Speaking in Subtitles : : Revaluing Screen Translation / / Tessa Dwyer.

Places foreign-language film viewing at the centre of the screen media worldWith over 6000 languages in the world today, media speak is far from universal, yet the complexities of translation are rarely acknowledged by the industry, or by audiences and scholars. Redressing this neglect, Speaking in...

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Superior document:Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2017
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Place / Publishing House:Edinburgh : : Edinburgh University Press, , [2022]
©2017
Year of Publication:2022
Language:English
Online Access:
Physical Description:1 online resource (240 p.) :; 32 B/W illustrations
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100 1 |a Dwyer, Tessa,   |e author.  |4 aut  |4 http://id.loc.gov/vocabulary/relators/aut 
245 1 0 |a Speaking in Subtitles :  |b Revaluing Screen Translation /  |c Tessa Dwyer. 
264 1 |a Edinburgh :   |b Edinburgh University Press,   |c [2022] 
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300 |a 1 online resource (240 p.) :  |b 32 B/W illustrations 
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505 0 0 |t Frontmatter --   |t Contents --   |t Figures --   |t Acknowledgements --   |t Introduction --   |t Part 1 Devaluation and Deconstruction --   |t 1 Sub/Dub Wars: Attitudes to Screen Translation --   |t 2 Vanishing Subtitles: The Invisible Cinema (1970–4) --   |t 3 Dubbing Undone: Can Dialectics Break Bricks? (1973) --   |t Part 2 Errant and Emergent Practices --   |t 4 Media Piracy, Censorship and Misuse --   |t 5 Fansubbing and Abuse: Anime and Beyond --   |t 6 Streaming, Subbing, Sharing: Viki Global TV --   |t Conclusion: Error Screens --   |t Bibliography --   |t Index 
506 0 |a restricted access  |u http://purl.org/coar/access_right/c_16ec  |f online access with authorization  |2 star 
520 |a Places foreign-language film viewing at the centre of the screen media worldWith over 6000 languages in the world today, media speak is far from universal, yet the complexities of translation are rarely acknowledged by the industry, or by audiences and scholars. Redressing this neglect, Speaking in Subtitles argues that the oddities and idiosyncrasies of translation are vital to screen media’s global storytelling. Examining a range of examples from crowdsourced subtitling to avant-garde dubbing to the growing field of ‘fansubbing’, Tessa Dwyer proposes that film, television and video are fundamentally ‘translational' media.Covers controversial topics including:CensorshipMedia piracyAmateurism Fansubbing (fan subtitling)CrowdsourcingCase Studies The Invisible Cinema, New York (1970-74)Viki Global TV (www.viki.com) 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022) 
650 0 |a Motion pictures  |x Translating. 
650 4 |a Film, Media & Cultural Studies. 
650 7 |a LANGUAGE ARTS & DISCIPLINES / Translating & Interpreting.  |2 bisacsh 
773 0 8 |i Title is part of eBook package:  |d De Gruyter  |t Edinburgh University Press Complete eBook-Package 2017  |z 9783110781403 
776 0 |c print  |z 9781474410946 
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