Researching Historical Screen Audiences / / ed. by Kate Egan.
Considers the challenges of historical audience research in the field of screen studiesOutlines and expands on the wide range of sources which can be employed to research and capture the experiences and contexts of past screen audiences, and the ways in which these sources can be productively combin...
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Place / Publishing House: | Edinburgh : : Edinburgh University Press, , [2022] ©2022 |
Year of Publication: | 2022 |
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Physical Description: | 1 online resource (264 p.) :; 25 B/W illustrations |
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Researching Historical Screen Audiences / ed. by Kate Egan. Edinburgh : Edinburgh University Press, [2022] ©2022 1 online resource (264 p.) : 25 B/W illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Frontmatter -- CONTENTS -- FIGURES -- ACKNOWLEDGEMENTS -- NOTES ON CONTRIBUTORS -- INTRODUCTION -- PART I BEING CREATIVE IN HISTORICAL AUDIENCE RESEARCH: RE-EVALUATING THE FIELD -- 1. AUDIENCE AS PALIMPSEST, OR THE STRUCTURES OF CINEMATIC FEELING: ON HISTORICAL FILM AUDIENCE RESEARCH AND CINEMA’S IMAGINATIVE POWER -- 2. FROM CINEMA CULTURE TO CINEMA MEMORY: A CONCEPTUAL AND METHODOLOGICAL TRAJECTORY -- 3. CONSTRUCTING CINEMA AUDIENCE HISTORIES: METHODOLOGICAL CHOICES AND CHALLENGES -- PART II RECONSIDERING NATIONAL AND TRANSNATIONAL CINEMAGOING HISTORIES -- 4. CINEMAS AND CINEMA AUDIENCES IN THE ‘THIRD SPACE’ IN WARSAW, 1908–1939 -- 5. GERMAN FILMS IN BRAZIL: IMMIGRATION, ASSOCIATIONS AND NATIONAL FILM CULTURE -- 6. EMOTIONAL COMMUNITIES IN THE CINEMA: TRACING EMOTION IN MASS OBSERVATION CINEMA RECORDS, 1937–1950 -- PART III SHAPING AUDIENCE EXPECTATIONS: CINEMA MANAGERS AND MARKETING STRATEGIES -- 7. ‘MAKE YOUR PUBLIC CURIOUS’: CINEMA MANAGEMENT, FILM ADVERTISING AND AUDIENCE TASTE IN ENGLAND, c. 1920–c. 1960 -- 8. HARRY SANDERS: REMEMBERING A LIFE IN CINEMA MANAGEMENT -- 9. THE YELLOW TEDDYBEARS: EXPLOITATION AS EDUCATION -- PART IV HOME VIEWING CONTEXTS AND AUDIENCE MEMORIES -- 10. ARCHIVES, SOURCES AND MEMORIES FOR A HISTORY OF EARLY ITALIAN TV AUDIENCES -- 11. THE EXORCIST IN THE HOME: REMEMBERING PARENTAL REGULATION -- 12. CHILDHOOD MEMORIES OF HORROR FILMS IN THE HOME: QUESTIONS, PATTERNS AND CONTEXTS -- Index restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star Considers the challenges of historical audience research in the field of screen studiesOutlines and expands on the wide range of sources which can be employed to research and capture the experiences and contexts of past screen audiences, and the ways in which these sources can be productively combinedExplores and assesses the current status and shape of the field of historical audience research, including consideration of a range of perspectives on the field’s methodological models and challenges, and practical applications of these models to focused case studiesForegrounds the transnational and multi-cultural dimensions of past cinemagoing, the roles played by management personnel and marketing campaigns, and the currently under-explored area of the past reception of television and home videoIllustrates the important role played by films, people, spaces, places, technologies, identities and communities when studying the history of cinemagoing and media receptionShowcasing current research and contemporary debate in the field of screen history and audience