From Film Practice to Data Process : : Production Aesthetics and Representational Practices of a Film Industry in Transition / / Sarah Atkinson.
Examines the practices of independent digital feature-filmmaking in contemporary BritainTo what extent have digital innovations transformed the UK film industry? What new practices and processes are emerging within the contemporary UK filmmaking landscape? What impact is this having upon filmmaking...
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Superior document: | Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2018 |
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Place / Publishing House: | Edinburgh : : Edinburgh University Press, , [2022] ©2018 |
Year of Publication: | 2022 |
Language: | English |
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Physical Description: | 1 online resource (288 p.) :; 70 colour illustrations |
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Atkinson, Sarah, author. aut http://id.loc.gov/vocabulary/relators/aut From Film Practice to Data Process : Production Aesthetics and Representational Practices of a Film Industry in Transition / Sarah Atkinson. Edinburgh : Edinburgh University Press, [2022] ©2018 1 online resource (288 p.) : 70 colour illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Frontmatter -- Contents -- Acknowledgements -- Preface -- Tables and Figures -- CHAPTER 1 Digital Film Production Studies -- CHAPTER 2 Digital Film Production People -- CHAPTER 3 Digital Film Production Time -- CHAPTER 4 Digital Film Production Space -- CHAPTER 5 Digital Film Production Representations -- CHAPTER 6 Digital Film Production Preservation and Access -- CHAPTER 7 Epilogue -- Practitioner Filmography -- Ginger & Rosa Full Credit List -- Filmography -- Bibliography -- Index restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star Examines the practices of independent digital feature-filmmaking in contemporary BritainTo what extent have digital innovations transformed the UK film industry? What new practices and processes are emerging within the contemporary UK filmmaking landscape? What impact is this having upon filmmaking professionals?The business of conventional feature filmmaking is like no other, in that it assembles a huge company of people from a range of disciplines on a temporary basis, all to engage in the collaborative endeavour of producing a unique, one-off piece of work. By focusing on the pivotal year of 2012, and by considering the input of every single contributor to the process, this book illuminates how this period of analogue to digital transition is impacting upon working practices, cultures, opportunities and structures in the industry, and examines the various causative forces behind their adoptions and resistances. With an in-depth case study of Sally Potter’s 2012 film Ginger & Rosa, and drawing upon interviews with international film industry practitioners, From Film Practice to Data Process is a groundbreaking examination of film production in its totality, in a moment of profound change. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022) Film, Media & Cultural Studies. PERFORMING ARTS / Film & Video / General. bisacsh Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2018 9783110780437 print 9780748693580 https://doi.org/10.1515/9780748693597?locatt=mode:legacy https://www.degruyter.com/isbn/9780748693597 Cover https://www.degruyter.com/document/cover/isbn/9780748693597/original |
language |
English |
format |
eBook |
author |
Atkinson, Sarah, Atkinson, Sarah, |
spellingShingle |
Atkinson, Sarah, Atkinson, Sarah, From Film Practice to Data Process : Production Aesthetics and Representational Practices of a Film Industry in Transition / Frontmatter -- Contents -- Acknowledgements -- Preface -- Tables and Figures -- CHAPTER 1 Digital Film Production Studies -- CHAPTER 2 Digital Film Production People -- CHAPTER 3 Digital Film Production Time -- CHAPTER 4 Digital Film Production Space -- CHAPTER 5 Digital Film Production Representations -- CHAPTER 6 Digital Film Production Preservation and Access -- CHAPTER 7 Epilogue -- Practitioner Filmography -- Ginger & Rosa Full Credit List -- Filmography -- Bibliography -- Index |
author_facet |
Atkinson, Sarah, Atkinson, Sarah, |
author_variant |
s a sa s a sa |
author_role |
VerfasserIn VerfasserIn |
author_sort |
Atkinson, Sarah, |
title |
From Film Practice to Data Process : Production Aesthetics and Representational Practices of a Film Industry in Transition / |
title_sub |
Production Aesthetics and Representational Practices of a Film Industry in Transition / |
title_full |
From Film Practice to Data Process : Production Aesthetics and Representational Practices of a Film Industry in Transition / Sarah Atkinson. |
title_fullStr |
From Film Practice to Data Process : Production Aesthetics and Representational Practices of a Film Industry in Transition / Sarah Atkinson. |
title_full_unstemmed |
From Film Practice to Data Process : Production Aesthetics and Representational Practices of a Film Industry in Transition / Sarah Atkinson. |
title_auth |
From Film Practice to Data Process : Production Aesthetics and Representational Practices of a Film Industry in Transition / |
title_alt |
Frontmatter -- Contents -- Acknowledgements -- Preface -- Tables and Figures -- CHAPTER 1 Digital Film Production Studies -- CHAPTER 2 Digital Film Production People -- CHAPTER 3 Digital Film Production Time -- CHAPTER 4 Digital Film Production Space -- CHAPTER 5 Digital Film Production Representations -- CHAPTER 6 Digital Film Production Preservation and Access -- CHAPTER 7 Epilogue -- Practitioner Filmography -- Ginger & Rosa Full Credit List -- Filmography -- Bibliography -- Index |
title_new |
From Film Practice to Data Process : |
title_sort |
from film practice to data process : production aesthetics and representational practices of a film industry in transition / |
publisher |
Edinburgh University Press, |
publishDate |
2022 |
physical |
1 online resource (288 p.) : 70 colour illustrations |
contents |
Frontmatter -- Contents -- Acknowledgements -- Preface -- Tables and Figures -- CHAPTER 1 Digital Film Production Studies -- CHAPTER 2 Digital Film Production People -- CHAPTER 3 Digital Film Production Time -- CHAPTER 4 Digital Film Production Space -- CHAPTER 5 Digital Film Production Representations -- CHAPTER 6 Digital Film Production Preservation and Access -- CHAPTER 7 Epilogue -- Practitioner Filmography -- Ginger & Rosa Full Credit List -- Filmography -- Bibliography -- Index |
isbn |
9780748693597 9783110780437 9780748693580 |
url |
https://doi.org/10.1515/9780748693597?locatt=mode:legacy https://www.degruyter.com/isbn/9780748693597 https://www.degruyter.com/document/cover/isbn/9780748693597/original |
illustrated |
Not Illustrated |
doi_str_mv |
10.1515/9780748693597?locatt=mode:legacy |
oclc_num |
1306540549 |
work_keys_str_mv |
AT atkinsonsarah fromfilmpracticetodataprocessproductionaestheticsandrepresentationalpracticesofafilmindustryintransition |
status_str |
n |
ids_txt_mv |
(DE-B1597)614430 (OCoLC)1306540549 |
carrierType_str_mv |
cr |
hierarchy_parent_title |
Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2018 |
is_hierarchy_title |
From Film Practice to Data Process : Production Aesthetics and Representational Practices of a Film Industry in Transition / |
container_title |
Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2018 |
_version_ |
1770176379803926528 |
fullrecord |
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