</subfield><subfield code="u">http://purl.org/coar/access_right/c_16ec</subfield><subfield code="f">online access with authorization</subfield><subfield code="2">star</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">What did it mean to be published at the end of the sixteenth century? While in polite circles gentlemen exchanged handwritten letters, published authors risked association with the low-born masses. Examining a wide range of published material including sonnets, pageants, prefaces, narrative poems, and title pages, Wendy Wall considers how the idea of authorship was shaped by the complex social controversies generated by publication during the English Renaissance. In the process, she maps the intricate connections between authorship and the gendered rhetoric used to introduce the book as an item for sale.Wall looks at how the dynamics of courtly society in the Renaissance informed the emergence of authorship, and how publication reflected cultural anxiety over shifting social boundaries. When writers, publishers and printers adapted material for the press, she maintains, they promoted a particular concept of literary authority, one that masculinized the domain of authorship and the literary marketplace. Male writers, she argues, employed themes of cross-dressing, voyeurism, and courtly love to designate the feminine as the ground upon which authorship was established. Wall concludes by investigating the ways in which women writers of the Renaissance, in creating new models of authorship, confronted both the objectification of women in tropes used to establish authority and the general problems of publication.Challenging received interpretations of the advent of print culture, The Imprint of Gender will be compelling reading for students and scholars in the fields of Renaissance studies, feminist theory, cultural studies, literary theory, and the history of books.</subfield></datafield><datafield tag="538" ind1=" " ind2=" "><subfield code="a">Mode of access: Internet via World Wide Web.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022)</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">LITERARY CRITICISM / European / English, Irish, Scottish, Welsh.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="i">Title is part of eBook package:</subfield><subfield code="d">De Gruyter</subfield><subfield code="t">Cornell University Press Archive Pre-2000</subfield><subfield code="z">9783110536171</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.7591/9781501739064</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://www.degruyter.com/isbn/9781501739064</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="3">Cover</subfield><subfield code="u">https://www.degruyter.com/document/cover/isbn/9781501739064/original</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">978-3-11-053617-1 Cornell University Press Archive Pre-2000</subfield><subfield code="b">2000</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_BACKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_CL_LT</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EBACKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EBKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_ECL_LT</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EEBKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_ESSHALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_PPALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_SSHALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV-deGruyter-alles</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA11SSHE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA13ENGE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA17SSHEE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA5EBK</subfield></datafield></record></collection> |