studies, Researching Historical Screen Audiences draws upon a wide variety of previously untapped sources – including photographs, maps, Mass Observation reports, diaries, fan letters, cinema records and original oral testimonies– to explore the challenges and pleasures of conducting research in this field. Containing twelve new essays from an international group of leading and emerging scholars, the book explores and assesses the current status and shape of the field of historical audience research, showcasing new research which foregrounds the transnational and multi-cultural dimensions of past cinemagoing, the roles played by management personnel and marketing campaigns, and the currently under-explored area of the past reception of home video. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mai 2023) Motion picture audiences History. Motion picture audiences Research Methodology. Film, Media & Cultural Studies. PERFORMING ARTS / Film & Video / General. bisacsh Aveyard, Karina, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Biltereyst, Daniel, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Egan, Kate, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Egan, Kate, editor. edt http://id.loc.gov/vocabulary/relators/edt Fuhrmann, Wolfgang, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Garofalo, Damiano, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb James, Robert, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Jones, James, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Kuhn, Annette, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Penati, Cecilia, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Pryt, Karina, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Shail, Robert, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Smith, Adrian, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Smith, Martin Ian, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Terrill, Jamie, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2022 English 9783110993899 Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2022 9783110994810 ZDB-23-DGG Title is part of eBook package: De Gruyter EBOOK PACKAGE Literary, Cultural, Area Studies 2022 English 9783110993752 Title is part of eBook package: De Gruyter EBOOK PACKAGE Literary, Cultural, Area Studies 2022 9783110993738 ZDB-23-DKU Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2022 9783110780390 print 9781474477819 https://doi.org/10.1515/9781474477833 https://www.degruyter.com/isbn/9781474477833 Cover https://www.degruyter.com/document/cover/isbn/9781474477833/original |
language |
English |
format |
eBook |
author2 |
Aveyard, Karina, Aveyard, Karina, Biltereyst, Daniel, Biltereyst, Daniel, Egan, Kate, Egan, Kate, Egan, Kate, Egan, Kate, Fuhrmann, Wolfgang, Fuhrmann, Wolfgang, Garofalo, Damiano, Garofalo, Damiano, James, Robert, James, Robert, Jones, James, Jones, James, Kuhn, Annette, Kuhn, Annette, Penati, Cecilia, Penati, Cecilia, Pryt, Karina, Pryt, Karina, Shail, Robert, Shail, Robert, Smith, Adrian, Smith, Adrian, Smith, Martin Ian, Smith, Martin Ian, Terrill, Jamie, Terrill, Jamie, |
author_facet |
Aveyard, Karina, Aveyard, Karina, Biltereyst, Daniel, Biltereyst, Daniel, Egan, Kate, Egan, Kate, Egan, Kate, Egan, Kate, Fuhrmann, Wolfgang, Fuhrmann, Wolfgang, Garofalo, Damiano, Garofalo, Damiano, James, Robert, James, Robert, Jones, James, Jones, James, Kuhn, Annette, Kuhn, Annette, Penati, Cecilia, Penati, Cecilia, Pryt, Karina, Pryt, Karina, Shail, Robert, Shail, Robert, Smith, Adrian, Smith, Adrian, Smith, Martin Ian, Smith, Martin Ian, Terrill, Jamie, Terrill, Jamie, |
