Researching Historical Screen Audiences /

Researching Historical Screen Audiences / / ed. by Kate Egan.

Considers the challenges of historical audience research in the field of screen studiesOutlines and expands on the wide range of sources which can be employed to research and capture the experiences and contexts of past screen audiences, and the ways in which these sources can be productively combin...

Full description

Saved in:
Bibliographic Details
Superior document:Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2022 English
MitwirkendeR:
Aveyard, Karina,
Biltereyst, Daniel,
Egan, Kate,
Fuhrmann, Wolfgang,
Garofalo, Damiano,
James, Robert,
Jones, James,
Kuhn, Annette,
Penati, Cecilia,
Pryt, Karina,
Shail, Robert,
Smith, Adrian,
Smith, Martin Ian,
Terrill, Jamie,
HerausgeberIn:
Egan, Kate,
Place / Publishing House:Edinburgh : : Edinburgh University Press, , [2022]
©2022
Year of Publication:2022
Language:English
Online Access:
Physical Description:1 online resource (264 p.) :; 25 B/W illustrations
Tags: Add Tag
No Tags, Be the first to tag this record!
Table of Contents:
  • Frontmatter
  • CONTENTS
  • FIGURES
  • ACKNOWLEDGEMENTS
  • NOTES ON CONTRIBUTORS
  • INTRODUCTION
  • PART I BEING CREATIVE IN HISTORICAL AUDIENCE RESEARCH: RE-EVALUATING THE FIELD
  • 1. AUDIENCE AS PALIMPSEST, OR THE STRUCTURES OF CINEMATIC FEELING: ON HISTORICAL FILM AUDIENCE RESEARCH AND CINEMA’S IMAGINATIVE POWER
  • 2. FROM CINEMA CULTURE TO CINEMA MEMORY: A CONCEPTUAL AND METHODOLOGICAL TRAJECTORY
  • 3. CONSTRUCTING CINEMA AUDIENCE HISTORIES: METHODOLOGICAL CHOICES AND CHALLENGES
  • PART II RECONSIDERING NATIONAL AND TRANSNATIONAL CINEMAGOING HISTORIES
  • 4. CINEMAS AND CINEMA AUDIENCES IN THE ‘THIRD SPACE’ IN WARSAW, 1908–1939
  • 5. GERMAN FILMS IN BRAZIL: IMMIGRATION, ASSOCIATIONS AND NATIONAL FILM CULTURE
  • 6. EMOTIONAL COMMUNITIES IN THE CINEMA: TRACING EMOTION IN MASS OBSERVATION CINEMA RECORDS, 1937–1950
  • PART III SHAPING AUDIENCE EXPECTATIONS: CINEMA MANAGERS AND MARKETING STRATEGIES
  • 7. ‘MAKE YOUR PUBLIC CURIOUS’: CINEMA MANAGEMENT, FILM ADVERTISING AND AUDIENCE TASTE IN ENGLAND, c. 1920–c. 1960
  • 8. HARRY SANDERS: REMEMBERING A LIFE IN CINEMA MANAGEMENT
  • 9. THE YELLOW TEDDYBEARS: EXPLOITATION AS EDUCATION
  • PART IV HOME VIEWING CONTEXTS AND AUDIENCE MEMORIES
  • 10. ARCHIVES, SOURCES AND MEMORIES FOR A HISTORY OF EARLY ITALIAN TV AUDIENCES
  • 11. THE EXORCIST IN THE HOME: REMEMBERING PARENTAL REGULATION
  • 12. CHILDHOOD MEMORIES OF HORROR FILMS IN THE HOME: QUESTIONS, PATTERNS AND CONTEXTS
  • Index

Similar Items