From Film Practice to Data Process : : Production Aesthetics and Representational Practices of a Film Industry in Transition / / Sarah Atkinson.

Examines the practices of independent digital feature-filmmaking in contemporary BritainTo what extent have digital innovations transformed the UK film industry? What new practices and processes are emerging within the contemporary UK filmmaking landscape? What impact is this having upon filmmaking...

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Superior document:Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2018
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Place / Publishing House:Edinburgh : : Edinburgh University Press, , [2022]
©2018
Year of Publication:2022
Language:English
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Physical Description:1 online resource (288 p.) :; 70 colour illustrations
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id 9780748693597
ctrlnum (DE-B1597)614430
(OCoLC)1306540549
collection bib_alma
record_format marc
spelling Atkinson, Sarah, author. aut http://id.loc.gov/vocabulary/relators/aut
From Film Practice to Data Process : Production Aesthetics and Representational Practices of a Film Industry in Transition / Sarah Atkinson.
Edinburgh : Edinburgh University Press, [2022]
©2018
1 online resource (288 p.) : 70 colour illustrations
text txt rdacontent
computer c rdamedia
online resource cr rdacarrier
text file PDF rda
Frontmatter -- Contents -- Acknowledgements -- Preface -- Tables and Figures -- CHAPTER 1 Digital Film Production Studies -- CHAPTER 2 Digital Film Production People -- CHAPTER 3 Digital Film Production Time -- CHAPTER 4 Digital Film Production Space -- CHAPTER 5 Digital Film Production Representations -- CHAPTER 6 Digital Film Production Preservation and Access -- CHAPTER 7 Epilogue -- Practitioner Filmography -- Ginger & Rosa Full Credit List -- Filmography -- Bibliography -- Index
restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star
Examines the practices of independent digital feature-filmmaking in contemporary BritainTo what extent have digital innovations transformed the UK film industry? What new practices and processes are emerging within the contemporary UK filmmaking landscape? What impact is this having upon filmmaking professionals?The business of conventional feature filmmaking is like no other, in that it assembles a huge company of people from a range of disciplines on a temporary basis, all to engage in the collaborative endeavour of producing a unique, one-off piece of work. By focusing on the pivotal year of 2012, and by considering the input of every single contributor to the process, this book illuminates how this period of analogue to digital transition is impacting upon working practices, cultures, opportunities and structures in the industry, and examines the various causative forces behind their adoptions and resistances. With an in-depth case study of Sally Potter’s 2012 film Ginger & Rosa, and drawing upon interviews with international film industry practitioners, From Film Practice to Data Process is a groundbreaking examination of film production in its totality, in a moment of profound change.
Mode of access: Internet via World Wide Web.
In English.
Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022)
Film, Media & Cultural Studies.
PERFORMING ARTS / Film & Video / General. bisacsh
Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2018 9783110780437
print 9780748693580
https://doi.org/10.1515/9780748693597?locatt=mode:legacy
https://www.degruyter.com/isbn/9780748693597
Cover https://www.degruyter.com/document/cover/isbn/9780748693597/original
language English
format eBook
author Atkinson, Sarah,
Atkinson, Sarah,
spellingShingle Atkinson, Sarah,
Atkinson, Sarah,
From Film Practice to Data Process : Production Aesthetics and Representational Practices of a Film Industry in Transition /
Frontmatter --
Contents --
Acknowledgements --
Preface --
Tables and Figures --
CHAPTER 1 Digital Film Production Studies --
CHAPTER 2 Digital Film Production People --
CHAPTER 3 Digital Film Production Time --
CHAPTER 4 Digital Film Production Space --
CHAPTER 5 Digital Film Production Representations --
CHAPTER 6 Digital Film Production Preservation and Access --
CHAPTER 7 Epilogue --
Practitioner Filmography --
Ginger & Rosa Full Credit List --
Filmography --
Bibliography --
Index
author_facet Atkinson, Sarah,
Atkinson, Sarah,
author_variant s a sa
s a sa
author_role VerfasserIn
VerfasserIn
author_sort Atkinson, Sarah,
title From Film Practice to Data Process : Production Aesthetics and Representational Practices of a Film Industry in Transition /
title_sub Production Aesthetics and Representational Practices of a Film Industry in Transition /
title_full From Film Practice to Data Process : Production Aesthetics and Representational Practices of a Film Industry in Transition / Sarah Atkinson.
title_fullStr From Film Practice to Data Process : Production Aesthetics and Representational Practices of a Film Industry in Transition / Sarah Atkinson.
title_full_unstemmed From Film Practice to Data Process : Production Aesthetics and Representational Practices of a Film Industry in Transition / Sarah Atkinson.
title_auth From Film Practice to Data Process : Production Aesthetics and Representational Practices of a Film Industry in Transition /
title_alt Frontmatter --
Contents --
Acknowledgements --
Preface --
Tables and Figures --
CHAPTER 1 Digital Film Production Studies --
CHAPTER 2 Digital Film Production People --
CHAPTER 3 Digital Film Production Time --
CHAPTER 4 Digital Film Production Space --
CHAPTER 5 Digital Film Production Representations --
CHAPTER 6 Digital Film Production Preservation and Access --
CHAPTER 7 Epilogue --
Practitioner Filmography --
Ginger & Rosa Full Credit List --
Filmography --
Bibliography --
Index
title_new From Film Practice to Data Process :
title_sort from film practice to data process : production aesthetics and representational practices of a film industry in transition /
publisher Edinburgh University Press,
publishDate 2022
physical 1 online resource (288 p.) : 70 colour illustrations
contents Frontmatter --
Contents --
Acknowledgements --
Preface --
Tables and Figures --
CHAPTER 1 Digital Film Production Studies --
CHAPTER 2 Digital Film Production People --
CHAPTER 3 Digital Film Production Time --
CHAPTER 4 Digital Film Production Space --
CHAPTER 5 Digital Film Production Representations --
CHAPTER 6 Digital Film Production Preservation and Access --
CHAPTER 7 Epilogue --
Practitioner Filmography --
Ginger & Rosa Full Credit List --
Filmography --
Bibliography --
Index
isbn 9780748693597
9783110780437
9780748693580
url https://doi.org/10.1515/9780748693597?locatt=mode:legacy
https://www.degruyter.com/isbn/9780748693597
https://www.degruyter.com/document/cover/isbn/9780748693597/original
illustrated Not Illustrated
doi_str_mv 10.1515/9780748693597?locatt=mode:legacy
oclc_num 1306540549
work_keys_str_mv AT atkinsonsarah fromfilmpracticetodataprocessproductionaestheticsandrepresentationalpracticesofafilmindustryintransition
status_str n
ids_txt_mv (DE-B1597)614430
(OCoLC)1306540549
carrierType_str_mv cr
hierarchy_parent_title Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2018
is_hierarchy_title From Film Practice to Data Process : Production Aesthetics and Representational Practices of a Film Industry in Transition /
container_title Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2018
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