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MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR HerausgeberIn HerausgeberIn MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR |
author_sort |
Aveyard, Karina, |
title |
Researching Historical Screen Audiences / |
spellingShingle |
Researching Historical Screen Audiences / Frontmatter -- CONTENTS -- FIGURES -- ACKNOWLEDGEMENTS -- NOTES ON CONTRIBUTORS -- INTRODUCTION -- PART I BEING CREATIVE IN HISTORICAL AUDIENCE RESEARCH: RE-EVALUATING THE FIELD -- 1. AUDIENCE AS PALIMPSEST, OR THE STRUCTURES OF CINEMATIC FEELING: ON HISTORICAL FILM AUDIENCE RESEARCH AND CINEMA’S IMAGINATIVE POWER -- 2. FROM CINEMA CULTURE TO CINEMA MEMORY: A CONCEPTUAL AND METHODOLOGICAL TRAJECTORY -- 3. CONSTRUCTING CINEMA AUDIENCE HISTORIES: METHODOLOGICAL CHOICES AND CHALLENGES -- PART II RECONSIDERING NATIONAL AND TRANSNATIONAL CINEMAGOING HISTORIES -- 4. CINEMAS AND CINEMA AUDIENCES IN THE ‘THIRD SPACE’ IN WARSAW, 1908–1939 -- 5. GERMAN FILMS IN BRAZIL: IMMIGRATION, ASSOCIATIONS AND NATIONAL FILM CULTURE -- 6. EMOTIONAL COMMUNITIES IN THE CINEMA: TRACING EMOTION IN MASS OBSERVATION CINEMA RECORDS, 1937–1950 -- PART III SHAPING AUDIENCE EXPECTATIONS: CINEMA MANAGERS AND MARKETING STRATEGIES -- 7. ‘MAKE YOUR PUBLIC CURIOUS’: CINEMA MANAGEMENT, FILM ADVERTISING AND AUDIENCE TASTE IN ENGLAND, c. 1920–c. 1960 -- 8. HARRY SANDERS: REMEMBERING A LIFE IN CINEMA MANAGEMENT -- 9. THE YELLOW TEDDYBEARS: EXPLOITATION AS EDUCATION -- PART IV HOME VIEWING CONTEXTS AND AUDIENCE MEMORIES -- 10. ARCHIVES, SOURCES AND MEMORIES FOR A HISTORY OF EARLY ITALIAN TV AUDIENCES -- 11. THE EXORCIST IN THE HOME: REMEMBERING PARENTAL REGULATION -- 12. CHILDHOOD MEMORIES OF HORROR FILMS IN THE HOME: QUESTIONS, PATTERNS AND CONTEXTS -- Index |
title_full |
Researching Historical Screen Audiences / ed. by Kate Egan. |
title_fullStr |
Researching Historical Screen Audiences / ed. by Kate Egan. |
title_full_unstemmed |
Researching Historical Screen Audiences / ed. by Kate Egan. |
title_auth |
Researching Historical Screen Audiences / |
title_alt |
Frontmatter -- CONTENTS -- FIGURES -- ACKNOWLEDGEMENTS -- NOTES ON CONTRIBUTORS -- INTRODUCTION -- PART I BEING CREATIVE IN HISTORICAL AUDIENCE RESEARCH: RE-EVALUATING THE FIELD -- 1. AUDIENCE AS PALIMPSEST, OR THE STRUCTURES OF CINEMATIC FEELING: ON HISTORICAL FILM AUDIENCE RESEARCH AND CINEMA’S IMAGINATIVE POWER -- 2. FROM CINEMA CULTURE TO CINEMA MEMORY: A CONCEPTUAL AND METHODOLOGICAL TRAJECTORY -- 3. CONSTRUCTING CINEMA AUDIENCE HISTORIES: METHODOLOGICAL CHOICES AND CHALLENGES -- PART II RECONSIDERING NATIONAL AND TRANSNATIONAL CINEMAGOING HISTORIES -- 4. CINEMAS AND CINEMA AUDIENCES IN THE ‘THIRD SPACE’ IN WARSAW, 1908–1939 -- 5. GERMAN FILMS IN BRAZIL: IMMIGRATION, ASSOCIATIONS AND NATIONAL FILM CULTURE -- 6. EMOTIONAL COMMUNITIES IN THE CINEMA: TRACING EMOTION IN MASS OBSERVATION CINEMA RECORDS, 1937–1950 -- PART III SHAPING AUDIENCE EXPECTATIONS: CINEMA MANAGERS AND MARKETING STRATEGIES -- 7. ‘MAKE YOUR PUBLIC CURIOUS’: CINEMA MANAGEMENT, FILM ADVERTISING AND AUDIENCE TASTE IN ENGLAND, c. 1920–c. 1960 -- 8. HARRY SANDERS: REMEMBERING A LIFE IN CINEMA MANAGEMENT -- 9. THE YELLOW TEDDYBEARS: EXPLOITATION AS EDUCATION -- PART IV HOME VIEWING CONTEXTS AND AUDIENCE MEMORIES -- 10. ARCHIVES, SOURCES AND MEMORIES FOR A HISTORY OF EARLY ITALIAN TV AUDIENCES -- 11. THE EXORCIST IN THE HOME: REMEMBERING PARENTAL REGULATION -- 12. CHILDHOOD MEMORIES OF HORROR FILMS IN THE HOME: QUESTIONS, PATTERNS AND CONTEXTS -- Index |
title_new |
Researching Historical Screen Audiences / |
title_sort |
researching historical screen audiences / |
publisher |
Edinburgh University Press, |
publishDate |
2022 |
physical |
1 online resource (264 p.) : 25 B/W illustrations |
contents |
Frontmatter -- CONTENTS -- FIGURES -- ACKNOWLEDGEMENTS -- NOTES ON CONTRIBUTORS -- INTRODUCTION -- PART I BEING CREATIVE IN HISTORICAL AUDIENCE RESEARCH: RE-EVALUATING THE FIELD -- 1. AUDIENCE AS PALIMPSEST, OR THE STRUCTURES OF CINEMATIC FEELING: ON HISTORICAL FILM AUDIENCE RESEARCH AND CINEMA’S IMAGINATIVE POWER -- 2. FROM CINEMA CULTURE TO CINEMA MEMORY: A CONCEPTUAL AND METHODOLOGICAL TRAJECTORY -- 3. CONSTRUCTING CINEMA AUDIENCE HISTORIES: METHODOLOGICAL CHOICES AND CHALLENGES -- PART II RECONSIDERING NATIONAL AND TRANSNATIONAL CINEMAGOING HISTORIES -- 4. CINEMAS AND CINEMA AUDIENCES IN THE ‘THIRD SPACE’ IN WARSAW, 1908–1939 -- 5. GERMAN FILMS IN BRAZIL: IMMIGRATION, ASSOCIATIONS AND NATIONAL FILM CULTURE -- 6. EMOTIONAL COMMUNITIES IN THE CINEMA: TRACING EMOTION IN MASS OBSERVATION CINEMA RECORDS, 1937–1950 -- PART III SHAPING AUDIENCE EXPECTATIONS: CINEMA MANAGERS AND MARKETING STRATEGIES -- 7. ‘MAKE YOUR PUBLIC CURIOUS’: CINEMA MANAGEMENT, FILM ADVERTISING AND AUDIENCE TASTE IN ENGLAND, c. 1920–c. 1960 -- 8. HARRY SANDERS: REMEMBERING A LIFE IN CINEMA MANAGEMENT -- 9. THE YELLOW TEDDYBEARS: EXPLOITATION AS EDUCATION -- PART IV HOME VIEWING CONTEXTS AND AUDIENCE MEMORIES -- 10. ARCHIVES, SOURCES AND MEMORIES FOR A HISTORY OF EARLY ITALIAN TV AUDIENCES -- 11. THE EXORCIST IN THE HOME: REMEMBERING PARENTAL REGULATION -- 12. CHILDHOOD MEMORIES OF HORROR FILMS IN THE HOME: QUESTIONS, PATTERNS AND CONTEXTS -- Index |
isbn |
9781474477833 9783110993899 9783110994810 9783110993752 9783110993738 9783110780390 9781474477819 |
callnumber-first |
P - Language and Literature |
callnumber-subject |
PN - General Literature |
callnumber-label |
PN1995 |
callnumber-sort |
PN 41995.9 A8 |
url |
https://doi.org/10.1515/9781474477833 https://www.degruyter.com/isbn/9781474477833 https://www.degruyter.com/document/cover/isbn/9781474477833/original |
illustrated |
Not Illustrated |
dewey-hundreds |
300 - Social sciences |
dewey-tens |
300 - Social sciences, sociology & anthropology |
dewey-ones |
302 - Social interaction |
dewey-full |
302.2343 |
dewey-sort |
3302.2343 |
dewey-raw |
302.2343 |
dewey-search |
302.2343 |
doi_str_mv |
10.1515/9781474477833 |
oclc_num |
1298394395 |
work_keys_str_mv |
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is_hierarchy_title |
Researching Historical Screen Audiences / |
container_title |
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Containing twelve new essays from an international group of leading and emerging scholars, the book explores and assesses the current status and shape of the field of historical audience research, showcasing new research which foregrounds the transnational and multi-cultural dimensions of past cinemagoing, the roles played by management personnel and marketing campaigns, and the currently under-explored area of the past reception of home video.</subfield></datafield><datafield tag="538" ind1=" " ind2=" "><subfield code="a">Mode of access: Internet via World Wide Web.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. 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